Reviews
Reissue CDs Weekly: Charles MingusSunday, 20 January 2019
Releases dedicated to previously unisssued live recordings can be tricky. The variables at play don’t necessarily ensure that what’s in the shops is worth investigating. The audio sources may be of sub-standard quality or capture an off night. Some... Read more... |
Mary Queen of Scots review - Saoirse Ronan and Margot Robbie excelSaturday, 19 January 2019
Very much a woman of today, the Catholic Stuart heroine (Saoirse Ronan) of Mary Queen of Scots frequently hacks her way out of a thicket of power-hungry males, enjoys it when her English suitor Lord Darnley (Jack Lowden) goes down on her, and is... Read more... |
Bang on a Can All-Stars, Kings Place review - a kaleidoscope of vibrant sound and visionSaturday, 19 January 2019
Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why the compositions of Rebecca Saunders, in the news for winning the €250,000 Ernst von Siemens Music Prize, make me... Read more... |
Glass review - shattered Shyamalan sequelSaturday, 19 January 2019
M Night Shyamalan is the Orson Welles of twist-ending fantasy, forever condemned to reach back to his first two successes. The Sixth Sense still stands alone, though its haunted chill shivers through much recent horror. His surprise 2016 hit Split,... Read more... |
Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halvesSaturday, 19 January 2019
The big news on this programme was Schoenberg’s Pelleas and Melisande. This early score, completed in 1903, is a sprawling Expressionist tone poem, making explicit all the passions in Maeterlinck’s play that Debussy only implies. The story plays out... Read more... |
Monsters and Men review - an impressive debutSaturday, 19 January 2019
This well-crafted addition to the films inspired by the Black Lives Matter movement is subtler and less commercial than last year’s The Hate U Give but covers similar terrain. Writer-director Reinaldo Marcus Green sets Monsters and Men in... Read more... |
American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the FreeFriday, 18 January 2019
The multi-costumed Lucy Worsley is television marmite, loved or loathed: her gesticulating enthusiasm can grate, as can her stream of bland platitudes. Typically the title is Worsley-twee, evoking fibs instead of lies and falsehoods; are we in the... Read more... |
Murrihy, Britten Sinfonia, Elder, Barbican review – a country feastFriday, 18 January 2019
As the January chill began to bite around the Barbican, Sir Mark Elder and the Britten Sinfonia summoned memories of spring and summer – but of sunny seasons overshadowed by the electric crackle of storms. On the face of it, they offered us a... Read more... |
Beautiful Boy review - well-acted but a slogFriday, 18 January 2019
The tortuous road to addiction and back again – or maybe not – makes for a faintly tedious experience in Beautiful Boy, notwithstanding the committed performances of an A-list cast. On the road to his second consecutive Oscar... Read more... |
The Unreturning, Theatre Royal Stratford East review - hymn to homeFriday, 18 January 2019
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first season having begun in September last year, has been widely seen as part of a new wave of cultural leaders who are expected to shake up the country's... Read more... |
Winterreise, Gerhaher, Huber, Wigmore Hall review - wintry beautyThursday, 17 January 2019
As Wigmore Hall audiences really ought to know, silence can be golden. Especially at the close of Schubert’s Winterreise, as the uncanny drone-like fifths of the hurdy-gurdy in “Der Leiermann” fade away into – well, whatever state of mind the singer... Read more... |
The Daughter-in-Law, Arcola Theatre review - searing simplicityThursday, 17 January 2019
There’s a stark power to Jack Gamble’s production of DH Lawrence’s The Daughter-in-Law, which has transferred to the Arcola’smain stage after an acclaimed opening run in the venue’s downstairs studio last May. It still plays with a concentrated... Read more... |
