Reviews
Ouija: Origin of EvilFriday, 21 October 2016
A prequel to Ouija (2014), Ouija: Origin of Evil zooms back to a mid-Sixties Los Angeles that's all miniskirts, white PVC boots, splendid chromed-up Chevrolets and Studebakers and clangy garage-band pop music. Our hosts are widowed mom Alice Zander... Read more... |
Mafia IIIFriday, 21 October 2016
Mafia III starts strong, really strong. You find yourself in the blood-stained boots of Lincoln Clay, a Vietnam veteran, returning to his Deep South homestead after a last tour of duty. It’s 1968, racism is rife and New Bordeaux, a faux New Orleans... Read more... |
Rodin and Dance: The Essence of Movement, Courtauld GalleryThursday, 20 October 2016
This is an inspired and beautifully curated exhibition. It is subtitled The Essence of Movement, but it could equally be called The Essence of Art. What marks it out is not only the sensitively selected and tightly focused content, but also its... Read more... |
Jack Reacher: Never Go BackWednesday, 19 October 2016
Four years on from Tom Cruise's debut as Jack Reacher in Jack Reacher, here he is doing it again. Not a lot has changed. Cruise eerily continues not to age (does the Scientology robotics division know something we don't?), Jack Reacher is still the... Read more... |
Billy Budd, Opera NorthWednesday, 19 October 2016
"That cursed mist" may hide the French from the crew of the HMS Indomitable and cause far more deadly damage to moral certainty. But clarity and strength are the assets of Orpha Phelan's new production for Opera North: no gimmicks, superb company... Read more... |
Ordinary Lies, Series 2, BBC OneWednesday, 19 October 2016
The concept is somewhere between single drama and series: to stay in one place while shifting focus from one character to another. Paul Abbott did it in Clocking Off, telling a different story each week about a group of workers in a Manchester... Read more... |
Blue Heart, Orange Tree TheatreWednesday, 19 October 2016
Q: How do you review a show that includes lines that ask “can my mouth swallow my mouth”? A: With difficulty, but I should be okay as long as I resist the temptation of being as surreal as Caryl Churchill is in this double bill of two short, but... Read more... |
The Red Barn, National TheatreTuesday, 18 October 2016
At first, I was a bit confused by the play’s title. After all, David Hare gave his 1998 adaptation of Arthur Schnitzler’s La Ronde the moniker of The Blue Room, which coincidentally is the same title as Mathieu Amalric’s very recent adaptation of a... Read more... |
Zehetmair, LPO, Jurowski, RFHTuesday, 18 October 2016
This is how new and modern music should be done. In the London Philharmonic, we had an orchestra well-prepared to meet technical challenges and resolved to making sense from them. Vladimir Jurowski is a conductor who places faith in composers and... Read more... |
Paxman on Trump v Clinton: Divided America, BBC OneTuesday, 18 October 2016
Could Jeremy Paxman explain the inexplicable, so that viewers could begin to understand the meaning of the astonishing theatre that is the 2016 American presidential election? We can hardly even grasp the plot, let alone the coming denouement and... Read more... |
One Night in Miami..., Donmar WarehouseTuesday, 18 October 2016
Kemp Powers’s play is set in a motel room in Miami on the night of 25 February 1964, after Cassius Clay (as Muhammad Ali then was) had earlier beaten Sonny Liston to gain the world heavyweight title. He is joined by two friends, the singer Sam Cooke... Read more... |
Tutankhamun, ITVMonday, 17 October 2016
Freshly minted for ITV's Golden Age of Empire slot on Sunday nights, this new four-parter breezily splices together Edwardian derring-do toffery with a patina of Indiana Jones and (not least in the music) a miasma of Lawrence of Arabia. Our story... Read more... |
