Reviews
Daliso Chaponda, Touring review - uneven but entertainingMonday, 16 April 2018
You may have seen Daliso Chaponda on Britain's Got Talent last year. He came third but, as he says, he was delighted as it brought him to a wider audience after working in comedy for 15 years – and made possible his first UK tour What the African... Read more... |
Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issuesSunday, 15 April 2018
“Wham bam, thank you, ma’am” might be one response to this polemical, wry, hilarious and affecting series of counterintuitive essays by one of the most original and unexpected thinkers around. Barbara Ehrenreich has described herself as a “myth-... Read more... |
Reissue CDs Weekly: Brian JamesSunday, 15 April 2018
Brian James’ opening cut is “The Twist”. Not the Sixties dance-craze song, but a melodic guitar-driven rocker simpatico with what Australian bands The Hoodoo Gurus, The New Christs and The Screaming Tribesman were dealing in during the late 1980s.... Read more... |
Amy Sackville: Painter to the King review - portrait of the artist in shadow and lightSunday, 15 April 2018
Inevitably, the story begins and (almost) ends with Las Meninas. Inspired by the art and life of Diego Velázquez, Amy Sackville tops and tails her third novel with his endlessly enigmatic group portrait from 1656. It shows the Spanish royal... Read more... |
The Moderate Soprano, Duke of York's Theatre review - love and opera with a flinty edgeSaturday, 14 April 2018
"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of... Read more... |
Voices of America, English National Ballet review - a punchy programme of contemporary balletSaturday, 14 April 2018
A new William Forsythe ballet is quite a coup for English National Ballet; the choreographer hasn't made a piece in Britain in 20 years. Premiered last night as part of ENB's Voices of America triple bill at Sadler's Wells, Forsythe's Playlist (... Read more... |
Igor Levit, Wigmore Hall review – music for the agesSaturday, 14 April 2018
Frederic Rzewski marked his 80th birthday with a visit to the Wigmore Hall, for the premiere of his aptly titled Ages. The pianist Igor Levit is an ardent champion of Rzewski’s music and was the prime mover behind the commission (though it was... Read more... |
Arcade Fire, Wembley Arena review - sensational spectacleFriday, 13 April 2018
The Stones do it. U2 too. It takes immense and lordly clout for a touring band to breeze into town and each night summon a major recording artist to step onstage for some party fun. For Arcade Fire’s first night at Wembley Arena it was Chrissie... Read more... |
Chicago, Phoenix Theatre review - baggy revival picks up later paceFriday, 13 April 2018
Chicago has been on, in one form or another, for a very long time. The original Broadway production in the Seventies ran for 936 performances; the 1997 London revival was the longest-running American musical in West End history; and it feels like... Read more... |
Lady Macbeth of Mtsensk, Royal Opera review - bleak rigour and black comedy still cast a spellFriday, 13 April 2018
Anyone who's seen Richard Jones's rigorous production before will remember the makeover – Katerina Izmailova, bored and brutalised housewife released by sex and murder from her shackles, having her drab bedroom expanded and redecorated in deliberate... Read more... |
Law and Order, BBC Four review - not a fair copFriday, 13 April 2018
In the late 1970s the British establishment sustained a bloody nose. Roland Huntford published his debunking of Captain Scott and Anthony Blunt was outed as the Fourth Man, while the Old Etonian Liberal party leader Jeremy Thorpe was tried for... Read more... |
Dickson, SCO, Swensen, Queen's Hall, Edinburgh review - world premiere of a bold new workFriday, 13 April 2018
It’s as intricate as it is concise. The depth to the architecture of James MacMillan’s Saxophone Concerto – which was given its world premiere this week by saxophonist Amy Dickson and the Scottish Chamber Orchestra – is quite astounding, and all the... Read more... |
