New music
Thomas H. Green
Last autumn Rumer reappeared with her third album, Into Colour, surprising everyone with a lead single that was disco-flavoured. The rest of the album was closer in scope to the opulent LA easy listening and classic West Coast singer-songwriter fare that the singer has made her own since her first major label single, “Slow”, blew up in 2010.Born Sarah Joyce in Islamabad in 1979 to a large British family, she found she was the result of an affair between her mother and their Pakistani cook. The death of her mother in 2003 affected her profoundly and, when she attempted to track her blood Read more ...
Matthew Wright
Russian saxophonist Zhenya Strigalev, whose band of stars Smiling Organizm has now released its second album, cuts a rather romantic figure in jazz, hopping from continent to continent, his saxophone as calling card. Along the way, he has accumulated an outstanding band of mainly American players, including trumpeter Ambrose Akinmusire, bassist Larry Grenadier and drummer Eric Harland, though there’s still a quirky, rootless individualism about much of this album that sounds like a band whose origins cross oceans. Where Strigalev’s compositions really stand out is in the blending of Read more ...
Peter Quantrill
If what you wanted to do was go out to the middle of the Mexican desert, invert the Cross and dip it in blood, screaming obscenities all the while, surrounded by a sunburnt band of fellow travellers all off their heads on mescalin, Tutuguri is definitely the music you’d want to do it to. Which is OK, because those are pretty much the images conjured up by Antonin Artaud’s poem-radio play To Have Done with the Judgment of God, which prompted Wolfgang Rihm to make a two-hour instrumental setting of this "Rite of the Black Sun" for large orchestra, taped chorus, howling vocalist (Leigh Melrose) Read more ...
Heidi Goldsmith
Rarely in London do the lights rise up after a live gig to reveal eyeballs glistening with euphoria, total body sweat and a communal stitch gradually dying down among the water-guzzling herd. Indeed it’s an unusually bestial scene for Café Oto, mostly home to a more intellectual post-concert fervour. But fully-misted windows and naked midriffs, it turns out, suit their concrete Berlin-esque chic surprisingly well. In fact there are few London venues who, through persistently interesting programming, have retained enough artistic integrity to properly showcase a group of Congolese punk- Read more ...
Lisa-Marie Ferla
It’s not obvious, listening to her work, just how funny Tanya Tagaq is. Her modified version of Inuit throat-singing-for-one, introduced to a wider audience on Bjork’s Medulla, has been called many things: intense, powerful, primal. But just when you’re ready to put her work in a box condescendingly labelled “world music”, to be trotted out at middle-class dinner parties as a way of showing off just how capital-A Alternative you are, you might figure out that the pulsing, all-encompassing opening track to her Polaris prize-winning third album Animism, is in fact a cover of Pixies’ “Caribou”. Read more ...
Kieron Tyler
Motorpsycho: Demon BoxAfter a burst of guitar feedback, heavy, snail’s-pace drums pound. A massive, churning riff kicks in. The agitated singer tells of bad dreams and blisters on his skin. It’s heavy, lumbering and could define the most challenging end of grunge. Then, suddenly, barrelhouse piano enters the mix along with a Hammond organ. The whole dissolves into a freakout recalling Deep Purple as much the fried psychedelia of jazzy Krautrockers Brainticket. At just over 11 minutes, it’s quite a trip.The song is “Mountain”, a fantastic track from the 1993 Demon Box album by Norway’s Read more ...
Thomas Rees
You know what really grinds my gears? Bands that only have one. One gear, one level of intensity. For a good hour of last night’s set, diminutive diva Alice Russell, the voice behind countless Quantic hits and that cover of “Seven Nation Army” that no one would shut up about back in 2005, was guilty of just that. She was flatlining at mid-intensity, lost in the no man’s land between tension and release and it was a shame, because everything else about her set, the first of two sold out shows at Camden’s Jazz Café, was hard to fault.For starters, Russell’s voice is the real deal. It’s powerful Read more ...
peter.quinn
Gloriously feel-good, unashamedly retro, uniformly urbane, the Nicola Conte Combo presented a set that was bursting with fantastic melodies last night at Ronnie Scott's. Performing music from last year's Free Souls and his 2011 album Love & Revolution, listening to the Italian DJ, producer and guitarist's music is rather like falling into a jazz wormhole, a wondrous peregrination through the past, from the finger-snapping soul-jazz of Horace Silver (the great "Shades of Joy" surely nods to Silver's classic "Song For My Father") and the all-embracing polystylism of Archie Shepp, to the Read more ...
Thomas H. Green
Did you know that Jack White’s Lazaretto album sold nearly 87,000 copies on vinyl last year? Sales continue to rise all over with European manufacturing facilities running at full tilt. Given the demand for vinyl has risen 800% in the last decade, that’s not so surprising. Dance music, as ever, lauds the format, with the massive Tomorrowland rave/festival in Belgium this July announcing a vinyl-only stage to be headed up by long time aficionado, Sven Väth. theartsdesk on Vinyl also continues to celebrate this resurgence with our wide-ranging monthly round-up.Jóhann Jóhannsson The Theory of Read more ...
Matthew Wright
The echoes of last summer’s number one hit “Bang Bang” had hardly faded when Jessie J’s third album Sweet Talker was released to a largely positive reception last October. She’s been on the road on and off ever since, and though her act never seems short of either energy or self-belief, you might expect to see some signs of flagging after such a relentless display of girl power. Not a bit of it: her all-action show hit Hammersmith last night. Hammersmith is probably still feeling the aftershocks.Her act teeters constantly on the edge of sensory overload. She began with a string of romantic Read more ...
mark.kidel
Zun Zun Egui, who emerged from Bristol’s indie-boho scene a few years ago, are one of those bands who come closest to the essence of their potential when playing in an intimate and sweaty small venue. Recording their frenzy for posterity has never been easy. This their second album treads a similar path to their first, Katang: it’s good but rarely evokes the incandescent fury and derangement of their performances.Front-man Kushal Gaya is originally from Mauritius, and his musical roots – midway between Asia and East Africa – continue to colour the band’s mix of non-Western polyrhythms and Read more ...
Russ Coffey
The more I listen to Steve Rothery the more convinced I am he possesses one of the fattest, juiciest guitar tones around. Rothery really should be seen as one of the more interesting stylists of his generation. The reality, however, is that he remains dreadfully underrated: his own Wikipedia page even faint-praises him as once winning an award for Yorkshire and Humberside’s best guitarist. Ghosts of Pripyat, Rothery's first solo album, may not remedy this. Fans, though, will love it. Assembled through crowdfunding site Kickstarter, and now finally on general release, this has Read more ...