New music
CD: The Darkness – Easter is CancelledSaturday, 28 September 2019
The Darkness have become something of an institution in British rock music since exploding onto the scene with their 2003 debut album, Permission to Land and its breakthrough single “I Believe in a Thing Called Love”. Over-the-top stage costumes and... Read more... |
CD: Tegan & Sara - Hey I'm Just Like YouFriday, 27 September 2019
There comes a time for reflection in everyone’s lives – perhaps for Canadian indie-pop duo Tegan & Sara this is it. Harking back to the 1990s, they have found and re-worked tracks written in their teenage years, taking grains of truth from their... Read more... |
CD: Trentemøller - ObverseThursday, 26 September 2019
Since the mid-2000s, Anders Trentemøller has been a major part of the European live circuit. A long time indie rock musician in his native Copenhagen, he had actually come to prominence as a fairly commercial electro-house remixer, but it was his... Read more... |
George Ezra, Royal Albert Hall review - a thumping good timeWednesday, 25 September 2019
"The reason why it's so special to be here," says Ezra halfway through the show, "is because this is where I saw so many of my heroes". Tonight is the 26-year-old's debut at the Royal Albert Hall and the look on Ezra's face says he can't quite... Read more... |
CD: 65daysofstatic - replicr, 2019Wednesday, 25 September 2019
65daysofstatic, the instrumentals-only post-rock experimental band from Sheffield, have suffered from the obsessive need to brand every supposed sub-genre of music when, in their case, they are much more than a math rock or glitch band. They are... Read more... |
The Sisters of Mercy, Roundhouse review - hits delivered from the darknessMonday, 23 September 2019
While bands such as The Birthday Party, Siouxsie and the Banshees and, especially, Bauhaus had a hand in inventing goth music at the start of the Eighties, it was The Sisters of Mercy who defined it. Their combination of black clad cowboy shtick,... Read more... |
10 Questions for conductor Charles HazlewoodMonday, 23 September 2019
Charles Hazlewood (b. 1966) has worked across the gamut of orchestral music, his career showcasing the multitude of ways it can be perceived and enjoyed. Recently he has reengaged with his longstanding love of minimalist music, first via his two BBC... Read more... |
CD: The New Pornographers – In the Morse Code of Brake LightsMonday, 23 September 2019
New Pornographer-in-chief AC Newman grew up enraptured by how much and how little pop could be: from David Bowie shucking skins to the rush of the Monkees’ “Daydream Believer”, to Pixies' boiling down of a song to three chords and a scream. Eight... Read more... |
Reissue CDs Weekly: The Beatles - Abbey RoadSunday, 22 September 2019
Among the issues integral to the final album The Beatles recorded two, though usually low profile, are worth bearing mind. Abbey Road was their first album to be released in stereo only. There was no mono edition. Also, in late 1968, an EMI TG12345... Read more... |
theartsdesk in Hamburg: Reeperbahn Festival 2019 reviewSunday, 22 September 2019
Hatari’s 10th placing in this year’s Eurovision Song Contest hasn’t done them any harm. Neither did ruffling the feathers of the European Broadcasting Union and host nation Israel with their stance on Palestine. Based on their performance in Hamburg... Read more... |
Keane, De La Warr Pavilion review – hometown heartbreakSaturday, 21 September 2019
Keane grew up six miles away in Battle, making this night in balmy Bexhill-on-Sea as close as they can practically get to a hometown gig. Prior to their first headline tour in six years, they’re playing new album Cause and Effect in full in an “in-... Read more... |
theartsdesk Radio Show 24 - hot subcontinental sounds with guest Viveick RajagopalanSaturday, 21 September 2019
This episode of Peter Culshaw's occasional global music radio update features guest interview Viveick Rajagopalan, one of the hits of this summers WOMAD Festival. He talks (from 40 minutes in) about how he mixes South Indian rhythms and contemporary... Read more... |
