jazz
Brad Mehldau Trio, St George's Bristol review - exquisite intelligenceWednesday, 25 June 2025
There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing forms constantly reveal lines of shared thought, explicitly, yet purveying an abiding sense of wonder.... Read more... |
theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical Fuck Storm, Sparks, The Sisters of Mercy and moreTuesday, 24 June 2025
VINYL OF THE MONTHFrank From Blue Velvet I Am Frank (Property of the Lost) + Column258 Interloper (The Workshop Sessions, Volume One) (Property of the Lost)Hastings label Property of the Lost has grown into a potent force, its stable of artists... Read more... |
Edward Burra, Tate Britain review - watercolour made mainstreamWednesday, 18 June 2025
It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour... Read more... |
Album: Mary Halvorson - About GhostsWednesday, 11 June 2025
Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first time her playing really leaps out on her new album is during second cut “Carved Form,” where it weaves through... Read more... |
theartsdesk on Vinyl 90: Small Faces, ESKA, Luvcat, Dope Lemon, Celia Cruz, Monolake and moreWednesday, 28 May 2025
VINYL OF THE MONTHEmily Saunders Moon Shifts Oceans (The Mix Sounds)It’s de rigeur nowadays, if you love music, to love Joni Mitchell. She is, of course, a great soul, but her music never connected here. That said, I have a favourite Joni Mitchell... Read more... |
Songlines Encounters, Kings Place review - West African and Anatolian magicSaturday, 17 May 2025
Songlines Encounters is your round-the-world ticket to great world music and performances, a chance to travel widely in music and culture without the burden of check-ins, passport control, flight delays, or transfers. All you need do is get to... Read more... |
Louis Cole, Roundhouse review - nothing is everythingSaturday, 10 May 2025
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album nothing – his fifth album and third on Brainfeeder. This one-night-only performance, featuring Cole on drums and... Read more... |
Music Reissues Weekly: 1001 Est CrémazieSunday, 20 April 2025
It would have been hard to pick up a copy of the album credited to and titled 1001 Est Crémazie in 1975. Just 500 copies were pressed. It didn’t reach shops but was circulated amongst the musicians playing on it, their friends, families and fellow... Read more... |
theartsdesk on Vinyl 89: Wilco, Decius, Hot 8 Brass Band, Henge, Dub Syndicate, Motörhead and moreWednesday, 09 April 2025
VINYL OF THE MONTHRattle Encircle (Upset! The Rhythm)Rattle are an unusual band. Consisting of Nottingham duo Katharine Eira Brown and Theresa Wrigley, their set-up is two drum kits, with which they build simple hypnotic patterns then add repetitive... Read more... |
Kenny Garrett, Ronnie Scott's review - a mixed bagMonday, 07 April 2025
The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of Art Blakey’s Jazz Messengers, the launching-pad for scores of talented young musicians.Influenced by the... Read more... |
Music Reissues Weekly: Ibex Band - Stereo Instrumental MusicSunday, 06 April 2025
Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by what was credited as the “Sun Shine Music Shop,” an enterprise which seems to have left no additional imprint. No further “Sun... Read more... |
Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Barbican review - sounds above substanceMonday, 17 March 2025
Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too long). Wynton Marsalis is a great man, but his Fourth, “The Jungle”, is no masterpiece, not even a symphony – a dance suite,... Read more... |
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