New music
Jonathan Geddes
Cyndi Lauper was preceded onstage by a brief video that zipped through her career, which she drily declared was just in case someone was at the gig by mistake. It’s tempting to wonder what an unexpected visitor might have made of this farewell tour, given it shifted from Rabbie Burns mentions to gestures of support for the LGBT+ community, wig changes and, at one point, Lauper climbing up from a trap door wrapped in what looked like percussive body armour.It was certainly never a dull evening, right from the familiar bounce of “She Bop” to kick things off. It offered an early chance for the Read more ...
Kieron Tyler
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of bracingly straight-ahead Brit-punk with a headstrong freshness undiminished by time. But whatever the impact, The Lurkers were never a main-agenda band, and the Peel session was an adjunct to their discography.The Peel session has resurfaced on a 12-inch, clear-vinyl EP as part of the Beggars Arkive series of releases: an archive exercise digging into Beggars Banquet, the label The Lurkers were on. Available as a stand-alone release, the record is Read more ...
Thomas H. Green
Brighton band Squid are not in the business of straightforward. Combining jazz chops with a sensibility that’s at once post-punk, prog and avant-garde, their music is wilfully tricksy. Yet it does groove, upon occasion, it does funk. Tunes do pop in for a visit.Throughout their near-decade career, they’ve fired out some tasty off-the-wall cuts, from skronk-rock bangers to wigged-out alt-pop. Just check “Houseplants”, “The Narrator” or “Fugue (Bin Song)” for evidence. Their third album contains a couple of equally intriguing songs but whether it’s a wholesale listen will depend on the Squid- Read more ...
Kieron Tyler
Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice. The ensuing lyrics are similarly bleak. “Trying to warm myself with the memories you’ve left behind, Deep inside this hole bitterness consumes my soul, One day I might wake up but I know it won’t be today.”Musically, the setting for this despair unambiguously evokes The Cure – themselves recently reanimated with last year’s Songs Of A Lost World album – around the time of their 1980 to 1982 Seventeen Seconds, Faith and Pornography albums. Consequently, the Read more ...
Guy Oddy
It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was enough to put the spring in anyone’s step.Now, however, it’s time for the comedown and its soundtrack, the considerably more laidback Twilight is already being touted by vocalist, David McAlmont as the duo at their best. A claim that is well worth taking seriously, rather than dismissing it as new release hype.Kicking off with a murmured “Daylight becomes twilight / Twilight becomes daylight”, courtesy of The Blessed Madonna, Twilight eases into existence with Read more ...
Peter Culshaw
The latest in Peter Culshaw’s peripatetic radio shows is a conversation with Joe Boyd whose recent tome, published by Faber, is a magisterial sweep through global and popular music called And the Roots of Rhythm Remain. TO LISTEN TO THE SHOW https://www.mixcloud.com/MusicBoxRadioUK/the-arts-desk-with-joe-boyd-thursday-9th-january-2025/Boyd bridled when called a Zelig because “Zelig was just there and didn’t do anything” whereas he, au contraire, was definitely an active participant. He was at the sound desk when Bob Dylan shocked all by going electric at the Newport Festival in 1965 Read more ...
joe.muggs
Is there such a thing as a boundary between pop and alternative any more? The presence of strange characters like Chappell Roan, Billie Eilish and Lola Young in the mega mainstream suggests not – and so does trajectory of Jessica Smyth aka Biig Piig.The Irish-born, Spanish-raised adopted Londoner came up through distinctly out-there artistic routes: as part of Lava La Rue’s NiNE8 collective, a diverse set of artists working across different media and touching on dance, rap, neo-soul and more, but held together by the very old school factor of physical proximity in shared studios. But the Read more ...
Tom Carr
You could be easily forgiven for thinking that the young indie rockers, Inhaler, would stick to the formula that has already served them so well for album number three. The Dublin lads had soared to success with their first two albums, seeing them reach the top of the UK and Ireland album charts with their 2021 debut It Won’t Always Be Like This, followed by number two on the charts with their sophomore album Cuts & Bruises in 2023.But there has been no sign of any laurel-resting, and the group return with their third album with a clear sign of willingness to both refine and expand their Read more ...
Kieron Tyler
After co-fronting Vinegar Joe with Robert Palmer, Elkie Brooks first charted as a solo artist in 1977 with “Pearl’s a Singer.” Yet there was more to her musical past than the 1971 to 1974 spell in the blues-rock outfit. Her contributions to You Got Me Hooked! - More Marylebone Beat Girls are “He's Gotta Love me” and “Stop the Music” – both released a decade before “Pearl’s a Singer.”“He's Gotta Love me” was the June 1965 A-side of her fourth single. “Stop the Music” was the B-side of her February 1966 sixth single. Each is a top-drawer uptown soul-pop nugget with a strong tune, driving rhythm Read more ...
Ellie Roberts
Tireless rockers Guided By Voices confidently play with sound throughout Universe Room, their eighteenth album in 10 years. Experimental in nature, it consists of 17 short tracks that take you through a non-cohesive sonic journey. It’s fun to listen to but it has obvious highlights.Opening track “Driving Time” introduces the concept of Universe Room with a chaotic mix of instruments and unidentified sounds against descriptive lyrics. The varied approach continues throughout and includes instrumental tracks, Beatles-esque Pop moments, spacey, progressive Rock, and an overarching commitment to Read more ...
Thomas H. Green
The Weeknd is a global megastar, one of the biggest music sensations of the age. Last year, his compilation, The Highlights, was the second best-selling album in the world, and he has 27 songs with over a billion streams on Spotify, which is a record. His latest album is the third part of a trilogy which started, back in 2020 with After Hours. Unfortunately, where that, and its sequel, Dawn FM, were vibrant, contagious, catchy electronic pop, Hurry Up Tomorrow, is morose, lacking tunes and, boy, does it go on and on.There’s a fair bit worth listening to but, at almost an hour-and-a-half long Read more ...
Kieron Tyler
As Stoke-on-Trent’s Formal Sppeedwear immerse themselves in what turns out to be their penultimate song, they become lost in the music. What they are playing takes over. Revolving guitar motifs spray forth like light reflected from a glitter ball. An elastic bass guitar bubbles, the frill-free drumming is hard, precise and about forward motion.They are playing “Bunto,” the lead track from their May 2024 EP, a four-track 12-incher. The live experience confirms that Formal Sppeedwear are fully formed, a band knowing exactly what it’s doing. Everything meshes, forming a seamless whole. Add in Read more ...