Reviews
Guy Oddy
Somewhat amusingly, the sign outside Birmingham’s O2 Academy on Saturday stated that the evening’s entertainment was to be provided by “Frank Carter and Members of the Sex Pistols”. In a way, it was a bit misleading, suggesting that the original and greatest British punk band was going to be backing a relative newcomer rather than that they were touring with a new front man and, no doubt was more driven by John Lydon’s lawyer than what was going to happen on stage.So, with the former Johnny Rotten having taken a hissy fit and leaving the fold, the Sex Pistols rocked up in the Brum to play the Read more ...
Kieron Tyler
White Roses, My God isn’t a Low album. It couldn’t be. Mimi Parker, Alan Sparhawk’s wife and partner in Low, died in November 2022. And despite Low’s many musical twists and turns, Sparhawk’s public return to music sounds nothing like any of Low’s outings across their 13 studio albums, the first of which was issued in 1994.The opening track is “Get Still.” Its melodic bed comes from a keyboard line played on what sounds like a pre-digital synth: perhaps a Korg or a Mini-Moog. A glitchey beat provides underpinning. The vocal combines a treatment similar to that heard on Neil Young’s 1982 album Read more ...
Kieron Tyler
As the name of a music genre, new jack swing was coined in an issue of the Village Voice dated 18 October 1987. Writer Barry Michael Cooper was profiling producer, songwriter and member of the R&B trio Guy, Teddy Riley when he created a tag exemplifying the mix of R&B and hip-hop which had hit super-big in 1986 with Janet Jackson’s Jimmy Jam and Terry Lewis-produced Control. Riley was on the same wavelength, and Cooper recognised a groundswell.Swingbeat was interchangeable with new jack swing, but it was the latter which caught on. So When TLC and SWV emerged in 1992 they were swiftly Read more ...
Robert Beale
“Mozart, made in Manchester”, the project to perform and record an edition of the piano concertos plus all the opera overtures, seemed a distant destination and an unlikely marathon when Manchester Camerata embarked on it eight years ago.But with Jean-Efflam Bavouzet and Gábor Takács-Nagy sticking with it through thick and thin (including Covid), they got to the final tape last night at the Stoller Hall in Chetham’s School of Music. The hall didn’t even exist when it all began: the first performances were at the Royal Northern College of Music. But the idea has slowly taken flight and Read more ...
Helen Hawkins
Why do production companies think the world needs yet another reconstituted TV drama involving famous people in infamous situations? Newspapers and non fiction books already do a great job of telling these stories of intrigue and scandal: why is a TV adaptation a viable improvement?This is especially true when key moments of the action necessarily take place behind the closed doors of Fortress Firm and are effectively unknowable. All the production team can do is hire a decent writer to indulge in gifted speculation while they come up with a budget for securing the cream of the acting crop Read more ...
Adam Sweeting
“Let the train take the strain”, as the old advertising slogan urged us. The train in this six-part drama has to soak up a whole world of strain, as it’s taken over by cyber-hijackers who demand a huge ransom before they’ll consider relinquishing their technological grip.The train is called "The Heart of Britain", and it’s the night sleeper service from Glasgow to Euston. Some viewers may detect resemblances between this and Idris Elba’s Apple TV plane-drama Hijack, or (in a more rail-orientated vein) Snowpiercer, but Nightsleeper does at least have the distinction – well, kind of – of being Read more ...
Justine Elias
Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she calls herself and, indeed, in a stylized self-portrait, she does seem to have the placid, watchful gaze of a ewe.After 16 years as a working artist in Brussels, Barry inherited her father’s Wexford farm and grew her flock. Today she tends 29 white Lleyn sheep, whose black-lined eyelashes make them look like hung-over nightclubgoers who fell asleep in their makeup.In Cara Holmes’s lyrical documentary, Barry – and the sheep and the Border Collie watching Read more ...
Markie Robson-Scott
If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally insubstantial – may not be for you.French director Coralie Fargeat’s second feature (her first was Revenge in 2017, a rape-revenge thriller) is a stylised commentary on the female body, Hollywood, sexism and ageism. It’s over-long and repetitive but still packs a gloriously hyper-real punch, shot by Benjamin Kracun, full of vivid colour, wide-angled lenses and movie references such as Carrie, Alien, The Elephant Man, Frankenstein, Barbie, with a Psycho shower-head Read more ...
Thomas H. Green
Sometimes a gig suddenly and completely elevates. Such is the case tonight when Moby, on his first UK tour in 12 years, plays “Extreme Ways”, his 2002 anthem for hedonism and its desperate consequences. What has been an adequately entertaining night blossoms into something more riveting. The 20,000-strong O2 crowd, previously mostly seated, rise en masse, move and sing along. The place is a-buzz.Perhaps this is because it’s the moment when Moby finally owns the stage. He is up front on guitar, delivering the song like a classic rock turn. Much of his multi-million-selling back catalogue, Read more ...
Harry Thorfinn-George
“Are you a serial killer?” asks a woman sitting in a pick up truck with a man she just met at a bar. The neon sign from the motel they are parked outside bathes the couple in cool, blue light. “Do you have any idea of the risks a woman like me takes every time she agrees to have a bit of fun?” As we see this very woman being chased by the same man in the next scene, we wouldn’t be wrong to assume Strange Darling is a cat-and-mouse thriller with a #MeToo slant. Instead, this twisty and bold film from JT Mollner (Outlaws and Angels) will spend the next 96 minutes toying with these assumptions. Read more ...
Saskia Baron
It’s a bold move to give a UK cinema release to this fierce courtroom drama about a French left-wing intellectual who was assassinated in1979. Pierre Goldman isn’t exactly a well-known figure on this side of the Channel, but perhaps the distributors hope that after the recent box-office success of Anatomy of A Fall and Saint Omer, there’s a whetted appetite for another forensic examination of the French legal system.Certainly anyone who goes to see The Goldman Case will find much to admire in this claustrophobic but utterly absorbing film. Director Cédric Kahn has restaged the 1976 trial of Read more ...
Veronica Lee
You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoë Coombs Marr, which she performed at this year’s Edinburgh Fringe and is now in its Soho Theatre residency. It’s an hour that takes on some big themes – sexuality, mental health, the state of comedy – while digging down into her life as she reaches 40, and has done something of a stock check.For the most part it works as Coombs Marr talks us through not what we may consider to be the big life events of weddings and funerals, but those brief moments we experience that stick in our Read more ...