sun 24/08/2025

Reviews

Bridget Riley: The Curve Paintings 1961-2014, De La Warr Pavilion

If they remember the 1960s at all, the ageing population of Bexhill-on-Sea will remember Bridget Riley for her black and white experiments in perception. The iconic results of this line of enquiry can still result in a “happening” for the eyeballs....

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Tristan und Isolde, Longborough Festival

It’s well-known that Wagner shelved The Ring two thirds of the way through in favour of Tristan with the aim of producing something that could be put on quickly in a conventional theatre. Of course, it didn’t quite work out that way. Yet Tristan,...

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Entourage

Some people are irritated by Entourage’s superficial depiction of Hollywood as a bro fantasy world, but this is like condemning a soufflé for not being a roast chicken. For those like myself who enjoyed Entourage the television series, Entourage the...

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Hang, Royal Court Theatre

One of the most talented playwrights to emerge in the 2000s, debbie tucker green is a law unto herself. The best word to describe her is uncompromising. When I interviewed her in 2003 she refused pointblank to answer any questions about her West...

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We Want You To Watch, National Theatre

“We’re completely pro sex.” Rashdash, who collaborated with Alice Birch on this anarchic challenge to pornography, are not objecting on prudish grounds – their concern is the corrosive impact of degrading, dehumanising material. We are all...

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Thomas Chatterton: The Myth of the Doomed Poet, BBC Four

The young casualty of genius fires imaginations and fills coffers. Last year Dylan Thomas’s centenary was vastly celebrated. The Amy Winehouse industry is still shifting units. The spell cast by Sylvia Plath seems not to diminish. A Janis Joplin...

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Les Combattants (Love at First Fight)

A twist on the battle between the sexes and the romance which blooms after the dust has settled, Les Combattants pitches the reticent Arnaud into the path of the intimidating Madelaine. While the outcome is never in doubt, true love is only achieved...

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Supersonic Festival, Birmingham

The Supersonic Festival of the weird and the wonderful may now be in its 12th year but it is still more than living up to its long-running tag-line, “For curious audiences”. This year, an eager audience was treated to sets by both the Will Gregory...

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Humans, Channel 4

New sci-fi series aren't exactly a dime a dozen on British TV, awash as it usually is with serial killers, cops and costume dramas, so the fact that Humans not only exists but is also bold and fresh-looking triggers instant brownie points. It...

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Tommy Tiernan, Soho Theatre

Tommy Tiernan tells us not to take him seriously at the start of his latest show, Out of the Whirlwind. “I’m like a cow mooing for the sake of mooing,” he says – which neatly explains the surreal riffs in a mesmerising 80 minutes, but also lets him...

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Fighting History, Tate Britain

For all the wrong reasons, the work of Dexter Dalwood serves as a useful metaphor for this exhibition. Trite, tokenistic and desperate to look clever, Dalwood’s paintings are as tiresomely inward-looking as the show itself, which is a dismal example...

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Die Entführung aus dem Serail, Glyndebourne

What a difference seven years can make to a budding genius. Mozart’s La finta giardiniera (1775) has only patches of brilliance, and last year’s Glyndebourne production, despite musical excellence, failed them all. This time an experienced director...

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