thu 22/05/2025

Features

theartsdesk in Fes: A world music festival that's a beacon of tolerance

You are or maybe wish you were at Glastonbury this weekend. Not me. I last went six years ago and it’s just too big for me. And you need about four different passes to get backstage should you have a good or a bad reason to get there. Too...

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First Person: Who is Mozart's fake garden girl?

La finta giardiniera is about seven characters in search of love. They are all pretending to some extent – they are not being truthful to themselves. It’s a classic Mozartian conceit which comes back in Così fan tutte in particular but also in Le...

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First Person: Gotta Have Faith?

A still Sunday morning in late October… the sky monotone grey… my friend and I are on a fact-finding mission in Jackson, Mississippi. We drive to the outskirts of the city, take a left onto Hanging Moss Road, and see ahead of us, in isolation among...

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David Schneider Makes Stalin Laugh

When Dostoyevsky was asked why he wrote Crime and Punishment he famously replied, “To further my career and get shortlisted for book prizes.” He didn’t, of course. I made that up. But what artist/writer/actor creates a piece of art/writing/acting...

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'Here they come again': Zulu at 50

I can remember the exact moment that Zulu grabbed me. I was seven at the time and watched the film at some now-defunct widescreen cinema in Brighton early in 1964, probably just a few weeks after it was released.I had been intrigued by the posters...

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American TV not always better, claims BBC boss Danny Cohen

Here at theartsdesk we still receive the occasional missive from readers on several continents incensed at the BBC's axing of Zen in February 2011, a decision taken by then-controller of BBC One Danny Cohen. Zen didn't get a mention in Cohen's...

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theartsdesk in Transylvania: An unearthed Dr Dolittle and disquieting shadows

Transylvania in Northern Romania remains yoked to the memory of Vlad the Impaler, the ruthless individual immortalised as Dracula in Bram Stoker's novel, but, on a sunny midsummer week in early June, the mood was anything but stygian in Cluj, the...

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Extracts: John Tusa - Pain in the Arts

In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a brisk new book that urges arts and politicians to...

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theartsdesk at The Inntöne Jazz Festival

New Orleans. New York. Kansas City. Chicago. These are the places where the soul of jazz breathes free. In London, you’d head to Soho. Dalston, or Camden; none of these places have a blade of grass to share between them. Jazz must be one of the most...

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theartsdesk in Dresden and Berlin: Happy Birthday, Richard Strauss

Richard Strauss was born in Munich 150 years ago today. Christian Thielemann is celebrating the fact by conducting the Staatskapelle Dresden in the juiciest of all-Strauss operatic potpourris, a festive concert to be held in the city’s glorious...

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East End Film Festival 2014: Preview

Sprawling over the East End of London for the next thirteen days and boasting an illuminating line-up of new voices, retrospectives and debate in its 13th year, the East End Film Festival ensures no cinematic rock is left unturned with its bold...

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Marina Abramović: 512 Hours, Serpentine Gallery

I’ll admit, there's a scene that made me well up during the excellent Marina Abramović biopic The Artist is Present. If you've seen it you’ll know the scene I mean – it’s where Ulay, Abramović’s former partner, in art and in life, takes the seat...

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