Theatre
Rutherford and Son, National Theatre review - authentic northern taleTuesday, 28 May 2019
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial north in Edwardian times. Her 1912 classic, Rutherford and Son, has been regularly revived over the past 30 years, and now the National Theatreis... Read more... |
User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thoughtTuesday, 28 May 2019
Who is that slithering on the floor by your foot, or coming to rest by or upon your knee? Audiences lucky enough to find themselves at User Not Found, the latest from the ever-enterprising site-specific company Dante or Die, should be prepared to... Read more... |
Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclassTuesday, 28 May 2019
This brilliantly conceived and executed show is about provenance in art. It’s also about our perceptions of the truth. However, it’s a show where it would be churlish to reveal too much of what goes on. This is, of course, perverse since some will... Read more... |
Our Town, Regent's Park Open Air Theatre review – small-town tale that raises profound existential questionsMonday, 27 May 2019
Our Town was written shortly before World War Two about a small town in America in the years leading up to World War One, yet it makes its extraordinary impact by focusing its lens on details as apparently unexciting as pond-water. Just as a... Read more... |
The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollarsThursday, 23 May 2019
Mammon and Yahweh are the presiding deities over an epic enterprise that tells the story not just of three brothers who founded a bank but of modern America. Virgil asked his Muse to sing of ‘arms and the man’, yet here the theme becomes that of ‘... Read more... |
Superhoe, Brighton Festival 2019 review - a darkly vital one-woman showWednesday, 22 May 2019
Tonight comes with a caveat, delivered before proceedings begin by the one-woman show’s writer and performer Nicôle Lecky, who’s sitting in a chair centre-stage. She damaged her foot during Sunday’s matinee at the Brighton Festival, dancing about,... Read more... |
ANNA, National Theatre review - great thriller, shame about the toneWednesday, 22 May 2019
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or GDR, is the archetypal surveillance state, in which each citizen spies on each other citizen, even if they are intellectual dissidents. The Communist... Read more... |
First Person: Ellen McDougall on finding the commonality in the American classic 'Our Town'Sunday, 19 May 2019
I’ve wanted to direct Thornton Wilder’s Our Town for a long time.The play is beautifully written and its form feels not only ahead of its time (it was written in 1938), but also extremely powerful for a contemporary audience in an open air... Read more... |
Gravity & Other Myths: Backbone, Brighton Festival 2019 review - eyeboggling and very human circus showSunday, 19 May 2019
Shows by Gravity & Other Myths fall into the realm of “contemporary circus”. It’s an off-putting moniker, bringing to mind a performance where there’s no clowning but quite possibly much “thought-provoking” interpretive dance. The decade-old... Read more... |
salt., Royal Court review - revisiting the Atlantic slave tradeSaturday, 18 May 2019
Most of the facts about the Atlantic slave trade are well known; what is less easily understood is how history can make a person feel today. A question which invites an experimental approach in which you test out emotions on your own body. In 2016,... Read more... |
White Pearl, Royal Court review - comic racial stereotypesFriday, 17 May 2019
Artistic Director Vicky Featherstone's commitment to staging a diversity of new voices is very laudable, and with White Pearl she has found a show that is original in setting, if not in theme. Written by Anchuli Felicia King, a New York-based,... Read more... |
My Left Right Foot: The Musical, Brighton Festival 2019 review - foul-mouthed comic brillianceThursday, 16 May 2019
My Left Right Foot tiptoes right to the precipice of massive offense. For some, it tumbles right in. During the interval audience members can be heard tutting at the amount of times “the c-word” is casually thrown around. But it’s not just the... Read more... |
