New music
Russ Coffey
It’s not so much cultural differences that have hindered Death Cab for Cutie’s UK profile, it’s more the difficulty of making a name when “there just couldn’t be less scandal surrounding the band”. Or so guitarist Chris Walla feels. In the States their beautiful, emotionally muted music goes platinum and is featured in huge shows like the OC. But just as US audiences were hard to persuade of the charms of Pulp or Suede, so Death Cab’s strangely moving introspection has been here, by and large, niche. You’d never have known it, though, from the legions of fashionably dressed devotees at the Read more ...
Adam Sweeting
Mention of Southend-on-Sea calls to mind tawdry seafront attractions and Dr Feelgood, and certainly wouldn't prime you to expect The Horrors. Prepare to be flabbergasted, however, because with their third album, this quietly purposeful quintet have taken a giant leap forward into their own phantasmagorical hyperspace.Their last effort, 2009's Primary Colours, dropped enough hints about the band's burgeoning abilities to nab a Mercury Prize nomination, but think of that one as Andy Murray to this year's Djokovic. To create Skying, they dispensed with outside production help (Portishead's Geoff Read more ...
Kieron Tyler
French interpreters Nouvelle Vague have a seemingly unsustainable path. Reinterpreting Anglo songs of the post-punk and new wave eras in unlikely semi-easy-listening settings (bossa nova, reggae, country and bluegrass) would appear to bring diminishing returns. But on their last album, 2009’s 3, they went gently Gallic, covering “Ça plane pour moi”, originally by Belgium’s Plastic Bertrand. Fourth time out, it’s all Francophone.Marc Collin and Olivier Libaux’s first three Nouvelle Vague albums mainly featured lesser-known female Franco singers (notably Camille and Mélanie Pain – some original Read more ...
joe.muggs
Abstract music will always be at a disadvantage compared to abstract art because of one thing: duration. It requires commitment and immersion, you can't sum it up at a glance, and when it stops it's gone until you go back to the start. Yet a record like this Finnish collaboration can have all the fascination, all the exploration of chaos and control and deep archetypal patterns of a Kandinsky painting or Hepworth bronze.
Jan Anderzén aka Tomutonttu is part of the hypermodern pyschedelic band Kemialliset Ystävät, while Sami Sänpäkkilä aka Es is the boss of Fonal Records and a respected film- Read more ...
bruce.dessau
Well, it pains me to say it, but if there has to be a winner Morrissey edged it. Jarvis was Nadal to Mozza's Djokovic. Both match-fit after appearances at Glastonbury, both would have been invincible against anyone else. But Jarvis was still great, as compelling as ever in his suit and sloppy tie, resembling a teacher out of an old Ken Loach film as he strolled on, asked "Is everybody in?" and threw himself with frightening abandon into "Do You Remember the First Time?"From there it was a journey into a wonderful past as classic after classic flew by, from the mighty “Mile End” – which I’d Read more ...
bruce.dessau
It cannot be easy being a veteran pop star on tour. All you want to do are your lovely new songs and all your fans want to hear are your golden oldies. Two weeks ago Ringo Starr showed that he has clearly got to an age where he has decided to give the fans what they want and last night in a sun-kissed field in Kent three more icons embraced their past and bathed in the golden glow of nostalgia.The Hop Farm Festival, now in its fourth year, is a bit of a new kid on the festival block but it seemed to get everything right by concentrating largely on the music. Last night's show was not Read more ...
Adam Sweeting
Blondie took 17 years off between 1982 and 1999, and bounced back with the chart-topping single "Maria". Now, refreshed after an eight-year power nap following 2003's The Curse of Blondie, they've returned with their ninth studio album.This would have been a splendid record in 1980, a year which its snappy synth-pop flashbacks seem to want to evoke. In 2011 it's still not bad, though there's a sense that the tracks are compensating with artful studio technology for shortcomings in the writing, and perhaps in Deborah Harry's brittle vocals. Nonetheless, the disc comes roaring out of the blocks Read more ...
joe.muggs
It's not often you can call pop music revolutionary, but this record is - in more ways than one. Bringing together techniques of engagement that have been honed by Radiohead, Lady Gaga, Lil Wayne and... um... Justin Bieber, the 21-year-old Berkley, California rapper Lil B appears to be on the verge of becoming the first bona fide internet-birthed superstar. I'm Gay (I'm Happy) appeared on iTunes yesterday, announced with a single tweet, with no prior warning whatsoever bar an announcement of its provocative title a couple of months back. It has seemingly no standard record company support Read more ...
caspar.gomez
Thursday 23 JuneHaven’t left yet but someone sends me an email saying, "Not going to Glastonbury this year and feeling rather smug about it." What are they feeling smug about? The fact that they’re going to have a forgettable, normal weekend while this extraordinary event is going on? It is, of course, to do with ideas of rain. A lot of the pre-Glastonbury coverage focuses endlessly on rain and mud, as if home comforts are everything. When did comfort become the big cultural draw?Possibly when the average age of music journalists went from 27 to 45, or possibly when we began our techno- Read more ...
david.cheal
Paul Simon is now nearly 70 years old and as he walked onto the Hammersmith Apollo stage last night it struck me that he is beginning to look like the little old man he will eventually become: still nimble, enviably trim, but nevertheless, he was noticeably older and more fragile-looking than when I last saw him five years ago. The second thing that struck me was a certain weariness in the opening songs - a mechanical quality to the playing, and a concomitantly flat atmosphere. The opening song, “Crazy Love Vol II”, was ploddy, while “Dazzling Blue”, from his new So Beautiful or So Read more ...
Kieron Tyler
The prospect of seeing a band seemingly in thrall to peak-popularity Fleetwood Mac in a Shoreditch basement intrigued. Could San Francisco's Vetiver reproduce the glossy sheen of new album The Errant Charm live? The answer was no, and last night’s London show was all the better for that. As the guitars intertwined, the sonic swirl was more akin to a Seventies LA version of shoegazing than a recreation of the seductive West Coast sound.The time shift aspect of Vetiver is distracting in a live setting. It’s impossible to look at North Carolina transplant Andy Cabic and his band without being Read more ...
Kieron Tyler
Gothenburg electro-moodists Little Dragon aren’t short of high-profile cheerleaders. All four members appeared on a couple of tracks on Gorillaz' Plastic Beach, and the band supported Damon Albarn's gang on the subsequent tour. TV on the Radio’s David Sitek borrowed their singer Yukimi Nagano for his solo album, also from last year. Ritual Union, their third album, escapes from the shadows cast by the collaborations to reassert that this is a band, rather than a box of sticking plasters for other people’s careers.The collaborations – Big Boi has also co-opted them and Nagano appears on Rafael Read more ...