New music
Dylan Moore
The Laugharne Weekend has become a fixture in the crowded calendar of festivals that now punctuates not just high days and holidays but the whole six months that make up British Summer Time. Carving a niche for itself as a halfway house between literature and music, Laugharne’s success is built on two key factors.First, its remarkable natural location in a remote corner of Carmarthenshire, southwest Wales and the village’s associations with Dylan Thomas, whose Boathouse, writing shed and the string of local pubs with legendary stories of the poet’s drunken antics make up Laugharne’s year- Read more ...
Thomas H. Green
Anyone remember gabber? It was a moment in the mid-Nineties when Dutch and New York dance music went as fast and loud as it could. In retrospect it was a bizarre anomaly but achieved brief cult popularity combining puerile juvenility, punk, avant-garde experimentalism and techno in a way that’s never been repeated. It was a bloody racket but the best of it had a real venomous sting and eventually appealed to the heavy rock community as much as ravers. The same can be said of Huoratron, AKA Finnish producer Aku Raski.Raski was discovered by Last Gang Records, the label that homed fellow Read more ...
graeme.thomson
Funny how things turn out. As Damon Albarn has morphed from Blur’s Fred Perry-sporting jackanapes into the thinking man’s musical adventurer, flitting from opera to Malian music to cartoon conceptualist, Graham Coxon has opted to pursue the low key and lo-fi, seemingly happier hanging out on the margins than infiltrating the mainstream.Coxon is currently touring his eighth solo album, A+E. It isn‘t a bad place to start: A+E is a tremendous record, easily the best thing he has done as a solo artist and up there with his best work full stop. A harsh, furiously inventive collection of 10 noisy Read more ...
igor.toronyilalic
I don't have many feelings about the Titanic (any more than I do about any tragedies of the distant past). I know few of the facts, I can remember nothing of the film and I have been left almost completely untouched by the centenary. Yet I am enormously grateful to have caught a Barbican performance of The Sinking of the Titanic, Gavin Bryars' beautiful musical meditation on the event. The reason why this hour-long rumination works so well is that it does not rely on the emotional power of the catastrophe to generate its own emotional power. The debris of sounds that Read more ...
Lisa-Marie Ferla
As probably befits the title, when the words “human, don’t be angry” are spoken for the first time on the Chemikal Underground release of the same name the voice they emerge in is anything but. Repeated over a dreamy guitar riff rendered otherworldly under a synthesised beat, ostensibly male and female robotic voices sound conciliatory, confused, commanding.The final voice, as the track ends, slows and fades out as if dependent on a flattened AA battery or, more poignantly, recognising the central theme as a lesson in futility.Better known for a more straightforward style of arch, acoustic Read more ...
Kieron Tyler
Two things are certain with music coming from the north: there will be some wonderful surprises and some of it will sound like nothing else on earth. It’s even more enticing when the two merge. Making the peculiar accessible is a uniquely Scandinavian knack. There are more than a few examples of that – the creation of new micro-genres – in this round-up of current and new releases, but some straightforward albums are equally striking. First, however, we head for the offbeat end of the spectrum.After my first encounter with Denmark’s Sleep Party People, I remarked they were “a peculiar Read more ...
Natalie Shaw
Lauryn Hill is back, and not just literally. Making her first UK appearance in five years, she silenced the doubters with a fully commanding and controlling show. A spellbound crowd watched as she wiped out the memory of years of disappointing concerts, reinvigorating her unmatchable prowess in a 100-minute set taking in songs from The Miseducation of Lauryn Hill, a selection of Fugees classics and some stunning Stevie Wonder and Bob Marley covers.Back in 1998, the mainstream hadn't bargained for the revelation that was Hill’s first (and to date only) solo album; no-one quite anticipated the Read more ...
Thomas H. Green
Love is a four letter word. So is “shit”. But I decided not to travel the punk bile road on this one. Too easy. Still, I couldn’t imagine a worse fit for me than Jason Mraz, a relentlessly positive clean-living vegan Californian grinner. He’s not actually Californian, he’s from Virginia, but he might as well be since holistic sunshine bleeds from every note of his fourth album, like an acoustic Deepak Chopra ear enema. He appears to be the antithesis of everything likeable about popular music - so let’s give him a fair chance as there’s little lamer than a pre-estimated critique.The first Read more ...
theartsdesk
Various: Cumbia Cumbia 1 & 2 Peter CulshawThese totally irresisitible compilations were originally issued as separate albums in 1989 and 1993, and were for many (including me) a first taste of this loping, vivacious sound, which originated originally in the 17th century on the Caribbean Coast of Colombia and has been a badge of identity for Colombians ever since.The music is a mix of African and indigenous rhythmic elements overlaid by brass, accordion, clarinet and electric guitar, pushed along with an addictively rocksteady bassline.Although Cumbia has since spread to Mexico, with more Read more ...