sat 30/11/2024

Theatre

The Lightest Element, Hampstead Theatre review - engrossing, but fragmentary

British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s Copenhagen (1998) to more recent examples such as Lucy Kirkwood’s Mosquitoes (2017) and Marek Horn’s Octopolis (2023...

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The Band Back Together, Arcola Theatre review - three is a dangerous number

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know –...

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Kim's Convenience, Riverside Studios review - KC and the sunshine vibe

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy cigarettes, nobody so offline that they buy newspapers and nobody eating sweets, priced out by sugar taxes. The...

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The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed Akhtar, whose big hit The P Word was also performed here at the Bush, takes this idea and complicates it – by...

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Our Country's Good, Lyric Hammersmith review - lively but patchy revival

The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker’s 1988 award-winning play about a performance of Farquhar’s The Recruiting Officer by British convicts in a New South Wales penal colony. It’s a piece about a true incident...

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Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories underpinned by a psychological connection, but also on the collective level, belief rising on a tide of shared emotions....

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The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellent

One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten plays that work, right here, right now. He’s struck gold again with The Silver Cord, presenting its first London production for...

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Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiere

For men, navigating through life whilst maintaining strong friendships is not easy (I’m sure the same can be said for women, but Yasmina Reza’s multi-award winning play, revived on its 30th anniversary, is most definitely about men). What brings...

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The Real Thing, Old Vic review - Stoppard classic keeps on giving

When it was first produced in 1982, The Real Thing was a turning point for Tom Stoppard, the play that added to the existing perception of him as an immensely witty, intelligent, very theatrical crafter of dazzling conceits, albeit perhaps...

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G, Royal Court review - everyday realism blitzed by urban myth

I live in Brixton, south London; in my street, for many years, a pair of trainers were up in the sky, hanging over the telephone wires. They were there for years, getting more and more soggy, more and more decayed. Urban myth called them a tribute...

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A Night with Janis Joplin: The Musical, Peacock Theatre review - belting Blues singing in an oddly sanitised format

The signs in the Peacock’s foyer warn that this show features "very loud music”. Exactly what Janis Joplin fans want to hear. This is an evening for them, more a concert than a piece of musical theatre.As a gig-musical, it is a five-star belter,...

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Edinburgh Fringe 2024 reviews: L'Addition / Long Distance / The Sun, the Mountain and Me

L’Addition, Summerhall ★★★★ Bert and Nasi – or, more fully, writers/directors/actors Bertrand Lesca and Nasi Voutsas – are virtually Fringe royalty, having carved out a niche in recent years with playful, provocative shows that question...

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