wed 23/07/2025

jazz

Music Reissues Weekly: Mike Taylor - Pendulum, Trio

Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was of live recordings, the other of studio material. Of the nine tracks on the latter, three were co-written by the...

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Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the rhythm section has more in common with the motorik groove of Can and the general atmosphere is closer to the...

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Album: Kokoroko - Tuff Times Never Last

This second album from London-based septet Kokoroko welcomes you into its warm embrace with the gorgeous, beatific vocal harmonies of “Never Lost” anchored by drummer Ayo Salawu's pulsating backbeat. A horn-driven celebration of West African...

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Brad Mehldau Trio, St George's Bristol review - exquisite intelligence

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing forms constantly reveal lines of shared thought, explicitly, yet purveying an abiding sense of wonder....

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theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical Fuck Storm, Sparks, The Sisters of Mercy and more

VINYL OF THE MONTHFrank From Blue Velvet I Am Frank (Property of the Lost) + Column258 Interloper (The Workshop Sessions, Volume One) (Property of the Lost)Hastings label Property of the Lost has grown into a potent force, its stable of artists...

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Edward Burra, Tate Britain review - watercolour made mainstream

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour...

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Album: Mary Halvorson - About Ghosts

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first time her playing really leaps out on her new album is during second cut “Carved Form,” where it weaves through...

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theartsdesk on Vinyl 90: Small Faces, ESKA, Luvcat, Dope Lemon, Celia Cruz, Monolake and more

VINYL OF THE MONTHEmily Saunders Moon Shifts Oceans (The Mix Sounds)It’s de rigeur nowadays, if you love music, to love Joni Mitchell. She is, of course, a great soul, but her music never connected here. That said, I have a favourite Joni Mitchell...

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Songlines Encounters, Kings Place review - West African and Anatolian magic

Songlines Encounters is your round-the-world ticket to great world music and performances, a chance to travel widely in music and culture without the burden of check-ins, passport control, flight delays, or transfers. All you need do is get to...

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Louis Cole, Roundhouse review - nothing is everything

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album nothing – his fifth album and third on Brainfeeder. This one-night-only performance, featuring Cole on drums and...

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Music Reissues Weekly: 1001 Est Crémazie

It would have been hard to pick up a copy of the album credited to and titled 1001 Est Crémazie in 1975. Just 500 copies were pressed. It didn’t reach shops but was circulated amongst the musicians playing on it, their friends, families and fellow...

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theartsdesk on Vinyl 89: Wilco, Decius, Hot 8 Brass Band, Henge, Dub Syndicate, Motörhead and more

VINYL OF THE MONTHRattle Encircle (Upset! The Rhythm)Rattle are an unusual band. Consisting of Nottingham duo Katharine Eira Brown and Theresa Wrigley, their set-up is two drum kits, with which they build simple hypnotic patterns then add repetitive...

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