New music
Tim Cumming
The Lovell sisters Rebecca and Megan can be heard supporting Ringo Starr on his new album of country songs, while at the same time their seventh album hits the shelves, and with some heft and punch, too, on the raw strength of the scuzzy guitar-led opener, “Mockingbird”. As raw-edged guitar ballads with big choruses go, it’s a strong opening account for a duo who have delivered fine albums stirring together a pungent one-pot meal of Southern rock, electric blues and Americana. Their last, 2022’s Blood Harmony, won a 2024 Grammy Award for Best Contemporary Blues Album (2018’s Venom & Faith Read more ...
joe.muggs
Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand all to some degree or other had a dose of the vaudevillian and a bit of party “woohoo!”, BP adhered way more to the seriousness, alienation and introspection of their post-punk inspirations.This certainly didn’t do them any harm in the first instance – they were, frankly, huge – but maybe stopped them having quite so much crossover appeal, and you’re less likely to hear them now on Noughties nostalgia shows on mainstream radio and suchlike.It did, Read more ...
Kieron Tyler
Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they mostly lack singing. Instrumentation is jazzy, leaning on piano and wind instruments. Drones and white noise evoke ocean spray or wind. In one case, a wordless vocal edges towards articulating recognisable syllables.While these harmonise with the whole of Humanhood so are not discrete musical sketches, they point to the feelings of disassociation and fragmentation informing Tamara Lindeman’s seventh album as The Weather Station (the multiple selves seen in the Read more ...
Ibi Keita
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a haunting journey through unsettling soundscapes that blend elements of drone, slowcore and dark ambient music.Exploring heavy themes like religious guilt, sexual shame and emotional trauma, Perverts is an intense and ambitious project that’s both captivating and difficult to digest. The album aims to combine dark, confessional storytelling with eerie, atmospheric sounds. But while there are moments of real beauty and emotion, the execution sometimes feels uneven and Read more ...
Thomas H. Green
Rooted in South African electronic styles such as kwaito, amapiano and gqom, the music of Moonchild Sanelly also shows a rich in awareness of US and European hip hop and pop.Initially a product of Durban’s poetry scene, Sanelly, born Sanelisiwe Twisha, spent years building a reputation there and in Johannesburg, before coming to wider attention when Beyoncé featured her on her Lion King soundtrack. She signed to the forward-thinking Transgressive label in 2020, and her second album for them, her third in total, bounces with her trademark sex-positivity and booty-shaking beats’n’bass.There are Read more ...
Kieron Tyler
Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as well as on a track-by-track basis. There were obvious influences: Kraftwerk, late-period Spacemen 3, motorik, My Bloody Valentine. But it didn’t sound like anyone else. Charlie Boyer and Ben Pleng had created a wonder.The Echo Show, released by the Sonic Cathedral label, still sounds great. If it was issued next month or next year, it would still sound great. Eternally fresh. Back in 2012 it seemed to arrive from nowhere. Yeti Lane’s first album had come out Read more ...
Guy Oddy
Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist cops, sleazy men, gentrifying landlords, nepo babies and, to be fair, a significant chunk of mainstream society.The Lambrini Girls’ eminently quotable debut album, Who Let the Dogs Out, has all of these people, and a good deal more in its crosshairs and doesn’t hold back with putting the boot in. Their fiery and indignant howls of righteous anger, such as “Officer, what seems to be the problem? Or can we only know post-mortem?” on “Bad Apple” and “Michael, I don’t want to suck you off in my lunchbreak” on “Company Culture” Read more ...
Tom Carr
Travel back in time to the mid 2000s and you would be hard pressed to escape "Take Me Out" by Franz Ferdinand on the air waves. On the radio, music channels, in discos and clubs, what felt like overnight, the track catapulted frontman Alex Kapranos, guitarist Nick McCarthy, bassist Bob Hardy and drummer Paul Thomson into a household UK name with its tension building first section, and iconic riff.Ever since, the band have striven to reinvent themselves and their sound. The post-punk rock sound of their debut self titled album has since evolved to take on dancier tones and stylings. Read more ...
Kieron Tyler
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse. Rhythms are measured. Nothing is hurried. If this album was a weather forecast, it would predict impenetrable mist followed by cold rain and wind. Then, more mist.This is Bridget Hayden’s first album which can clearly be defined as folk. Since the late 1990s, her music has been experimental, impressionistic – most often made with Schism and Vibracathedral Orchestra. She has also played and recorded with edgy shoegazers The Telescopes. Tellingly for Cold Blows The Read more ...
Kathryn Reilly
Sometimes magic really can’t be recreated. However hard it’s strived for. The incendiary magic that was Dr Dre and Snoop Dogg three decades ago has not been conjured again in this long-awaited reunion. There are sparks of genius, for sure, and some notable beats and samples but it’s certainly no Doggystyle. Maybe the clue is in the “cheeky” title and painfully obvious condom packet imagery on the cover. So far, so teen.One might expect a more mature vocabulary and smarter ideas from the now 53- and 59-years-olds but, sadly – and predictably – we are served liberal sprinklings of effing Read more ...
Harry Thorfinn-George
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz drummer Shun Ishiwaka, Magnificent Little Dudes Vol. 1. It’s an album I stumbled upon, not being familiar with either artist, but which has taken me down many rabbit-holes and soundtracked my year. Hatakeyama is a prolific minimalist composer with over 70 albums to his name. His signature sound consists of slow, sustained notes of modular synthesisers, warped guitars and field recordings that shimmer and dissolve. The glacial pace of Hatakeyama’s music evokes Read more ...
Kieron Tyler
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.”“Different Drum,” the September 1967 single by an outfit dubbed Stone Poneys Featuring Linda Ronstadt, was immediate, had a country edge and was written by Mike Nesmith – then best known as a member of The Monkees. The band had already issued Read more ...