Theatre
Sauce for the Goose, Orange Tree TheatreSaturday, 22 December 2012
"Doors and sardines. Getting on, getting off. Getting the sardines on, getting the sardines off. That's farce. That's the theatre. That's life." So says one of Michael Frayn's characters in Noises Off. In Sam Walters's giddy revival of Georges... Read more... |
Midnight's Pumpkin, Battersea Arts CentreFriday, 21 December 2012
If you have any young siblings, friends or relatives in need of burning off a little energy, send them directly to BAC. With their open-hearted style of rough, circusy-type theatre, Kneehigh are ideally suited to this circular barn of a room. Taking... Read more... |
Meow Meow's Little Match Girl, Queen Elizabeth HallThursday, 20 December 2012
“How I do love a steely sting in my fairytale ending,” croons Meow Meow, eyes glinting even more brilliantly than her eyeshadow. When she says “sting” a whole army of scorpions couldn’t equal her venom. As the title of this veteran “kamikaze cabaret... Read more... |
The Dance of Death, Trafalgar StudiosTuesday, 18 December 2012
It sounds unlikely but The Dance of Death makes the perfect Christmas play. Half a minute with Strindberg's squabbling couple makes the ordinary family row over underdone/overdone turkey seem like a parlour game. Need a reminder that your relatives... Read more... |
Hymn/Cocktail Sticks, National TheatreMonday, 17 December 2012
“You don’t put yourself into what you write, you find yourself there.” It’s a maxim that has guided a writing career that, insect-like, has made itself at home among the lived detritus of autobiography and memoir. In Alan Bennett’s 2001 Hymn and his... Read more... |
Julien Cottereau: Imagine Toi, Purcell RoomMonday, 17 December 2012
There’s something off stage, something loud and threatening, pulsating in dark red, at the beginning of Julien Cottereau’s solo mime piece Imagine Toi. This is a show of fears and sweetnesses, and there’s no holding back on the former as we progress... Read more... |
theartsdesk Q&A: Composer John KanderSaturday, 15 December 2012
In 1972 John Kander and Fred Ebb were invited by Bob Fosse to a private screening of his film version of their hit stage musical, Cabaret. The movie starred their protégée, Liza Minnelli, who at only 19 had won her first Tony in Kander and Ebb’s... Read more... |
Hansel and Gretel, National TheatreFriday, 14 December 2012
’Tis the season to be jolly. ’Tis also the season to dust off the stories of the Grimms and Perrault and present them as drama, sometimes transmogrified into panto. There are sometimes attempts to go back to source and eschew the tawdry delights of... Read more... |
Viva Forever!, Piccadilly TheatreThursday, 13 December 2012
Viva Forever! isn’t the clunker it’s been labelled. It’s also not the thin gruel of the standard West End jukebox musical. The real problem is that it can never be Mamma Mia!, the globe-conquering, ABBA-derived franchise previously devised by its... Read more... |
In the Republic of Happiness, Royal Court TheatreThursday, 13 December 2012
Christmas plays are a seasonal curse of British theatre. But there are alternatives to pantos and Dickens monologues. At the Royal Court Theatre, there is a tradition of more edgy Christmas fare, with plays by outstanding writers such as Joe Penhall... Read more... |
Privates on Parade, Noël Coward TheatreTuesday, 11 December 2012
It’s brash, jolly, stuffed with wildly politically incorrect language, double entendres and spoof-laden song and dance. But beneath its brightly painted face, its stockings, suspenders and corsets, its uniforms and bravado, Peter Nichols’ 1977... Read more... |
Interview: Martin Crimp in the Republic of SatireMonday, 10 December 2012
Playwright Martin Crimp defies labels. He has been called obscure and oblique, too difficult and, worst of all, too Continental. But although he is feted on the European mainland — George Benjamin’s opera Written on Skin, with text by Crimp, comes... Read more... |
