Reviews
Tommy Tiernan, Shepherd's Bush Empire review - playful and poeticFriday, 19 April 2019
Tommy Tiernan is something of an institution in his native Ireland, as a stand-up comic, newspaper columnist, sometime chat show host and full-time controversialist. Now his appearance as Da Gerry in Channel 4's Derry Girls has brought him to a... Read more... |
Loro review – hedonism must have an endFriday, 19 April 2019
"Them" - the "loro" of the title (with a further play on “l’oro”, gold) - denotes the mostly sleazy opportunists willing to use and be used by "him" ("lui"), "Presidente" Silvio Berlusconi in his septuagenarian bid for an extended sexual and... Read more... |
Get The Blessing, Hare & Hounds, Birmingham review – West Country cats lay down some jazzy soundsFriday, 19 April 2019
Get The Blessing are a band whose music never fails to conjure up images of someone like Steve McQueen driving along a coastal Californian road, looking cool as you like in very dark shades, sat in an open-top sports car from a seriously stylish... Read more... |
Chimerica, Channel 4 review - fake news, true dramaThursday, 18 April 2019
Chimerica is a stage-to-screen adaptation that has certainly kept up with the times. When it opened at the Almeida back in 2013 – a West End transfer followed, along with an Olivier award for Best New Play – Lucy Kirkwood’s drama was (very... Read more... |
Sweet Charity, Donmar Warehouse review - Sixties style over substanceThursday, 18 April 2019
For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical. From the numerous Andy Warhol homages to Charity’s silver minidress... Read more... |
Dragged Across Concrete review - Mel Gibson's hard-boiled highThursday, 18 April 2019
Mel Gibson’s vile drunken rants a decade ago, his 63 years and the price of both inform his role as cop Brett Ridgeman. Writer-director S. Craig Zahler won’t comment. But as Ridgeman and patrol partner Anthony (fellow Hollywood right-wing rarity... Read more... |
Trust Me, Series 2, BBC One review - hospital killer chillerWednesday, 17 April 2019
Great, a new drama not by the Williams brothers. Instead it’s Dan Sefton’s second iteration of his medical thriller Trust Me, last seen in 2017 starring Jody Whittaker. Since she’s off being Doctor Who, the new series has a new cast, with John... Read more... |
Greta review – Isabelle Huppert goes full psycho in eccentric stalker thrillerWednesday, 17 April 2019
Isabelle Huppert is famed for the chilly intensity of many of her performances, and a willingness to mine all manner of darkness and perversity – her recent, award-laden turn in Elle being a good example. So it’s surprising how rarely she’... Read more... |
Javier Perianes, QEH review - not a Spanish fire-eater but a world-class poetWednesday, 17 April 2019
Expect no cliches about toreador pianism. Red-earth flamboyance is not Javier Perianes' style, and the seven dances he offered in his programme - eight including an encore - by fellow Spaniard Manuel de Falla were not the most consistently engaging... Read more... |
Three Sisters, Almeida Theatre review - middle of the road with flashes of magicWednesday, 17 April 2019
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival of Tennessee Williams's Summer and Smoke, rescuing the play from obscurity and showcasing the star qualities of actor Patsy Ferran. Now Frecknall and... Read more... |
John Mayall, Ronnie Scott's review – the legend on his own termsWednesday, 17 April 2019
John Mayall keeps up one hell of a touring schedule for an 85-year-old. Last night's early set at Ronnie Scott's was the first of a three-night, two-houses-per-night stint at the club. And these performances come on the tail-end of around 35... Read more... |
Back to Life, BBC Three review - Daisy Haggard finds laughs in prison releaseTuesday, 16 April 2019
Pre-publicity for Back to Life has been all about its stablemate. This new six-part comedy comes from the same producers who brought you Fleabag, and the hope is that the Midas touch is catching. It seems unlikely, on the face of it, to follow the... Read more... |
