sat 31/05/2025

Reviews

Die Zauberflöte, Glyndebourne Festival review – high jinks in the Grand Mozart Hotel

Die Zauberflöte rarely attracts the plain cooks of the operatic world. Mozart’s farewell opera chucks so many highly-spiced ingredients into its outlandish pot – pantomime and parable, burlesque and ritual – that many productions opt for one show-...

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Pavarotti review - enjoyable but superficial survey of a superstar

One of the most memorable moments in Ron Howard’s documentary about Luciano Pavarotti is one of its earliest scenes. It’s a chunk of amateur video shot when Pavarotti visited the Teatro Amazonas in Manaus, a splendid Belle Epoque structure in the...

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Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

The City of London is an ecological disaster. Around Bank, Mansion House and Cannon Street there’s scarcely a green leaf to be seen. Glass, steel, concrete and tarmac create an environment that excludes plant life, birds and insects and is...

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Varda by Agnès review - a richly moving film farewell

French director Agnès Varda looks back over a cinematic career of seven decades in this a richly moving film farewell, finished not long before her death at the end of March, aged 90. It’s structured around a series of masterclasses in which she...

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The Lion King review - a dazzling photocopy

The cynicism of this film’s existence squeezes all the feeling from it. It approaches cherished childhood memories of the original The Lion King (1994) with a view to remonetising them. Technological advances apart, there’s no reason at all for this...

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Yorkshire Sculpture International review - Hepworth and Moore loom large

Sculpture is as much a part of Yorkshire as cricket and a decent cup of tea, with the “sculpture triangle”, comprising four prestigious museums and galleries, feeling almost as well-established as the county’s famed rhubarb triangle. Now the...

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Gwen review - gothic horror set in north Wales

This gothic yarn set in 1850s Snowdonia stars Maxine Peake as Elen. She’s left alone with two young daughters to manage an isolated farm when her husband goes off to war. Mysterious omens – a sheep’s heart filled with nails festoons the farm...

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Boogarins, Jazz Cafe review - psychedelic hues and Brazilian grooves

I never quite know where I stand with with jazz. The endless, drifting circular loops of sound, subversive grooves and syncopated rhythms are like having the same conversation over and over, with slightly different turns of phrase and emphasis on...

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k.d.lang, Brighton Dome review - superb revival of classic album

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation...

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The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

One of the glories of contemporary London theatre is its revivals of classic American drama. Year after year, audiences are able to revisit and enjoy the great landmarks of postwar American playwriting from greats such as Arthur Miller, Tennessee...

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The Day We Walked on the Moon, ITV review - it was 50 years ago to the day

It was on 16 July 1969 that Apollo 11 lifted off from Florida en route for the Moon, and exactly 50 years later, as we nervously anticipate the dawn of commercial flights into space, the event resonates louder than ever. Here, Professor Brian Cox...

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Inside the Social Network: Facebook's Difficult Year, BBC Two review - how big can it get?

Not everybody is on Facebook, yet. So far, Mark Zuckerberg’s social media monolith has only managed to scrape together about 2.3 billion users, roughly one-third of the planet. But as this fascinating documentary revealed, Facebook’s plans are huge...

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