New music
Thomas H. Green
Gonjasufi, AKA Sumach Ecks (b 1978) was raised in San Diego by a Mexican mother and an American-Ethiopian father. His musical ability first came to more than local prominence when he appeared on the Flying Lotus album Los Angeles in 2008. His own debut album, A Sufi and a Killer, produced by Flying Lotus, Gaslamp Killer and Mainframe, appeared in 2010. It was an extraordinary, uncategorisable piece of work that wandered across a musical landscape of Gonjasufi’s own making, taking in global rhythms, hip-hop, folk, heavy rock, pop and much else, all sung by him and bled through with trippy Read more ...
Russ Coffey
Although a relatively new name around these parts, Kathleen Edwards has been alt-country’s nearly girl for almost a decade in her native Canada (as well as the doyenne of many campus radio stations across the States). But praise goes much further. Dylan likes her almost as much as Sheryl Crow, the Stones have had her on tour and in fact almost everyone who listens to her enjoys the way she injects warmth and lightness into musical styles normally bowing under the weight of earnestness. Voyageur, her fourth LP, has an even easier manner than before. It’s good, but not quite as existing fans Read more ...
peter.quinn
The band's Facebook page states “Dirty Soulful Groovin Dancey Sweet” under genre. To which I'd add “Dramatic Playful Intense Voluptuous Transporting”. Performing last night as part of the London A Cappella Festival, The Boxettes swept away any residual festive cobwebs and dazzled a packed Kings Place. “Loosen your shirt, loosen your bow ties,” we were told. I have to confess I didn't actually see any bow ties, but, metaphorically speaking, we got the point.
The all-female, London-based vocal quintet comprises Belle “Bellatrix” Ehresmann - currently the female world champion beatboxer - plus Read more ...
Kieron Tyler
Shock, horror. London audience keeps quiet. And in Shoreditch too, under a railway viaduct. Newcastle’s Lanterns on the Lake did something virtually no band achieves – directing the focus onto them. London audiences will babble through anything and everyone, but this sold-out show cast a spell.The audience reaction wasn’t the only surprise. Last time round, at the Royal Festival Hall before John Grant, Lanterns on the Lake were tentative. The performance didn’t hang together. The concert hall setting did them few favours as it must have been the largest place they’d ever played, but even so Read more ...
Ismene Brown
Empty vessels make the most noise. That pithy old aphorism floated into my head a scant few minutes into the much-heralded new work by the undoubtedly talented, but here way off-beam, Hofesh Shechter. And again, a few minutes later. And again, and again, as something like 200 drummers filled the stage and bashed away in earnest polyrhythmy. At the end of the 80 minutes my watch was worn with checking.Survivor is its name, and I absolutely don’t mind being asked to survive din if it’s worth it, if it changes you. We had been kindly offered the option beforehand of earplugs but it’s surprising Read more ...
Kieron Tyler
Bergen’s going to be pretty cold in January, but Aabenbaringen over aaskammen by the Norwegian city’s Casiokids will thaw the most frozen of feet. Their twinkly, occasionally Afro-assisted, sometimes New Order-ish electropop brings a smile too.Casiokids have been on the radar for half a decade, but Aabenbaringen over aaskammen is only their second album proper, following 2006’s Fück midi. Since then, there’s been a smattering of singles and 2010’s compilation/remix album Topp stemning på lokal bar. Aabenbaringen over aaskammen's 11 tracks include a remake of “London Zoo”, first heard on a Read more ...
joe.muggs
It's become a fairly common trope for herbally enhanced rappers to hype up their individuality by referring to themselves as an “alien”, but with Wiley you could believe it. In “Can I Get a Taxi”, the odd extended skit that forms the centrepiece of this album, he inhabits various London archetypes – the yardie, the cockney wideboy, the posh bloke – but while his accents are hilarious, it all feels strange, curious, like a child poking at creatures in a rockpool, and his ever-wayward stream of thought keeps veering off course. As with so much in the decade-old career of the father of grime and Read more ...
Ismene Brown
London's Barbican Centre is 30 this year, and with a special Olympics subsidy boost as the world's eyes turn to the British capital this summer, it aims to be as lovely inside as it is famously unlovely outside. Film beauties Cate Blanchett and Juliette Binoche appear live on stage and theatre giants Pina Bausch, Philip Glass and Shakespeare are celebrated in a season of prominent internationalism. Peter Sellars, Toni Morrison, Yukio Ninagawa, Krzysztof Penderecki and Chick Corea are among many other world names invited to EC2 over the season. Three key British theatre companies are Read more ...
Thomas H. Green
Of all the unlikely and incompatible collisions of genre imaginable, thrash metal with clubland trance must be pretty near the top of the tree. One is beefy, roaring, angry and punctuated by vocals akin to a dyspeptic troll burping, the other is electronic, poppy, air-headedly euphoric and can contain divas wailing banalities. This combination, however, was the horse a young St Albans band chose to ride for their 2006 debut single “Sorry You’re Not a Winner”. It summed Enter Shikari up and – although they’ve moved on musically since – it still does; the gutsy earnestness of metal but with Read more ...
matilda.battersby
Duotone duo have hit upon a pared-down, beautifully crafted acoustic sound, which proves what richness lies in simplicity. Like a perfectly executed sponge cake, their music is light, satisfying and a delight. But, as with any confection, the sweetness can be overpowering.Barney Morse-Brown (a session cellist for The Imagined Village and Chris Wood’s Handmade Life) and James Garrett (singer-songwriter and percussionist) are supremely assured musicians. This, their second album - a follow-up to their excellent 2009 debut, Work Harder and One Day You’ll Find Her - starts brilliantly with a Read more ...
theartsdesk
I have been an admirer of Mike Doughty as a singer and songwriter since picking up Soul Coughing’s first two CDs at a car boot sale for 50p each. I was drawn by the sinister, Lynchian art work and dryly witty song titles such as "Sugar Free Jazz” and “White Girl”. You can’t always judge a CD by its cover or its song titles, but in this instance I hit gold. Here’s the opening line of "Is Chicago, Is Not Chicago", the first song on their debut Ruby Vroom: “A man drives a plane/ Into the/ Chrysler Building”. I was hearing this post 9/11, but it was recorded in 1994. Soul Coughing, rather Read more ...
Kieron Tyler
One of last year’s finest surprises was the debut album from Rayographs, a fractured, psychedelic excursion that remains enthralling. Paper Dollhouse is the solo guise of Rayographs’s Astrud Steehouder. While A Box Painted Black isn’t quite the shock Rayographs was, it beguiles.As Paper Dollhouse, Steehouder (pictured right) sustains Rayographs’s spookiness. A Box Painted Black‘s “I Dreamt You More Than Ever” uses the cross-talking effect of vocals cutting in and out that's so effective with Rayographs. Their Amy Hurst contributes a photo to the album's booklet. Nina Bosnic is, on a couple of Read more ...