New music
Nick Hasted
Mr. E’s music examines hellish depths, but always climbs back towards the light. Electro-Shock Blues (1998) was soon redeemed by “Mr. E’s Beautiful Blues”, and a trilogy of sometimes feral, wracked albums ended with Tomorrow Morning (2010). As the hard blows of deaths, disaster and divorce were absorbed, The Deconstruction (2018) even found a kind of faith. All things considered, E’s a remarkably optimistic writer.Souljacker was, though, a plunge into heavy darkness with Unabomber vibes, coincidentally released in 9/11’s aftermath. PJ Harvey’s frequent collaborator John Parrish produced, and Read more ...
Harry Thorfinn-George
Around 2017, Thebe Neruda Kgositsile, known professionally as Earl Sweatshirt, said he wanted to push his music in a more experimental direction, to do “riskier shit” to be precise. This need to venture out after being released contractually from Colombia Records resulted in the landmark 2018 album Some Rap Songs and the 2019 EP Feet of Clay some of the most daring and brilliant rap music in recent memory. Sick! is the rapper’s sixth project and feels like a return to the surface after a dive into his own psyche – thankfully he’s come up clear-headed and better than ever. Read more ...
Liz Thomson
“I didn’t even know what I was writing about. It was just sent to me”, John Mellencamp has said of Strictly A One-Eyed Jack, his first album in five years.Lauded by Johnny Cash, Bob Dylan, and Nora Guthrie, who sees in his work echoes of her father Woody, and Bruce Springsteen, who is writ large on this his 24th studio album, Mellencamp really does seem to contain multitudes. From the first notes of “I Always Lie to Strangers”, Jack’s opening track, you’re hooked, grabbed by the lapels, and happily held close. The style and mood are reminiscent of Dylan’s Time Out of Mind, his great late Read more ...
Thomas H. Green
Virtual “mixtapes” are not proper albums. Their purpose is often to whet the appetite. Nowhere is this more so than in US hip hop and right now Lady London’s new teaser is much-vaunted.Off the back of a couple of hot tunes that woke her peers to her talents (“Money Over” and “Never”), the new 33-minute, 13-track collection collates and polishes freestyles that have appeared on various platforms, as well as adding a couple of new ones. The content varies in quality, but the delivery and style never does.Zaire Stewart – AKA Lady London – hits her mid-20s having achieved much. She has self- Read more ...
joe.muggs
This is just boggling. The Japanese rock trio Boris have been together in the same lineup for over a quarter of a century – and it’s longer still since their original formation – but they’re outdoing themselves record by record. Their last record, NO, was the most energetic record they’ve ever made. Where they’re best known for floaty dream pop and sludgy, doomy, lava-flow-like noise churning, NO is a 1000mph fusion of thrash, punk and classic metal, a glorious rage against a world of fear and torpor in the COVID age. And now, only six months later, comes another album, and in dramatic Read more ...
Music Reissues Weekly: Chris Farlowe & The Thunderbirds - Stormy Monday And The Eagles Fly On Friday
Kieron Tyler
TV-watching pop fans in many of the British regions were served a treat on 16 September 1966. A whole episode of Ready Steady Go! was dedicated to Otis Redding, who had arrived in the UK a week earlier on his 25th birthday.As would be expected Redding ripped through his performance segments, bringing his power to “My Girl,” “(I Can’t Get no) Satisfaction” and “Respect.” Room was made for local acolytes. Redding introduced Eric Burdon – in his first TV appearance after leaving The Animals – taking on “Hold on! I’m Comin’.” Burdon later introduced Chris Farlowe’s version of James Brown’s “It’s Read more ...
mark.kidel
There is a sense in which Elvis Costello emerged as a recording artist fully grown, with that unique vocal mix of vulnerability and insolence, savvy and often brilliant lyrics. Although he has never stopped experimenting, always with the logic of a musical connoisseur, it was all there, one could say, with “Less Than Zero”, his timeless first single on Stiff.From the start, he was as comfortable with electrifying rock (see “Pump It Up”) as with heartfelt yet unsentimental love ballads (“Alison”). And he is in fabulous form on his new album The Boy Called If, a series of vignettes in which he Read more ...
Tim Cumming
The first set of Spell Songs, The Lost Words, was inspired by nature writer Robert Macfarlane and artist Jackie Morris’s spell-spinning mission to bring back those ‘lost words’ from the natural world that had been excised from children’s dictionaries, set to the rich and varied music of kora player Seckou Keita, singer-songwriters Karine Polwart, Julie Fowlis and Kris Drever, harpist Rachel Newton, cellist Beth Porter, composer Kerry Andrew and multi-instrumentalist Jim Molyneux.Acclaimed on record and a triumph on stage, with the players spinning musical silver and gold as Morris created new Read more ...
Kieron Tyler
Although Storm Queen begins forcefully with the suitably tempestuous “Heaven,” the most affecting track on the second album from Melbourne’s Grace Cummings is the sparse, reflective “Two Little Birds.” The two performances capture the opposing poles defining Cummings: whether to go full-bore with her malleable voice, or whether to keep it direct within a delicate instrumental framing.“This Day in May,” the ninth track, takes both approaches with highs and lows comparable to Leonard Cohen’s now played-out “Hallelujah.” It’s followed by the title track, which has the stately, windswept majesty Read more ...
Guy Oddy
It has been claimed by a good many commentators over the years, that an album of cover versions suggests that an artist is running out of steam and inspiration. Jazzers normally get a pass on this one as they are far more inclined to improvise rather than merely copy – but where does this put Chan Marshall and her Cat Power outfit, a quarter (or so) of whose recorded output is cover versions?Well, as far as Covers is concerned, things don’t look great. It’s four years since Wanderer, Marshall’s last collection of (almost all) original tunes, so she might have been expected to come up with Read more ...
Kieron Tyler
“The Gun Club were true originals and Jeffrey Lee Pierce a genius. They were the inspiration behind many bands, I myself never thought about being a singer until I dropped the needle on Fire Of Love and in that instant I knew what I wanted to do with my life. Jeffrey was funny, smart and generous. He taught me so much about songwriting that I could never repay.”Mark Lanegan’s tribute to Jeffrey Lee Pierce – who died in 1996 at age 37 –and the band he co-formed is revealing as it makes plain an often unacknowledged truth. Now it’s said, it’s obvious. The spirit of Pierce, his LA-born band and Read more ...
Thomas H. Green
Disclaimer: it’s a little unfair I’m reviewing Kiefer Sutherland’s third album. He seems alright, left-ish for an American, done his time in the bad boy lane, sense of humour, tried his hand at this and that, even as a rodeo-rider, and has entertained plenty onscreen. Although I’d never heard his music until this month, I knew he’d played everywhere from the Grand Ole Opry to far-flung Glastonbury marquees. Unfortunately, the reason I’m reviewing this is I understood from all I’d read that he made whisky-soaked country. This shows you should be careful what you believe. Kiefer Sutherland Read more ...