Reviews
Boyd Tonkin
For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no longer look like isolated peaks but integrated parts of a spectacular range. The ensemble founded by violinist Adrian Chandler delves deep into the archives to recover neglected music not just as a nerdish passion (though there’s nowt wrong with that) but the basis for practical performing editions that restore these lost sounds to life.At the Wigmore Hall, their “Giro d’Italia” series will span the 18th-century peninsula. It began with a seven-course Read more ...
Jack Barron
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive single thought, uttered always in a characteristically reflective and deceptively simple grammar: "thinks" and "says" are the main verbs of this thought, the syntactic centres around which he constructs his gently serious investigations into the life and limits of various verbal worlds.His books – "novel", "novella", or "short story" can seem aptly unjust – make repeated returns to the edges of Read more ...
David Nice
Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand which may have belonged to Haydn, both in the Cobbe Collection at Hatchlands, Surrey? He clearly cares about the possibilities of any instrument on which he plays, so the natural consequence is maximum sonority on a modern Steinway. Too cultured to deafen, as Beatrice Rana did in this small space, he still compels you to listen to every note.You feel that Haydn would have loved the startling fullness with which the Sonata in F, HXV1/29 began. Rabinovich Read more ...
Simon Thompson
Carmina Burana isn’t a masterpiece: it’s primarily a bit of fun; fun to listen to, fun to play, really fun to sing.Few and far between are the performances where it ever manages to be much more than that, though this RSNO concert came close, mainly thanks to the conducting of Marzena Diakun, making her debut with the orchestra. The faster, louder sections were kept on an admirably tight leash so that the opening two "Fortuna" choruses really crackled, and the rumbustious choruses in the tavern were a hoot, the percussion giving it what can only be described as “welly.”The bite and precision Read more ...
mark.kidel
Kenny Barron, revered as the best jazz pianist around, is a perfect gentleman and a master of “cool” – a quality once described in great depth by the American Africanist Robert Farris Thompson, in an article originally published in African Arts in 1973.The term has today lost most of its original meaning. It evokes the ability to be totally present without showing off, to do more with less, and to evoke a kind of spiritual purity and healing. In Yoruba culture, as the New York priest John Mason once told me, the cool is the domain of the god Obatala, the one who tempers with judgment rather Read more ...
Robert Beale
Anna Clyne’s This Moment had its UK premiere at Saturday’s BBC Philharmonic concert. She’s the orchestra’s composer in association, and this seven-minute piece was first played by the Philadelphia Orchestra last year.Inspired by the calligraphy of the late Vietnamese Buddhist monk, Zen Master and peace activist Thích Nhất Hạnh, it’s (in the words of the composer) “a response to our collective grief and loss in recent years” and very much a meditation on death. Not too cheerful a subject, you might think, but Thích Nhất Hạnh said that when you meditate on death you love life more, and that was Read more ...
Sebastian Scotney
The British writer and Africa specialist Michela Wrong recently wrote a whistle-stop summary of the upheavals that afflicted Congo in the early 1960s:“A botched independence swiftly followed by army mutinies and attempted secession by two renegade provinces, egged on by a colonial power. A charismatic black leader who comes to a sticky end, aged just 35. A first-of-its-kind UN military operation climaxing in a mysterious plane crash and the secretary-general’s death. Cold War skullduggery of the most nefarious kind, with a poison vial stowed in a safe. Not one, but two, coup d’états.”These Read more ...
Adam Sweeting
It has been nearly 25 years since Russell Crowe enjoyed his Oscar-winning finest hour as Maximus in Ridley Scott’s thunderous epic, Gladiator, and now Sir Ridley has brought us the next generation. Stepping up to the plate is Paul Mescal as Lucius (now known as Hanno), who finds himself an enslaved gladiator in Rome after an Imperial fleet has conquered his homeland of Numidia (Algeria, more or less).Like the original film, which is specifically quoted several times, this one opens with a spectacular set-piece as Roman general Marcus Acacius (Pedro Pascal) leads his massed triremes towards Read more ...
Kieron Tyler
“Let's walk down memory lane the Magazine way. Let's regurgitate fifth-rate Low [the David Bowie album] period pieces. Let's plonk plonk plonk with ponderous sub-Pink Floydery. Let's do the wallpaper waltz. This is not pushing back the barriers. It's frighteningly bland conservatism.”So said Garry Bushell in his March 1979 Sounds review of Magazine’s second album Secondhand Daylight. He went on. “'Silly Thing' [the single by the rump Sex Pistols] is one hundred times more exciting. 'Unconventional People' [the then-recent Royal Rasses single] is one hundred times more relaxing. [Sham 69’s] ' Read more ...
mark.kidel
Will Bob Dylan’s Never Ending Tour ever come to an end? Two years on from the last UK tour, he’s returned, with substantially the same band, once again mostly featuring material from his brilliant album Rough and Rowdy Ways (2020). He’s a little less steady on his feet, but remains as present as ever, clearly enjoying being on stage and contact with an audience that welcomes him with love as well as uncritical adulation.There is a routine: he mostly starts out standing beside Tony Garnier, his wonderfully supple root of a bass player, with a handheld mic, but not for long. He soon moves over Read more ...
David Nice
Sparkling Italian comic opera might have been just the tonic at this time. Trouble is, the bar was set so high recently by Wexford Festival Opera’s Le convenienze e inconvenienze teatrali, aka Viva la Mamma, that this better known, less malleable if more romantic Donizetti comedy came across as flat, one-dimensional and not very funny (I laughed out loud once; maybe I need to get out less). Which is a shame, because the singers deserved better.They already faced three big problems. First, the spaces at the Coliseum – too big an auditorium for an intimate comedy, albeit with a major role for Read more ...
Helen Hawkins
Valiant souls who have recently read the Margaret Atwood trilogy on which this new Wayne McGregor piece for the Royal Ballet is based will be at home with its time-shifting eco-sci-fi narrative. The rest of us, not so much.The appeal of the basic plot is clear: how big pharma coped with a devastating pandemic that has wreaked havoc on an increasingly plundered Earth. (NB the novels appeared between 2003 and 2013, long before the pandemic; and McGregor’s first planning, collaborating with the National Ballet of Canada, to create a piece on them, began in 2017.) Restocking the world with Read more ...