wed 07/05/2025

New music

CD: Tennis - Swimmer

There is something deliciously normal about Tennis, the Denver husband and wife team of Alaina Moore and Patrick Riley. Steeped in the best pop of a bygone age, the couple’s lyrics seem so simple and yet unpack hidden depths on repeated listening....

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Jonas Brothers, SSE Hydro, Glasgow - reunited siblings look to the future with slick show

No matter how much the Jonas Brothers try, they can’t totally escape the mouse. Commercials for new Disney TV shows flashed up onscreen not long before the siblings took to the stage, and although the trio’s days of appearing in such fare are long...

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CD: Green Day - Father of All Motherfuckers

Without wanting to get into what constitutes punk, we can, at least, agree that brevity is to be lauded? Right? Good, because at 26 minutes, Green Day’s 13th studio album, Father of All Motherfuckers, is a volley delivered at velocity. That’s...

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Album: La Roux - Supervision

10 years ago, a wave of exciting femme-pop was cresting, women taking the reins with singular visions; the results were shiny, personally honest, inventive and ebullient, from Gaga to Adele and beyond. A leading light was La Roux, a duo fronted by...

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Album: Sepultura – Quadra

After 35 years on the global scene, Sepultura are entering the Twenties with the force of great quality metal music. Quadra is unlikely to bring new hits that resemble Sepultura’s classic “Roots Bloody Roots”, 1996, or “Refuse/Resist”, 1993; however...

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theartsdesk in Aalborg: Northern Winter Beat 2020 review

U-Bahn’s second-ever live show outside their home country Australia took place in Aalborg, in Jutland, in the north of Denmark. They were in this congenial, routinely rain-sodden city last weekend for Northern Winter Beat, the annual festival of...

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Celtic Connections 2020, Glasgow review - Yorkston/Thorne/Khan and Roaming Roots Revue celebrate joy of collaboration

While there’s usually something for everybody on the Celtic Connections festival programme, where Glasgow’s midwinter festival tends to shine is in its collaborations and special events. Over the past 18 days the city has hosted folk icon Peggy...

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Anaïs Mitchell, Bonny Light Horseman, Roundhouse review - heart-warming folk bliss

Anaïs Mitchell should be a star: she sings like a dream, oozes presence and charisma, and writes songs of classic simplicity, poetry and depth. Her other outstanding quality is a natural modesty and a delight in just being herself on stage, and...

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Album: Seth Lakeman - A Pilgrim's Tale

The Dartmoor folk star’s latest album launches into a dramatic retelling of the voyage of the Mayflower, from its departure from the iconic Mayflower Steps in Plymouth (actually, the real steps are down to the women’s loo at the Admiral MacBride pub...

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Reissue CDs Weekly: Tea & Symphony - The English Baroque Sound 1968-1974

When it was issued in May 1968, “Fading Yellow” attracted no attention. It couldn’t have as it was the B-side of “Mr. Poem”, Mike Batt’s poor-selling debut single. The top side was good, very 1968 and along the lines of whimsical 45s like Donovan’s...

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Album: Isobel Campbell - There Is No Other

There Is No Other’s third track “Vultures” is about Isobel Campbell’s adopted city Los Angeles and the music business. Instead of assuming a hard-edged tone the song is crystalline, reflecting on “vultures, circling round… tall trees reaching so...

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Madonna, London Palladium review - a fiesta of the surreal and the fiercely fabulous

The first time I heard Madonna, I was 8 years old at a school disco. Horrified parents, who came to pick us up as we jumped up and down yelling along to “Like A Virgin” in a fluorescent flurry of topknots, puffer skirts and lace gloves, subsequently...

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