mon 10/02/2025

black culture

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

In a world tainted with racism and homophobia, the Bush Theatre is something of a refuge from prejudice. As one of the most queer friendly venues in London, it’s no surprise that this theatre is now staging babirye bukilwa’s … Blackbird Hour, a play...

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Play On!, Lyric Hammersmith review - and give me excess of it!

If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show Play On! Take a Shakespearean play’s underlying plot and characters and relocate them for wit and giggles. “Make it a musical...

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Album: Cymande - Renascence

When you’ve achieved the truly sublime, trying to recapture it can be bittersweet. Cymande, for the mere three years they existed in the early 1970s, were one of the very best bands on the planet: a unique mixture of Rasta spirituality and African-...

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The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin MacInnes’s novel of an outsider embracing the temptations and dangers of London.Written a couple of years earlier and set a...

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Nickel Boys review - a soulful experiment

RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves...

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Best of 2024: Visual Arts

I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate...

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The Legends of Them, Royal Court review - reaching out for serenity

I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Cherry Groce memorial, which honours the woman who was wrongfully shot by the Met in 1985, an event which sparked the riots I remember so...

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Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting

Cryptocurrency is like the myth of El Dorado – a promised land made of fool’s gold. Despite its liberatory potential, it frequently attracts sharks or, as the title of Beru Tessema’s new play indicates, hungry wolves that gobble up defenceless sheep...

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Dahomey review - return of the king

Mati Diop’s “speculative documentary” reverses the transatlantic journey of her feature debut Atlantics’ ghost Senegalese migrants, as plundered Beninese artefacts are returned from France. Dahomey is about African displacement and despoilment, and...

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Milisuthando review - exorcising apartheid

“The street I grew up in had no name and is in a country that no longer exists,” director Milisuthando Bongela begins her meditation about growing up in Transkei, a semi-fictional black nation which helped facilitate apartheid yet felt like a utopia...

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A Raisin in the Sun, Lyric Hammersmith review - of race and men

Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also a cultural goldmine. So powerful is its depiction of the postwar African-American experience that it has...

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Album: LL COOL J - THE FORCE

This album only has one serious flaw: LL COOL J didn’t open it with “OK you can call it a comeback”. Sorry, cheap joke (if you didn’t know, his classic hit “Mama Said Knock You Out” starts with the lyric “Don’t call it a comeback!” and this, his...

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