Reviews
CD: Hozier - Wasteland Baby!Thursday, 28 February 2019
In the summer of 2014, there was little getting away from Hozier's "Take Me to Church". Whenever you turned on the TV or the radio there it was. It wasn't just in this country. Eventually, the song became number one in 12 countries and number 2 in... Read more... |
Così fan tutte, Royal Opera review - fine singing and elegant deceitsWednesday, 27 February 2019
Give hope to all, says Despina: play-act. Così fan tutte has always been a piece about four young and silly people being appalling to one another without much need for encouragement from a cynical old manipulator and a confused maid who, in the main... Read more... |
Anthem review - singing praises? More like a cautious nodWednesday, 27 February 2019
Anthem is an unusual game. Unlike most of its current peers it lacks any numbers after its name, making it a brand new slice of intellectual property in a risk-adverse market, where the big money is only invested in sure-fire hits. It’s also... Read more... |
This Time with Alan Partridge, BBC One review - a man out of time?Tuesday, 26 February 2019
“I’ve remained a vital presence on the fringes of TV Land,” argues Alan Partridge in an interview with Radio Times, the man whose latest claim to… well, not fame, but at least he has been presenting Mid Morning Matters on North Norfolk Digital. For... Read more... |
The Animals and Children Took to the Streets, Lyric Hammersmith review - enchanting graphic novelTuesday, 26 February 2019
Whenever I hear the word "cosmopolitan" I think of Europe in the 1920s: German Expressionism, Russian Constructivism, Czech eccentricity, Swiss DaDa, Italian Futurism and French Surrealism. With music from Weimar cabaret and visuals by Soviet agit-... Read more... |
Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennuiTuesday, 26 February 2019
It's a decade since Pina Bausch sadly died, and during that time her company has kept her memory alive by revisiting her amazingly rich legacy. Inevitably, though, the time would come for them to embark on a new phase; but how? The unique mix of... Read more... |
Lou Sanders, Soho Theatre review - shame put under the spotlightTuesday, 26 February 2019
Have you ever felt the hot shame of saying or doing the wrong thing? Not just embarrassment – that's for amateurs, says Lou Sanders in her wonderfully honest and revealing show Shame Pig, in which she essays some of her life's red-faced moments.... Read more... |
Oscars 2019: Olivia Colman crowned queen of HollywoodMonday, 25 February 2019
The 91st Academy Awards began with a rousing concert appearance from Queen to kick off a show from which Bohemian Rhapsody led the field with four trophies. Three host-free hours later, the ceremony got a surprise shot of adrenaline from the... Read more... |
Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - new work trumpets a sun journeyMonday, 25 February 2019
The BBC Philharmonic and its chief guest conductor John Storgårds introduced their Manchester audience to two new things – possibly three – in this concert. One was a world premiere, and you can’t get much newer than that. The other big item was a... Read more... |
George Szirtes: The Photographer at Sixteen review – how grief becomes artSunday, 24 February 2019
How long does it take for grief to crystallise into art? No timetable can ever set that date. The poet George Szirtes’s mother took her own life, after previous attempts, during the hot summer of 1975 in the outer London suburbs where she lived. The... Read more... |
Reissue CDs Weekly: Eric DolphySunday, 24 February 2019
The tapes from which Musical Prophet: The Expanded 1963 New York Studio Sessions is sourced were found in a suitcase Eric Dolphy had given to musical polymath Hale Smith and his wife Juanita before setting off on a European tour in 1964. What was... Read more... |
Sam Bourne: To Kill the Truth review - taut thriller of big ideasSunday, 24 February 2019
Great libraries burning, historians murdered: someone somewhere is removing the past by obliterating the ways the world remembers. Erasing the histories of slavery and the Holocaust, of blacks and Jews, is just the beginning. The premise of Sam... Read more... |
