New music
CD: Ry Cooder - Election SpecialMonday, 13 August 2012
Ry Cooder is an unpredictable quantity. He’s a prickly, opinionated old coot who doesn’t seem the type to pass a night in the pub with. He’d probably not get your jokes and moan about the Rolling Stones nicking his songs. His musical output is... Read more... |
Edinburgh Fringe: Rosie WilbySunday, 12 August 2012
Rosie Wilby: How (Not) to Make it in Britpop, Bongo Club *** In the 1990s Rosie Wilby was lurking on the outer edges of Britpop with her band Wilby, whose giddy career highlights included opening for Tony Hadley (he evacuated the entire room... Read more... |
CD: James Yorkston - I Was a Cat From a BookSunday, 12 August 2012
James Yorkston, the very able singer-songwriter from Fife, is now on his fifth album for Domino. This comes hot on the heels of the reissue of his first and excellent release, Moving Up Country, which established him as one of the most talented... Read more... |
Reissue CDs Weekly: The KinksSunday, 12 August 2012
The Kinks: The Kinks at the BBCKieron Tyler“Meet a group that recently came from nowhere to the top of the hit parade. A rhythm and blues outfit with long, shoulder-length hair and the strange name of The Kinks.” With that, Brian Matthew... Read more... |
Lou Reed, Royal Festival HallSaturday, 11 August 2012
“I would cut my legs and tits off/ When I think of Boris Karloff." Those were Lou Reed’s opening lines at the RFH, taken from Lulu, his recent collaboration with Metallica and his most poorly received record since 1975’s Metal Machine Music. One... Read more... |
CD: Dead Can Dance - AnastasisSaturday, 11 August 2012
Electronic dance music is notorious for its multiple sub-genres and niche categorizations. One of the more obscure is a style known as "dark ambient" (or "darkwave"). Its micro-interest status is unsurprising since it combines lethargic downtempo... Read more... |
DVD: MisinforMationFriday, 10 August 2012
Britain’s New Towns – constructed to address post-World War II housing shortages – were meant to be places of dreams. Modern amenities abounded. The clean lines of post-Le Corbusier architecture screamed “this is the future”. Yet there was no sense... Read more... |
CD: Alhousseini Anivolla - Anewal/The Walking ManThursday, 09 August 2012
The North African desert blues, as played by Tuareg musicians like Tinariwen, may well be the most popular kind of “world music” amongst mainstream rock fans since South African township jive post-Paul Simon’s Graceland. However, this presents a... Read more... |
CD: Dignan Porch – Nothing Bad Will Ever HappenWednesday, 08 August 2012
Considering how over-stuffed Brooklyn is with music, south London’s Dignan Porch being issued by that locale’s super-hip Captured Tracks imprint smacks of coals to Newcastle. But they fit in a treat, sharing an outlook with Brooklynites Crystal... Read more... |
Edinburgh Fringe: Camille O'Sullivan/The Road That Wasn't ThereMonday, 06 August 2012
Camille O'Sullivan: Changeling, Assembly Rooms *****The Assembly Rooms may have reopened for this year's Fringe following a very swanky refurb, but someone obviously forgot to put sufficient thought into the practicalities of getting people in... Read more... |
Interview: 10 Questions for Nik KershawMonday, 06 August 2012
Nik Kershaw (b 1958) is best known for a run of hits in the mid-Eighties, songs such as “Wouldn’t It Be Good”, “I Won’t Let The Sun Go Down on Me”, “The Riddle” and “Wide Boy”. He achieved international success and played Live Aid in 1985. Raised in... Read more... |
CD: Karine Polwart - TracesMonday, 06 August 2012
The best music has the power to lift the listener out of whatever else she may be doing, to transport her somewhere else. I listened to Traces, fifth album from doyenne of Scottish folk Karine Polwart, in a cafe in Edinburgh in what for that city is... Read more... |
