New music
joe.muggs
The original Black Sabbath were a feat of engineering on a par with a classic Land Rover or an AK47. Everything about them was basic, brutal, unadorned and brilliantly functional – and as such achieved a very real, if rather grim, kind of beauty. So it's very nice indeed to see Tony Iommi's churning detuned guitar, Ozzy Osbourne's desolate howl (one of the most inhuman voices in popular music this side of Kraftwerk, in fact) and Geezer Butler's basslines and lyrics of alienation reunited, 35 years after they last recorded together.There are issues here. Sadly original drummer Bill Ward is Read more ...
Kieron Tyler
Burt Bacharach: The Art of the Songwriter - Anyone Who Had a HeartSometimes, greatness takes a while to surface. Tommy Sands’s 1961 single “Love In A Goldfish Bowl” didn’t return the hopeful teen idol to the charts. He’d had his day in 1957 with "Teen-age Crush", a slice of ersatz Elvis which rose to number two in the US. “…Goldfish Bowl” was hokum of the highest order, written by Burt Bacharach and lyricist Hal David for the film of the same name. “It’s love in a goldfish bowl” hiccups Nancy Sinatra’s then-husband. But it was less silly and less fun than 1958’s “The Blob”, by The Five Read more ...
Tom Birchenough
The last two years have seen the Tiger Lillies hit a prolific peak of activity, to be found as often on the theatrical as the concert stage, drawing on plenty of influences from outside the UK to boot. Mike Pickering came on board last year in place of drummer Adrian Huge, who’d been part of the trio’s line-up from its founding back in 1989, but there was no let-up in levels of intensity last night from lead performer Martyn Jacques, who gave his all to a 90-minute set drawn from numbers from their last four albums, from 2011’s Woyzeck & the Tiger Lillies through to this year’s Either Or. Read more ...
bruce.dessau
When the Stone Roses first made a splash with their eponymous debut album in 1989 they were almost perfect. The only mistake was a brief flirtation with flared trousers. Nearly a quarter of a century on in north London the strides were strictly straight-legged. The only flares were the red ones some clot in the audience kept lighting. I don't envy his prospects if health and safety ever get hold of him.As for the music, this show, the first of two nights in the capital, certainly burnt brightly, but only in places. At times Ian Brown's vocals sounded flatter than the sozzled audience Read more ...
Jasper Rees
“My generation all were steeped in Bollywood.” Meera Syal, Wolverhampton born and bred, is recalling the cinematic influences of her youth. “It was our major link to India and was much more current than trying to make a phone call. You did feel that, though you were so far away, you were watching the same movies as your cousins.”We’ve moved on a bit since the 1970s. Bollywood is now much closer to the British cultural mainstream, helped along by entertainments as diverse as Andrew Lloyd Webber’s Bombay Dreams (co-written by Syal, pictured below) and Danny Boyle’s Slumdog Millionaire, which Read more ...
Thomas H. Green
When Liam Gallagher comes up in conversation, it’s usually as to whether he’s the last great belligerent rock star or just a boorish goon. As he leads four fifths of the final Oasis line-up into the second Beady Eye album, he appears to be neither. Upon occasion this is no bad thing, although it results in an album that’s occasionally pleasing rather than “a striking return to form” (as music journos insist on claiming when high profile names return to the fray).For my money, Gallagher in Oasis’s prime was a great rock star, all sneer, swagger, and an infuriating insouciance about Read more ...
Kimon Daltas
Comebacks may be all the rage but Elvis Costello just keeps on going. It's the third year running that he has taken his band The Imposters on the Revolver Tour, featuring The Spectacular Spinning Songbook: a giant carnival wheel of songs which audience members are brought on stage to spin and dictate the set list.Not everything is left to chance, however, and the evening began with a rollicking medley of “Welcome to the Working Week”, “No Action”, “Strict Time”, “Accidents Will Happen” and “Next Time Round”. In what was the middle of three consecutive nights at the Albert Hall, you might Read more ...
Lisa-Marie Ferla
That KT Tunstall has released probably her most introspective album to date is unsurprising, given that the past year has seen both the end of her marriage and the death of her father. But the trouble with introspective albums is that, without a certain rawness, they’re not always the most engaging listen. Invisible Empire // Crescent Moon contains some of the most beautiful music of the St Andrews songwriter’s career but, like when people tell you their dreams, it isn’t always very interesting.The album’s name reflects its two halves, recorded in separate sessions in the Arizona desert with Read more ...
Peter Culshaw
For certain types (yes, I was that serious-minded teenager) in the late Seventies Rod Stewart made a convenient hate figure – a coke-snorting dinosaur with interchangeable blondes on his arm who, having made some decent records, was now making banal ones like “Do Ya Think I’m Sexy” (and that was one of the better ones). Last night, the only moment Rod looked slightly embarrassed was singing that travesty of Disco, at 68. Even Rod now admits discs like 1980’s Foolish Behaviour were “a pile of shit”.But, in a curious twist, having spent the last decade doing covers, Rod seems to be on a Read more ...
Thomas H. Green
Boards of Canada have it nailed. If we are to believe what we’re told, Scottish brothers Michael Sandison and Marcus Eoin are semi-permanently holed up in rustic heathlands south-west of Edinburgh, beavering with mystical intensity at analogue electronica. Every few years they release an enigmatic slice of it that’s pure, classic Warp Records on… Warp Records.They have developed a non-image that somehow intimates whiffs of the occult, particularly of The Wicker Man variety, of spooky 1970s public information films and general uncanny Berberian Sound Studio-style weirdness. Not since the prime Read more ...
Jasper Rees
“He who sings frightens away his ills.” Cerys Matthews has spent a lifetime heeding the wise counsel of Don Quixote. Born at the tailend of the Sixties, she grew up in the Welsh tradition of musical surroundsound before veering right into the heart of Britpop as the wailing amber-topped siren of Catatonia. Four albums and many stadium triumphs later, the painful break-up more than a decade ago was fed through the distorting prism of the tabloids. Since then Matthews has worked on a remarkable reinvention that reaches a new crest in 2013.The life of post-Catatonia Cerys has been built around Read more ...
Kieron Tyler
Titling their long-delayed second album The Second Coming meant The Stone Roses had run out of religious metaphors for their 2012 reunion. They already had a song called “I Am the Resurrection”. Still, with super-fan director Shane Meadows on hand to capture their return, actions spoke louder than words. At their homecoming concert in Manchester’s Heaton Park, he caught their singer Ian Brown touching the outstretched hands of the faithful, anointing them with his mystic power.To some, the return of The Stone Roses after their messy demise in 1996 was tantamount to a spiritual rebirth. Read more ...