New music
Thomas H. Green
For those wont to say “that’s well dark,” at the slightest hint of edgy content, here is true darkness. The third album by London alt-folk oddballs David Cronenberg’s Wife is stewed in pitch-black lyrical themes and revels in dragging its listeners to truly uncomfortable places. If this album had been made by an artist with a higher profile, I suspect it would have been greeted by a chorus of disapproving voices from every side of the ideological spectrum.Musically, the four-piece plough a furrow not dissimilar to The Fall or LIARS, but only if both had joined forces to create a new and Read more ...
Tim Woodall
Squeezing nearly 300 events into the 10-day dash that is the London Jazz Festival, which has just ended required dozens of venues – many not regular presenters of jazz – to open their doors. From the 606 Club in the west to Oliver’s Bar in Greenwich in the east, the Finchley Arts Depot in the north to the Hideaway down south in Streatham, it is in the pubs, clubs and community venues of London that the jazz festival’s heart beats.The fringe also better reflects the continuing internationalisation of the London Jazz Festival. Where the Southbank and Barbican tend to present the American and Read more ...
Lisa-Marie Ferla
Gig-going in the winter can be a difficult business. Plummeting temperatures call for layers, thick coats and scarves - none of which are easily stowed away at your average club show. As the venue starts to fill up with similarly clad bodies the place gets sweatier and sweatier, but by the time you realise you really should have coughed up a couple of quid and the extra wait for the cloakroom you’re probably already hemmed in.It comes as something of a relief then that, following two support acts (Jim Lockey and the Solemn Sun, followed by Tim Barry, who played a jolly little song about a Read more ...
Jasper Rees
No one would have believed in the last years of the 1970s that human taste was for concept double albums based on novels by HG Wells about invading Martians. No one could have dreamed that the era which spawned shouty gobshites in skinny trousers would also find house room for the alien union between late Victorian science fiction and pompous orchestral pop. Yet, across the gulf of time we can confirm that this did indeed happen. And much as they did in the flash-forward conclusion to the original album, the Martians are invading all over again.Jeff Wayne’s The War of the Worlds, many of a Read more ...
garth.cartwright
As Ian “Lemmy” Kilmister heads towards his 67th birthday does he ever reflect on the strange and fabulous journey his 50 years as a professional musician have taken? I doubt it – navel gazing not being something Stoke On Trent’s most famous son is known for indulging in. Yet this fierce pensioner has worked his way from grafting on the 1960s Northern working men’s clubs circuit as guitarist with The Rockin’ Vicars through roadie for Jimi Hendrix to providing hippie blowhards Hawkwind with their most memorable moments then forming Motörhead only to find that punk’s toilet clubs were the only Read more ...
Peter Culshaw
Next month, as has been the case for centuries, lovers of the poet and mystic Jalaluludin Rumi (known simply as Mevlana - The Master - in Turkey, Iran and Persia) will come together to celebrate the day of his passing, on the 17th of December 1273. Thousands gather for a week commemorating what Rumi called his “marriage to eternity” with a grand ceremony of whirling dervishes.I attended this impressive spectacle a few years ago, which took place in a basketball stadium (there were buses of Japanese tourists outside). In the last few years a more fittingly dedicated building has been Read more ...
bruce.dessau
The remix album is an ungainly beast. The worst feel like a sign of creative bankruptcy while even the best feel like a shameless cash-in on a successful project. Hopelessly devoted fans might still call it a win-win situation, but to outside ears it doesn't matter how hot the hotshot producers are, the lingering echo of a remix album is often the sound of a product being milked dry.And so to Mogwai's A Wrenched Virile Lore, which takes it cue from 2011’s Hardcore Will Never Die, But You Will (the title is almost an anagram, a remix, of the earlier title). The genre-trouncing Glaswegians have Read more ...
theartsdesk
The Jam: The GiftThomas H GreenGiven his continued artistic renaissance, it’s currently rather unfashionable to suggest Paul Weller was never better than with The Jam. Nonetheless, a trawl through their back catalogue will assure most this was the case. Musically, it’s arguable but lyrically it’s definitive. The Gift was The Jam’s sixth and final album, released in the spring of 1982. The trio were at the peak of their powers, riding chart success that melded punk’s snarl with Weller’s suburban angst, including, in “Going Underground”, one of the greatest and most furious songs ever to hit Read more ...
Adam Sweeting
What a year for great British institutions. Sixty years of Elizabeth II, 50 years of James Bond, and a half-century of the Rolling Stones. To recycle an even older cliche, we will never see the like of any of them again.Brett Morgen's Crossfire Hurricane is a chronicle of the Stones' career, assembled from a wealth of news, documentary and home-made footage stretching back to their earliest days as a scraggy west London blues band. The commentary, other than that supplied by various interviewers and TV anchormen glimpsed across the passing decades, is provided by the Stones themselves, who Read more ...
graeme.thomson
Entirely in keeping with the heightened narrative surrounding pop stars and their perpetual crises, Christina Aguilera’s recent history has been spun into the kind of tragedy worthy of Piaf or Callas. Her last album, Bionic, singularly failed to shift anywhere near the kind of numbers pop divas need to keep a hand on the crown; she had the temerity to put on a few pounds and – worse – seem pretty relaxed about it; she got divorced; she got drunk. Ravens were seen leaving the Tower.These routine potholes in the yellow brick road are rigorously exploited and amplified on Lotus. Aguilera returns Read more ...
Lisa-Marie Ferla
There is something so otherworldly about Shingai Shoniwa, the vocal powerhouse who fronts Noisettes, that it is unsurprising to see the band play on it. Shoniwa arrived onstage in a blaze of light, in a spinning gold-hooped skirt that seemed to mimic a flying saucer in the chaos, before launching into a storming rendition of the band’s “I Want You Back”. The illusion lasted as long as it took her to kick off her towering gold high heels and attempt a terrible Scottish accent at the end of the first song.Although built around a duo - Brit School graduates Shoniwa and Daniel Smith, the band’s Read more ...
Russ Coffey
Billy Bragg recently described Jake Bugg as “a teenager with an ear for a good tune and a chip on his shoulder". He was referring to Bugg’s evocations of council estate life, which have invited comparisons to the Arctic Monkeys. Others have sneered at the youngster’s friendship with Noel Gallagher and his unashamedly retro sound. But what’s wrong with being an angry young man with a guitar? Bugg’s major influences span folk-rock written between 1965 and 1975, with a particular emphasis on the work of Donovan. On that count alone, he gets my vote.Commercially, it’s been Bugg’s rockier sound Read more ...