sun 01/06/2025

Features

The Seckerson Tapes: Edward Gardner Interview

Edward Gardner is no longer English National Opera's best kept secret. The former choral scholar and repetiteur goes from strength to strength helming ENO through productive and interesting times. The world's stages are now beckoning. During a break...

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theartsdesk in Toronto: Luminato Hosts Wainwright and Malkovich

Operatic history of Aids: Peter McGillivray embraces Neema Bickersteth in Dark Star Requiem

To get a feel for whether an arts festival has truly penetrated a city’s psyche, it helps to strike up a conversation with local Starbucks baristas. That’s why I was grateful to be asked one recent evening in Toronto, “So what exactly is Luminato...

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Dinner with Caetano Veloso

You forget how fast the night descends in the tropics, in half an hour the light goes, the sun disappearing with a grand melodramatic finality. You understand the Mexican tribe who believe without their prayers it will never rise again. But it...

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All Das Jazz: the Berlin Phil swing with Wynton Marsalis

"It was only on Monday afternoon that the final scores of three of the movements were put into my hands," says Sir Simon Rattle, chuckling at the memory and casting a mock glance of disapproval at the composer and trumpeter Wynton Marsalis who is...

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Nigel Kennedy's Polish Adventure

Brilliant though it was to be shooting an Imagine film for BBC One, we did experience the occasional tremor of foreboding about making a programme with Nigel Kennedy. We (that's me and director Frank Hanly) had a bit of previous with Nigel - I'd...

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theartsdesk in Rome: Orchestral Manoeuvres on the Dark Side

One of the downsides of the international media’s obsession with the crimes and misdemeanours of Silvio Berlusconi and his make-it-up-as-you-go-along style of government is that anything that doesn’t fit in with the overall narrative of the crazed,...

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The Epic of England: Adapting Morte d'Arthur

The RSC’s Morte d’Arthur is not what you’d call a rushed job. John Barton, the company’s advisory director, has been on a mission to see the work performed for at least 50 years. The director Greg Doran had also been wanting to stage Malory’s epic...

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Interview: Michael Winner on collecting Donald McGill

This week a new exhibition with no pretence to seriousness opens at Tate Britain. Rude Britannia: British Comic Art is a comprehensive tour of a great national tradition: having a laugh in a line drawing. The show covers the boardwalk from Gilray...

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The Seckerson Tapes: Finishing Mozart's Unfinished Opera

Wolfgang Amadeus Mozart: the restoration of his unfinished opera 'Zaide' is the current labour of love for Ian Page

The Classical Opera Company does exactly what it says on the tin and over the last few years has refreshed parts of the repertoire and corners of the nation that their bigger and more illustrious counterparts never reach. Conductor and artistic...

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European Festivals 2010 Round-Up

Istanbul, Turkey, 3-30 JuneThe 38th annual music festival in the jewelled city of culture-clash continues its strong classical showing with Radu Lupu and Lang Lang, the Borodin Quartet and Riccardo Muti conducting the Vienna Philharmonic. Equally...

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Mick Gordon on directing The Tempest

The central character in Shakespeare's final play, The Tempest, is a betrayed Duke called Prospero. Prospero means omniscient panic: an apt name for an all-powerful creator of tempests and general wreaker of revenge. However, the profound appeal of...

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theartsdesk in Istanbul: Salzburg, Here We Come

A traditional melting-pot: 'Istanbul would lose its identity if it became too local.'

At a sprawling car plant in the suburbs of north-eastern Istanbul mechanics are busy repairing camshafts and dynamos, applying blow torches to the undercarriages of a range of luxury cars and retouching paintwork. Visitors to the building are met by...

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