New music
Thomas H. Green
Cerebral Ballzy’s debut album is over in a good deal less than half an hour. Would that American R&B and hip-hop bands took a cue here rather than filling their CDs with 80 minutes of skits and filler, as if that offered more value for money. Not that Cerebral Ballzy are an American R&B or hip-hop outfit. They are, instead, a New York hardcore punk quintet whose name is designed to make anyone who hears it ask, “Who on earth is this?”Unlike some of their peers – notably the wonderful Deathset – Cerebral Ballzy make no attempt to update raw ballistic walls of guitar with new Read more ...
joe.muggs
The Anticon label is a deepy peculiar animal. Around the turn of the millennium, its core members – going by names like Boom Bip, Doseone, cLOUDdEAD, Jel and So-Called Artists – took a nerdy yet intensely psychedelic approach to hip hop, and ended up creating a woozy and out-there sound that prefigured a huge amount of currently hip music. Now that the appallingly named new shifts in stoner music - “glo-fi” and “chillwave” - are opening up the territory between indie and hip hop/dance again, Anticon seems hugely prescient, but with new artists like Son Lux, it seems the label is once again Read more ...
Kieron Tyler
Spencer Krug must have problems knowing the name he should adopt. Over the past six years, he’s played with his main band, Wolf Parade, recorded as or with Fifths of Seven, Frog Eyes, Moonface, Sunset Rubdown and Swan Lake. Organ Music not Vibraphone Music Like I’d Hoped is his second release as Moonface, a guise he now reserves for his entirely solo work. Organ Music... is quirky, but worth hearing.
Wolf Parade (nothing to do with Wolf Gang) are often driving, anthemic indie rockers on a line between Animal Collective and Krug’s fellow Montréal dwellers Arcade Fire. Moonface, though, follows Read more ...
Kieron Tyler
Pop music was virtually eradicated from Iran in 1979 after the deposition of the Shah and arrival of Ayatollah Khomeini in power. Before then, the thriving scene supported many stars that drew on both local traditions and Kurdish music. Googoosh was a huge star, but she stayed in Iran after 1979 and was unable to record. Moving to Los Angeles in 2000 allowed her to perform and begin recording again. The arrival of a new British compilation covering 1970 to 1975 is fascinating. It includes some incredible, head-turning music too.Pre-1979 Iranian pop is largely unfamiliar outside the country Read more ...
bruce.dessau
When They Might Be Giants first appeared in the 1980s it became rock critic shorthand to describe them as bouncy, bushy-tailed pop oddballs. What is amazing is that nearly three decades on that description still applies perfectly to the fiftysomething whipsmart duo of John Linnell and John Flansburgh. On Join Us they never seem jaded or cynical or going through the motions, just joyous and delightful and as bouncy as ever.On their 15th studio album, a return to wiggy adult songs after a hiatus making wiggy music for children, they are still having a great time larking about with language, Read more ...
paul.mcgee
By and large, Adele Adkins chooses to avoid the limelight, and therefore little is known of either her personal life or her indulgences, whatever they may be. The spectacular success of 21 suggests that her audience couldn't care less either way, which I think is quite telling. Compare and contrast, on the other hand, with the shambles formerly known as Amy Winehouse. When she emerged - or rather, came out swinging - in 2003, it was with some forthright opinions on her peers in her left hand and, for a 19-year-old, an arresting line in cynical, world-weary lyrics in her right ("Fuck Me Pumps Read more ...
Thomas H. Green
The problem with the apparently endless success of musical TV talent shows is it normalises them, validates them. Thus we end up with critical forums grading sonic diarrhoea rather than dismissing it all as banal overblown Brave New World kaka. Snobby and elitist? Sure, if that means I don't have to spend a second longer listening to best-selling platinum Welsh pop baritone Rhydian Roberts.This isn't the place to assess the qualities that breed X Factor success. Suffice to say that what makes for flashy TV froth hasn't given us a single act worth passing mention. All right, Girls Aloud had Read more ...
matilda.battersby
Few bands maintain their early fanbase for 20 years by barely changing their sound, their dress sense, haircuts even, and yet manage to mature like Gouda cheese, gaining depth of flavour and punch over time. But Portishead have. The crowd in Alexandra Palace in north London was largely made up of people who would have bought Dummy, Portishead’s Mercury Prize-winning debut, when it came out in the mid-Nineties. I even spotted three people wearing combat jeans.This cusp-of-vintage style was perfect for the sticky floor and blackout-fabric-draped interior of the people’s palace, where even the Read more ...
Kieron Tyler
Between 1996 and the earliest years of the 21st century, the Manchester-based duo Lamb defined a moody, ambient, dance-influenced pop – the trip-hop/chill-out nexus. "Górecki", their 1997 chart single, will always be their most well-known moment. Lamb played what was announced back then as their final live show in 2004. But Andy Barlow and Lou Rhodes reunited for a slew of festival dates in 2009. Both had been working solo, and 5 is the first recorded evidence of their second life.Rhodes’s voice is smokier than before, fuller, more rounded and less likely to dance around the melody line. A Read more ...
theartsdesk
Amy Winehouse, who was found dead at her London home this afternoon, was the greatest female pop singer of her time, in the way that Billie Holiday was of hers, says Peter Culshaw, the first of theartsdesk's writers who tell below what she signified to music and to them. More tributes come from Joe Muggs, Thomas H Green, David Nice and Matilda Battersby.PETER CULSHAWIn just two albums, Amy Winehouse proved she had a rare ability to inhabit her songs, and her sultry contralto voice was unique. It will be noted she is a tragic member of the "27 Club" - the brilliant fireworks who burned out at Read more ...
Thomas H. Green
Symphonic pop of the Electric Light Orchestra variety is a hard thing to pull off and even when it succeeds it’s very much an acquired taste. When Max McElligott – AKA Wolf Gang - first appeared a couple of years ago with an EP on the Neon Gold label, he seemed have the balance between opulent and poptastic just about right. It had a blustery chamber-pop charm and was, at the very least, a promising opening shot. His debut album, though, has pushed the boat out too far. It is over-enamoured with its own lusciousness, a precision Crufts-groomed show poodle of an album wearing diamante Read more ...
Peter Culshaw
By the end of the first half an hour, the burly Egyptian journalist next to me was in tears. By the end of the show, the entire Barbican audience was on its feet. It was a memorable evening – even if the august Barbican Hall was nothing like the teeming masses of the Tahrir Square at the height of the protests against Mubarak. One thing was clear though – those who think popular music has lost the power to change things and mutated into mere consumerist spectacle will have to eat their words. Especially if they understand Arabic.Which was a slight problem for half of the audience who didn’t Read more ...