tue 02/09/2025

Reviews

Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature

In a small town on the Polish-Czech border where the mobile signal wanders between countries’ operators and only three inhabitants stick it out through the winter, animals are wreaking a terrible revenge. The bodies of murdered men, united in their...

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theartsdesk in Cologne: urban boutique on the Rhine

The terrace beside the restaurant in Cologne’s Stadtgarten – the city park – is heaving. Agreeably so. A bar and a food counter facing onto it are fringed by rows of long tables. Overhanging trees unite in a canopy suggesting this might be forest...

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Reissue CDs Weekly: Stella Chiweshe

Until now, hearing the extraordinary “Ratidzo” was all-but impossible. The original single is rare and has not been reissued before. It begins with a plaintive whistle which sets the scene for a hypnotic and beautiful rotating pattern of single...

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Prom 74, Theodora, Arcangelo, Cohen review - coherent and compelling Handel

This was the first complete performance of Theodora at the Proms, one of a series of Handel oratorios initiated with William Christie’s Israel in Egypt last year. Theodora is more often performed today as a staged opera, most famously in the Peter...

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The Seagull review - Chekhov classic gets the all-star treatment

A starry and mostly American cast does well by The Seagull, Chekhov's eternally moving portrait of egomania run wild and self-abasement turned tragically inward. Combining two major players from the New York theatre world in director Michael Mayer (...

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Square Rounds, Finborough Theatre review - the science behind warfare, told in verse

The title of Tony Harrison's teacherly entertainment – it can't be called a play – refers to the square bullets invented by James Puckle to kill Muslims in the 18th century. This shocking morsel of information is provided by the brothers Hiram and...

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The Miseducation of Cameron Post review - learning the right way

This is Desiree Akhavan’s second film, following on from her rather ironically titled Appropriate Behaviour of 2014. That was a coming-out drama about a bisexual, Iranian-American woman, whose story closely reflected the director’s own – and Akhavan...

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Prom 72, War Requiem, RSNO, Oundjian review - the pity, and the spectacle, of war

A day after John Eliot Gardiner and wandering violist Antoine Tamestit had converted the Royal Albert Hall into a sonic map of Hector Berlioz’s Italy, conductor Peter Oundjian and his full-strength divisions transported us to the Western Front....

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The Humans, Hampstead Theatre review - a riveting family portrait

Transatlantic theatrical traffic is busier than ever, and now here at the Hampstead is not just Stephen Karam’s Tony-winning play, first seen in 2015, but director Joe Mantello and his full Broadway cast. It seems fitting that they should travel...

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The Rake's Progress, British Youth Opera review - perfect poise in slippery Stravinsky

So it's been sellouts for half-baked if well-cast productions of The Rake's Progress and now Britten's Paul Bunyan at Wilton's Music Hall, while British Youth Opera's classy Stravinsky in the admittedly larger Peacock Theatre, several hundred yards...

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Marvel's Spider-Man review - fandom fodder at its finest

Spider-Man is among the most popular videogame characters in the history of gaming. His swing and climb ability, plus a bit of meaty hand-to-hand combat, some nifty web shooter gadgetry, a slick repertoire of one liners and a cracking all-in-one...

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Prom 71, DiDonato, Tamestit, ORR, Gardiner review - concert Berlioz as bracing theatre

How do you make your mark in a crucial last week after the Olympian spectaculars of Kirill Petrenko's Proms with the Berlin Philharmonic? Well, for a start, you stay true to recent principles by getting as many of your period-instrument Orchestre...

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