Reviews
Tsujii, RLPO, Petrenko, Philharmonic Hall, LiverpoolFriday, 21 November 2014
The knots on the purse-strings have certainly been untied at the Royal Liverpool Philharmonic and it was good to hear another world première in less than a week. This time it was the turn of Michael Torke, the composer of Ecstatic Orange and Yellow... Read more... |
Far Cry 4Friday, 21 November 2014
When is more too much? Far Cry 4 continues to expand the freedom enshrined in the freeroaming, first-person shooter series, but this time takes things perhaps too far, diluting the games' core appeal.The Far Cry games have always delicately struck a... Read more... |
God Bless the Child, Royal Court TheatreThursday, 20 November 2014
Much of the recent programming of the Royal Court has flaunted a preference for gimmicky gestures rather than the hard work involved in developing new playwrights. So after its staging of book adaptations, fictional documentaries and monotonous... Read more... |
Winter SleepThursday, 20 November 2014
This year’s Palme d’Or winner at Cannes, Turkish master Nuri Bilge Ceylan’s Winter Sleep (Kiş Uykusu), is a monumental film. Not merely in its scale – though at 196 minutes, it certainly clocks in on that front – but in its emotional heft.It’s like... Read more... |
Vogt, LPO, Nézet-Séguin, Royal Festival HallThursday, 20 November 2014
Music lovers invariably divide into two factions over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B flat Second Concerto. I’m a D minor man myself... Read more... |
Confessions of a Copper, Channel 4Thursday, 20 November 2014
This will have brought a nostalgic tear to the eye of fans of The Sweeney (the TV show, not the Ray Winstone movie) or GF Newman's still-shocking 1978 series Law and Order. The producers had rounded up seven retired policepersons and got them to... Read more... |
BBC Singers, BBCSO, Pons, BarbicanThursday, 20 November 2014
Had the BBC Symphony Orchestra been at full stretch, rather than in the neoclassical and otherwise selective formations of last night’s concert, it might have outnumbered the live audience. Perhaps I exaggerate, but not much; this was never going to... Read more... |
What We Do in the ShadowsThursday, 20 November 2014
Clearly the makers of this delightful film from New Zealand have watched a lot of movies, as so many are neatly and obliquely referenced – Nosferatu, The Blair Witch Project, The Lost Boys, Grease, to name just a few - in a comic tale about a group... Read more... |
Behind the Beautiful Forevers, National TheatreWednesday, 19 November 2014
Behind the Beautiful Forevers, David Hare's adaptation of Katherine Boo's Pulitzer Prize-winning book, works as both play and portent. Viewed on its own terms, the evening grips throughout in its embrace of the multiple contradictions of... Read more... |
Triptych, Rambert, Sadler's WellsWednesday, 19 November 2014
How long should a dance programme be? Opera and theatre habitués can be surprised by outings to contemporary dance, where the pieces might be shorter than the intervals, and a 7:30 start could see you comfortably on the 9:15 train home. But the... Read more... |
L'Elisir d'Amore, Royal OperaWednesday, 19 November 2014
“Watch out for the dog!” instructs Covent Garden’s programme for its latest revival of L’elisir d’amore. These creatures do have a way of stealing shows, but the canine who dashed across the flat Italian cornfield after Dr Dulcamara’s decrepit lorry... Read more... |
Daphnis et Églé/La Naissance d'Osiris, Les Arts Florissants, Christie, BarbicanWednesday, 19 November 2014
Were it not for William Christie and Les Arts Florissants, the vocal and instrumental ensemble he started in Paris in the 1970s, the beauties of the musical French Baroque might have remained a dusty fact of pre-Revolutionary history. As it is,... Read more... |
