New music
bruce.dessau
Tony Wilson: From denim-clad regional TV presenter to doggedly passionate cultural icon
The Meltdown Festival's tribute to Tony Wilson was a lot like the charismatic post-punk legend himself: funny, eccentric, obscure, populist; all over the place but never dull. Wilson died in August 2007 and this event was a reminder of his reputation as one of music's most fascinating post-punk provocateurs, giving the world Joy Division, Happy Mondays and more. It was also a reminder of his reputation, as poet Mike Garry put it, as a "knobhead". As someone who appeared on regional news programmes quoting Wordsworth while hang-gliding, Wilson could be spectacularly uncool.Proceedings, hosted Read more ...
peter.quinn
One of the great strengths of Manfred Eicher's ECM label is the way in which it has encouraged and documented many unlikely yet fruitful musical collaborations throughout its thousand-plus discography. First assembled for her season as artist-in-residence at Norway's Molde Jazz Festival in 2008, percussionist Marilyn Mazur's Celestial Circle quartet brings together stylists as individual as pianist John Taylor, bassist Anders Jormin and vocalist Josefine Cronholm (who makes her ECM debut here).Born in New York and raised in Denmark, Mazur, whose well-stuffed CV includes work with Miles Davis Read more ...
igor.toronyilalic
Drone music pioneer Eliane Radigue: A winningly modest presence at her first UK retrospective last night
What strange goings-on at this year's Spitalfields Music festival. One church is set ablaze by a female laptop trio; another is swamped by 17th-century collectivists; one man opens up a black hole with the back of his guitar; and a harpist becomes a stick insect, taking to his instrument with two bows. At Spitalfields Church on Monday night, James Weeks and the New London Chamber Choir set about raising our spirits with three early American anthems by William Billings (1746-1800). How vigorous the round Wake Ev'ry Breath felt, as the choir filed in one by one, unleashing the wave upon wave Read more ...
Peter Culshaw
Strange portents – the weather is always dry and baking hot this time of year in Fes. This time it was like winter, with lashing rain and thunder for the first few days of the Fes Festival. But then things are strange in general here; events are moving fast throughout the Maghreb. The first day I was there saw a demonstration of thousands in Rabat, and a smaller one in Fes. By the last day a new constitution had been posted online, with the King renouncing some of his powers. The energy in the city seems slightly giddy with expectation and a certain optimism.Fes was always a fascinating city Read more ...
david.cheal
Well, he’s certainly moved on from his log cabin. It’s three years since Justin Vernon’s group, Bon Iver, released For Emma, Forever Ago, the quietly powerful indie-folk album recorded during a bitter winter in his father’s remote Vermont cabin – an album that became almost as famous for the story behind it as it did for its actual music. Now Bon Iver’s palette has been broadened to incorporate instruments such as synths and a glossier, more layered approach to sound; the result is an album that’s sonically rich but seldom really engaging.Part of the problem lies in the fact that Vernon Read more ...
matilda.battersby
Following in the stilettoed footsteps of Lady Gaga’s extended-play reissue of her platinum-selling The Fame, Take That’s Progressed is a two-disc repackaging of the November 2010 Progress album featuring eight additional tracks. With its menacing disco beats and penetrating falsetto vocals, it is an evolution to be proud of.Released to coincide with the band’s first tour with Robbie Williams since 1995, the eight new songs are a happy extended narrative of Progress which acknowledges the well-publicised falling outs, carefully mixed in with a hefty dollop of science fiction. Not a combination Read more ...
Thomas H. Green
Emmy the Great's second album weaves a most effective spell
I'm tired of Emmy the Great being lumped in with crappy singer-songwriters who've had way too much hype but couldn't write a decent lyric if they were tied to a chair and had a pistol pointed at their temple. Emma-Lee Moss bloomed from a singer-songwritery London milieu but she's a cut above the pack.I speak as one who's sick to death of acoustic guitar-strumming whiners. Like Malcolm Middleton, another fine underrated British singer-songwriter, she doesn't throw out one-size-fits-all palliatives for mopers; her songs are grounded yet enigmatic, allegorical, and as precisely constructed Read more ...
Thomas H. Green
Seasick Steve Wold (b 1941) has achieved widespread popularity over the last five years with his raw, rootsy, blues-flavoured sounds. He's also renowned for his customised guitars, such as one featured on his new album, You Can't Teach an Old Dog New Tricks, that's made from Morris Minor hubcaps, and for his stage patter which combines US Southern charm with hobo lore and anecdotes.Wold left his Californian family home in his early teens after falling out with his stepfather and spent many years hopping freight trains and working as an itinerant labourer. Over the decades he travelled Read more ...
joe.muggs
A still from the 'Love Can't Turn Around' video
The house music of Chicago, led by producers and DJs, has long had a tendency to feature the greatest vocals of any genre yet not make stars of its singers. And for most of his working life, Darryl Pandy, who died yesterday aged 48, was not the star his huge presence and elemental, gospel-schooled voice warranted – instead working the club circuit and soul revival shows, and featuring on dance tracks scattered across dozens of 12" singles on many labels worldwide.However, Pandy did have one moment of glorious exposure to the mainstream, one which will ensure his immortality, and which also Read more ...
david.cheal
Maverick Sabre: Reggae and soul from Stoke Newington via County Wexford
Until a few weeks ago, I’d never heard of Maverick Sabre. Then I saw his weird potato-face looks and heard his utterly distinctive voice on Later... With Jools Holland, and was intrigued; thus I found myself last night at the Jazz Café in a sold-out crowd at his biggest London headlining gig, and I was impressed. He’s quite something.Maverick Sabre is the stage name of Michael Stafford, a 20-year-old singer, rapper, songwriter and guitarist who was born in Stoke Newington, north London, and raised in County Wexford, Ireland; he claims that he chose his name by going through a thesaurus Read more ...
Kieron Tyler
Vetiver: Hard to get beneath the gloss
Early on, Vetiver were apparently a freak folk band. Associations and collaborations with Joanna Newsom and Devandra Banhardt helped that tag stick. But constraints don’t concern Vetiver main man Andy Cabac. Fifth album The Errant Charm is accessible and none too freaky. Although introspective and tinged with psychedelia, this is old-school West Coast pop.The Errant Charm is very tasteful. Shimmeringly produced, there’s a gloss that’s hard to get past. Cabac’s voice is softly resigned, close miked and often set back into the mix. The smoothness of The Errant Charm’s surface means that as it Read more ...
Thomas H. Green
Jamie Woon, keeping things mellow on the south coast
Jamie Woon is in the fresh first flush of success but it's been a good while coming. An unassuming 28-year-old with dark good looks, he first appeared five years ago with an extraordinary spooked take on the gospel perennial "Wayfaring Stranger" but then, on the recording front at least, he vanished. 2011, however, sees him busier than he's ever been and this tour is a preamble to the summer festival circuit.Woon arrives onto a stage filled with keyboards and stands at its centre, greeted by whoops from a young crowd. He wears a black T-shirt and jeans, a loose hank of hair hanging over one Read more ...