Reviews
Peter Culshaw
Nestling amid the area in the woods where they have the gong baths and the kora-makers and back massages was an art installation by Graeme Miller - basically, you lay back on a trolley while an intern/elf pushed you through the woods while you ponder the underside of leaves and the sky. WOMAD does give you a different perspective anyway - a welcome respite from post-Brexit, pre-Trump xenophobia - and as a live celebration of global musical treasures it remains unmatched.There was a sense, though, of things you had taken for granted, having added relevance. When the virtuoso Vishwa Moham Bhatt Read more ...
Saskia Baron
Sweet Bean is one of those slow, gentle Japanese fables that one either loves or finds infuriatingly sentimental. Directed by documentarian Naomi Kawase, a film festival favourite whose features rarely make it to the UK, it played in Cannes’ Un Certain Regard section and divided the critics. The French and Americans loved it, while hard-nosed British critics scoffed. Adapted from a novel, it’s the story of Sentaro, who makes dorayaki (little pancake purses stuffed with sweet red bean paste) and sells them from a corner shop in a Tokyo back street. Masatoshi Nagase plays Sentaro as a Read more ...
james.woodall
Some years ago broadcaster Andy Kershaw introduced on BBC World Service radio a piece of Brazilian music with this blunt dismissal: “When I hear a track by, say, Gilberto Gil, I tell myself: ‘Right, time to take the lift and go to bed’.” It wasn’t a terribly joined-up complaint, but (in Kershaw-speak at least) it made sense.He’d arguably chosen the wrong musician for his swipe – Gil remains relentlessly inventive and, at 74, fantastically dynamic – but it was clear what he was getting at. A lot of Brazilian (or Brazilian-inspired) pop music has, at half-cock, made it into hotel lobbies and Read more ...
Marina Vaizey
A gorgeous white horse with flowing mane, poised and alert in a rocky landscape next to a watchful lion, is an extraordinary study of suppressed tension. A wistful North American moose, a herd animal living on its own on the Duke of Richmond’s estate; a monkey about to eat a crab apple – these are some of the subjects depicted by that artist of genius, the Liverpudlian George Stubbs (1724-1806). Just under 30 paintings, drawings and prints gathered from private and public collections worldwide tell a story well beyond the equine subjects for which Stubbs is best known.His father was a currier Read more ...
Richard Bratby
By the end of Act One of The Yeomen of the Guard there's been a jailbreak, a clandestine marriage, a swapped identity and a cancelled beheading. The chorus sings, halberds are brandished, and a jester jests. Even by Gilbert and Sullivan standards, it’s one heck of a tangle. And then, in John Savournin’s touring production, the stage clears and, true to Gilbert’s directions, Elsie faints in Fairfax’s arms while silhouetted behind them, masked and motionless, stands the grim figure of the executioner. At which point you start to realise that the only way Gilbert’s going to be able to solve his Read more ...
Stuart Houghton
Just when fans were beginning to think it would never appear, Act IV of Cardboard Computer’s arthouse point ‘n’ click adventure, Kentucky Route Zero has appeared like a lonely delivery truck on a misty highway. Have you played Kentucky Route Zero?You can check out our reviews of earlier episodes but here is a quick precis: Conway, an ageing delivery man is trying to make one last delivery for an antique company run by an exilover. He stumbles upon a cast of unusual characters and end up traversing the mysterious lost highway of the title. Surreal encounters and allegorical musing on death, Read more ...
Sebastian Scotney
"Jazz,” said Keith Jarrett once, “is there and gone. It happens. You have to be present for it. That simple." For an audience, it produces a never-to-be repeated event: yes, you were there, and you didn’t miss it. One of the pleasures of seeing a group at the peak of contemporary jazz like The Impossible Gentlemen is to witness that joyous, open-minded and defiant spirit. In six years of existence, and now presenting their third album, the trust between the members of the group has visibly deepened. There is also a sense they are evolving, that they can and will go still further.The rhythmic Read more ...
Bernard Hughes
The Aurora Orchestra’s gimmick at Prom 21 was the same as in the last two seasons: playing a major classical symphony from memory. This was touted as an “astonishing feat” by the concert’s on-stage presenter Tom Service but, although unusual, is it really that extraordinary? When I go to the opera I am not moved to congratulate the singers on performing without music. In fact, the lingering on what should be an incidental feature was in danger of obscuring a more interesting point: the excellence of the orchestra’s actual playing.In terms of difficulty, Mozart’s Symphony No 41 was less of a Read more ...
David Nice
Like Prokofiev in his full-length ballet a century later, Berlioz seems to have been inspired by Shakespeare's Romeo and Juliet to bring forth his most compendious score. John Eliot Gardiner, who knows and loves every bar of light and shade in this great Berlioz kaleidoscope, offered even more of it than usual at last night's Prom.As on his unsurpassable recording with the Orchestre Révolutionnaire et Romantique, where they appear as supplements, we also got the second Prologue for semichorus omitted from the final version, orchestrated by Oliver Knussen, and the extra bars of the Latin Read more ...
Kieron Tyler
As the album featuring Simple Minds’ first Top Twenty single, “Promised You a Miracle”, 1982’s New Gold Dream (81-82-83-84) was aptly titled. After the success of the next single “Glittering Prize”, it hit number three in the album charts. Five albums in and three years after their first single, Simple Minds were indeed touching gold.Whether their breakthrough into the mainstream was a miracle or not depends on how the band is seen. The album preceding New Gold Dream (81-82-83-84) was actually issued as two separate records: Sons and Fascination and Sister Feelings Call. Each featured a Read more ...
Hanna Weibye
"If you know anything about dance," I was told last night by an aged balletomane at the Royal Opera House, "you know that Russian ballet companies are the best." If this is true then the Bolshoi Ballet, biggest of the Russian companies, in Swan Lake, that most quintessential of ballets, must be awe-inspiring.In many ways, it is, and deliberately so. Yuri Grigorovich's production may be less bombastic than his Sleeping Beauty, but it's still heavy on grandeur and light on naturalism. Instead of a forest or pastoral setting for Act I, Grigorovich presents a dignified, ruthlessly scripted and Read more ...
Jasper Rees
“I’m here, I’m here, I’m here,” sang John Cale in the droning voice of Major Tom. Whether the spirit of David Bowie was indeed hovering over the Albert Hall for this impromptu memorial late-night Prom is not easily answered. The shape-shifting Bowie who stayed ahead of the game was honoured in a set lasting nearly two hours and covering 47 years of music-making from 1969 to 2016. But anyone hoping to catch a spacemobile back to 1973 was not to be humoured. Those who turned up with lighting-bolt faces should have been warned: this ain’t rock’n’roll, this is contemporary classical.The set was Read more ...