Opera
The Killing Flower, Linbury Studio TheatreFriday, 25 October 2013
In this classical anniversary year we’ve had masses of Wagner and Verdi, plenty of Britten (and still more Britten) but not much has been heard of 2013’s other birthday-boy, the notorious Carlo Gesualdo – prince, priest, composer and murderer. Best... Read more... |
Greek, Music Theatre Wales, Linbury Studio TheatreTuesday, 22 October 2013
“Fancy my mum? I’d rather go down on Hitler.” When the verbal violence of Steven Berkoff meets Mark-Anthony Turnage’s musical iconoclasm, the result is unlike any Oedipus story you’ve ever heard. Well, except for the shagging his mum bit. That’s... Read more... |
The Rape of Lucretia, Glyndebourne TourSunday, 20 October 2013
“Aren’t you sick of Britten yet?” asked a colleague three-quarters of the way through the composer’s centenary year. Absolutely not; there have been revelations and there still remains so much to discover or re-discover. Yet re-evaluation can sour... Read more... |
The Seckerson Tapes: Conductor Gianluca MarcianòSunday, 20 October 2013
Bowing in at the London Coliseum for the latest revival of Anthony Minghella’s sumptuous staging of Puccini’s Madam Butterfly, conductor Gianluca Marcianò is fast building a reputation as one of the most thoughtful and stylistically incisive of... Read more... |
Les Vêpres Siciliennes, Royal OperaFriday, 18 October 2013
First fanfare had to be for the Royal Opera House’s main gambit in Verdi bicentenary year, staging its first ever Sicilian Vespers 158 years after the Paris premiere. Any of Verdi’s operas from Rigoletto onwards deserves the red carpet treatment,... Read more... |
Madam Butterfly, English National OperaTuesday, 15 October 2013
When the going gets tough, wheel out a crowd-pleaser. Even by its own volatile standards English National Opera has had a poor start to its autumn season, with productions of Fidelio and Die Fledermaus that seem destined to join the company’s ever-... Read more... |
Jason/Agrippina, English Touring OperaWednesday, 09 October 2013
English Touring Opera has form when it comes to baroque opera. Handelfest in 2009 marked the composer’s 250th anniversary with a sequence of excellent stagings, while 2010’s The Duenna was a riotous and irreverent musical delight, and there was an... Read more... |
Patrice Chéreau, 1944-2013: a partial viewTuesday, 08 October 2013
It has to be partial, because out of the 10 opera productions from the iconoclastic French actor-director, who died yesterday of lung cancer at the age of 68, I’ve seen but two, on screen only – but a big two at that – and only three of his 11 films... Read more... |
The Seckerson Tapes: Fidelio in BergenSunday, 06 October 2013
In the listening room of Grieg Hall, Bergen, a concert hall sometimes masquerading as a theatre and vice versa, I talk to Mary Miller, director of Bergen National Opera, and Andrew Litton, music director of the venerable Bergen Philharmonic... Read more... |
Roberto Devereux, Welsh National OperaThursday, 03 October 2013
Whatever it was about the kings and queens of England that so intrigued Donizetti, it certainly wasn’t their politics. The third, and last, in WNO’s autumn cycle shows Elizabeth once again in a state of unrequited love with one of her rebellious (... Read more... |
The Wasp Factory, Linbury Studio TheatreThursday, 03 October 2013
A baby's brain is polished off by a throbbing welter of maggots. A field of sheep are on fire. A screaming child whose hands have been tied to a kite is flying out over the North Sea. How do you make an opera out of any of this? The answer of course... Read more... |
Die Fledermaus, English National OperaTuesday, 01 October 2013
Rich, racy, randy and irreverent: such were the R words gathered up by a Canadian critic to capture the essence of Christopher Alden’s production of Johann Strauss’s cork-popping operetta when it premiered in Toronto last year. Other R words, alas,... Read more... |
