New music
theartsdesk
Jimmy Page: Lucifer Rising and Other SoundtracksKieron TylerWith Led Zeppelin established as world-beaters in 1971, Jimmy Page was probably entitled to take some time off. Instead, in the wake of the release of their fourth album, they criss-crossed the world in 1972. When at home, Page somehow found time to work on the soundtrack for the Kenneth Anger film Lucifer Rising. It’s been bootlegged and the first official appearance of this mysterious chapter in Page’s musical life plugs a gap. Page himself has released it on his own label and contributes brief liner notes.Strictly speaking, this Read more ...
Adam Sweeting
When he joined up with John Oates, Daryl Hall became half of one of the most successful duos in pop history, which has sold upwards of 60 million albums. From the mid-Seventies to the late Eighties, the pair notched six platinum albums and posted a remarkable streak of hit singles. Six of them were American chart-toppers, including "Kiss On My List", "Rich Girl", "Private Eyes" and "Out of Touch", while even the ones which didn't reach Number One became pop standards anyway, including "Sara Smile" and "Family Man".Born in Pottstown, Pennsylvania in October 1946, Hall majored in music at Read more ...
Nick Levine
There's something about Frank Ocean that sets him apart from other male R&B singers. It's not the letter he wrote on his personal blog last week revealing that his first love was a man. It's his songwriting: Ocean sketches out a scene with economy and aplomb, then illustrates with indelible detail.Ocean's stint with the Odd Future collective, home to several controversial but verbally dextrous rappers, will have sharpened his pencil. But he's clearly a natural storyteller and a keen observer anyway. See how he skewers the lifestyles of "Super Rich Kids" with a single line: "Too many Read more ...
Lisa-Marie Ferla
It is sometimes hard to be enthused by midweek gigs. Last night was one of those occasions, at least for the 30 seconds I thought I was going to be watching most of the show on the iPhone screen of the six feet of beard that planked itself in front of me just in time for the music starting. Those are the nights you need, as Sharon van Etten might say, “something that’s hard to describe”. Something that changes your mood, and makes you smile, and doesn’t happen all of the time. Something fun.If you’re at all familiar with Tramp, the third album from Brooklyn-based van Etten which came out at Read more ...
theartsdesk
Peter has just come back from Lagos, so the first part of the show is a brief tour d’horizon of the dynamic Nigerian pop scene, featuring Asa, Tiwa Savage, 2Face, Flavour and D’Banj, the “Koko-Master”, who has just had his first UK Top 10 hit with “Oliver Twist”. Also discussed is the musical marriage and messy divorce between Don Jazzy and D’banj, who has signed to Kanye West's label world-wide, as well as the fact that Ye is rumoured to be an Illuminati. Is Nigerian pop about to go global? Quite possibly.Joe has been in Paris listening to the first play of the revolutionary new Mala album: Read more ...
Thomas H. Green
I have to be honest - I didn’t go to very much of Nova. Suffice to say I’d put my name down to review it and then fate threw a house move into the mix in the same week. Nevertheless, relatively undaunted, I planned to head down to the Pulborough site in West Sussex, only 20 miles from where I live, taking my two daughters along. Then I lost my driving license. And then it started raining and didn’t stop.While I’ve no truck whatsoever with the British media’s obsession with festivals being a misery of mud, dragging children to them in bad weather can be very unrewarding (especially, I reckoned Read more ...
Lisa-Marie Ferla
The first thing that strikes you is the voice. At once coarse and warm, like the creak of the stairs of your childhood home as it settles in at night, Meursault’s Neil Pennycook sounds like a man with more than a few stories to tell. Of course it helps that, instrumentation-wise, Something for the Weakened is one of those musical "progressions" which sees the band abandon the programmed beats that punctuated earlier recordings in favour of a more conventional sound that knows when to play it sparse and when to swell, filling out beautiful melodies that top the five-minute mark in places. But Read more ...
Kieron Tyler
It could have been a cow lowing in the distance, the sound drifting across a barren landscape. Its tone transformed after echoing through hillsides and ravines. Actually, it was Karl Seglem blowing into the horn of a goat. Suddenly, he stopped and began wordlessly chanting. The other two musicians on stage at St Luke's kept their heads down and continued providing the sonic wash knitting together this collaboration between the classical, jazz and uncategorisable.Seglem’s diversion into the animalistic was short, but it helped define last night. The union of Christian Wallumrød, Seglem and Read more ...
Kieron Tyler
Despite the tee-hee title, the promise of a journey from “high culture to high camp” and the nudge-and-wink comment that the falsetto is “able to transport us to heaven knows where”, Alan Yentob’s examination of male singers who’ve chosen to “falsify their voice” was a thoughtful, though scattershot rumination on men who choose to take their voice beyond its natural range.Making the choice to embrace the high register isn’t just about potentially inviting accusations of effeminacy, it can bring self-inflicted physical damage too. Not being equipped to go high, grown men can suffer. Images Read more ...
Thomas H. Green
Once upon a time – six years ago - there was “nu rave” and it was immediately taken to pieces as a media construct and trashed. Fair enough, it was, but then so was Britpop and some people are still crapping on about that a decade and a half later. At least nu rave plugged in some whacky synths and psychedelic attitude. Such grumbles aside, Van She, named after frontman Matt Van Schie, were and are four Australians who hooked into the scene that the media called “nu rave”. No-one involved but The Klaxons (briefly) embraced the term. Then again, British punks didn’t embrace that term either, Read more ...
bruce.dessau
The first time I interviewed Marc Almond back in the late 1980s he had a pet snake with him, just one of the many things that sets him apart from today's stars. These days the only reptiles one sees around chart-toppers are the publicists. Almond has been part of the pop furniture for three decades but it was still something of a surprise to discover that he was celebrating his 55th birthday last night. Tempus fugit and all that. Or as the still-nimble black-clad crooner said to his mostly similarly-aged audience, "we are all in it together, dear".A decade ago Almond might have celebrated by Read more ...
howard.male
English producer Will "Quantic" Holland has brilliantly captured the sound of this Colombian big band who came together solely to make an album that represents the best of Colombian tropical music past and present. For capturing is all you really have to be able to do when the standard of musicianship is so high and the sheer joy of playing so apparent.Colombian styles such as cumbia, gaita, porro and champeta (“ondatrópica” is the overarching name for these styles) are all well represented but not in a dull, archival way. Every track is taut and springy with life and buoyed up by both new up Read more ...