Reviews
Heather Neill
Shakespeare must have relished the opportunities brought by the indoor Blackfriars Theatre in 1611: sound magnified in a way impossible outdoors, magical stage effects in the semi-darkness, possibly even fireworks - and all at a time when the masque was the most fashionable theatre form. The Tempest, written especially for the venue, includes a masque and has masque-like properties throughout. Modern directors sometimes provide an equivalent, using whatever technology is at their disposal now, as Greg Doran did in 2016, introducing a digital avatar Ariel while also giving the betrothal masque Read more ...
Kieron Tyler
Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through journeying into inner space, much of what’s described – the album’s words are largely spoken – is allegorical, coming across as beatnik-style reportage documenting a form of psychedelic experience.This seeming exploration of inner space resulted in the album’s narrator discovering that they were born a horse, one which developed wings. Spiritual bonds are also found. A bird is discovered within. Musically, the album is similarly audacious: jazz-psychedelia, or Read more ...
Helen Hawkins
The man whose name sounds like a major aviation accident, private detective Cormoran Strike, is back, with his sidekick Robin, for more of the lobster quadrille that is their relationship.This sixth series still uses those classy credits – footage of the leads in faded 1970s browns, with a typeface straight out of movies of that era and overlaid with Beth Rowley’s intense lyrics “You and me, me and you… I’ll walk beside you.” What follows is all too familiar as well: a dark new case that’s long-windedly puzzling and taxing. Ditto the pair’s continuing inability to declare the deep Read more ...
Katie Colombus
My Spotify Wrapped this year is somewhat at odds with my Album of 2024. A ‘Van Life Folie Americana’ phase of Spring (presumably due to the actual VW trip to the Costa Brava at Easter) followed by the ‘Cinnamon Softcore Art Deco’ moment in early Summer – which I largely owe to Lana del Rey live at Reading Festival prep, has been trumped by an underdog that should Spotify have picked up on, would have read something like ‘Eclectic, Unhinged, Buenos Aires Basement Rave’ chapter.Being a massive nerd for NPR’s Tiny Desk concerts, I began to play CA7RIEL & Paco Amoroso on Youtube repeat as Read more ...
Gary Naylor
Broadway shows sometimes hit the West End like, well, like a comet, burning brightly but briefly (Spring Awakening, for example), while others settle into orbit illuminating Shaftesbury Avenue with a neon blaze every night for years.So it might be a wise decision to install Dave Malloy’s much-awarded, 2016 musical, Natasha, Pierre & the Great Comet of 1812, in the bijou Donmar Warehouse – fortunately, it’s a gem of a show.“It’s not exactly War and Peace!” was a meme before there were memes, said of anything that was a little too facile to satisfy, the slabby novel a shorthand reference Read more ...
Rachel Halliburton
The Wild Arts Ensemble was founded by Orlando Jopling in 2022 to create a dynamic, pared-back style of performance in which, as he put it, the “costumes, set and props… can be packed up into a couple of suitcases that we can take with us on the train”.Part of the aim, as with an increasing number of ensembles these days, is to tour in a way that’s more environmentally sustainable, but it’s also resulted in fresh and vivid re-readings of classics that are igniting enthusiasm around the country.This production of the Messiah is currently the jewel in their crown, a supple, energetic Read more ...
graham.rickson
It’s difficult to believe that the last stop-motion Wallace and Gromit short graced our screens way back in 2008. Describing the pair’s new outing as a return to form is unnecessary: this duo never lost it in the first place.Wallace & Gromit: Vengeance Most Fowl is a direct sequel to 1993’s The Wrong Trousers, a deserved Oscar-winner which, despite lasting just 30 minutes, has a marvellous cinematic sweep, every frame loaded with detail. Co-director Nick Park originally intended Vengeance Most Fowl to last half an hour, “but we started thinking of more ideas… it kept growing bigger.” The Read more ...
aleks.sierz
Can men really love each other – without sex? Or, to put it another way, how many different forms of male love can you name? These questions loiter with intent around the edges of Tom Stoppard’s dense history play, which jumps from 1936 to the High Victorian age of the 1870s and 1880s, and is now revived by the Hampstead Theatre starring Simon Russell Beale.First staged in 1997 at the National Theatre, the play tells the story of AE Housman (Beale), the Victorian classical scholar and poet who wrote A Shropshire Lad, that collection of yearning lyricism. This revival, however, raises Read more ...
Boyd Tonkin
When does a concert become a ceremony? You generally visit the Barbican for art rather than ritual. Yet, during the Academy of Ancient Music’s performance last night, the bulk of a packed house still stood up for the “Hallelujah” that closes the second part of Handel’s Messiah.This charming, or plain odd, British folk-tradition supposedly derives from George II having done the same in 1743 – although there’s no evidence that the monarch ever rose to the occasion. In any case, it indicates that many of those who rightly love Messiah still treat it as much more than an especially fine Baroque Read more ...
Helen Hawkins
How do you refresh a masterpiece? Bringing back his first and still greatest hit, Swan Lake, Matthew Bourne seems to have changed only minor details since its 1995 premiere at Sadler’s Wells. Its core brilliance is untouched.As usual with Bourne, the production will have been adjusted slightly with each iteration, but it’s possible to compare the 30th anniversary version with the 1995 one, of which handily there is a DVD. The accumulated tweaks are minor. The giant crown hanging in the Prince’s rooms is now a vibrant scarlet, as is the Queen’s ballgown, popping out of her otherwise black Read more ...
Sebastian Scotney
Kenny Barron’s Beyond This Place is glorious. Whereas I’ve found some of the more talked-about albums of 2024 either been uneven or unfocused – as if attracting debate is more important than just setting out to make a great album – everything just works so well here.We are treated to the most fluent playing from young alto saxophonist Immanuel Wilkins I have heard to date. The way in which the recording has captured Johnathan Blake’s shimmering and empathetic busy-ness is just fabulous. The quintet is often reduced to duos and trios, and that gives the individual musicians, and Read more ...
Kieron Tyler
Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits – said of their February 1968 second album, The Beat Goes On, that “on one side of the bombastic concept LP, Vanilla Fudge summed up the history of music from Mozart, through Cole Porter and Elvis, to The Beatles concluding that it was all worthless.”“On the other side,” continued Hibbert. “Fudge unleash on the unwary listener their vision of the ‘now generation,’ in the form of a dull reworking of Sonny Bono’s ‘The Beat Goes on.’ This was the recurring Read more ...