wed 25/06/2025

Classical music

Classical CDs Weekly: Boyle, Martin, Rachmaninov

Antonio Pappano delivers satisfying richness and brooding intensity

This Saturday we’ve a new recording of a famous Russian symphony played by an Italian orchestra under their London-based principal conductor. There’s a rare Shakespearean opera written in the 1950s by a Swiss master using a German text. And a...

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Another Brit conductor makes lightning progress

Nicholas Collon, already winning his laurels

Anyone who's attended an Aurora Orchestra concert at Kings Place will know that twentysomething conductor Nicholas Collon - oddly, the birth date seems elusive - is a force to be reckoned with. When he speaks, he looks as if butter wouldn't melt,...

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James Bowman, Mahan Esfahani, Wigmore Hall

The end of an era: James Bowman bids a gentle farewell to the London concert stage

The Wigmore Hall was full to capacity last night, its crowd gathered to pay homage to a great musician at the end of his career, and to discover the talents of a great musician at the very beginning of his. While Alfred Deller might have been the...

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Classical CDs Weekly: Nyman, Hallé Orchestra, Vaughan Williams

Michael Nyman's 'Facing Goya': A witty, entertaining piece from unpromising source material

This week we’ve some neglected British orchestral music played by the UK’s oldest professional orchestra, including a spectacular work later championed by Britten. An offbeat disc of concertos for two pianos provides scintillating entertainment. And...

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Mahler's Resurrection Symphony, CBSO, Ono, Symphony Hall Birmingham

Kazushi Ono, a conductor whose poise between rhythmic rigour and late-Romantic phrasing is a joy to watch

Gustav Mahler died, according to his wife Alma’s memoirs, at midnight on 18 May, 1911. Anyone mystically inclined to connect noughts and "o"s – you see it crossed my mind – might find some spooky link between 00:00 (pedantically, the time of death...

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Lang Lang, Royal Festival Hall

There must be at least 100 more interesting pianists in the concert world than Lang Lang, but perhaps he is just the best publicist around, because nothing else can explain why such a vacuous display as he gave last night at the Royal Festival Hall...

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Gabriel Prokofiev: Nonclassical Directions, LSO St Luke's

Gabriel Prokofiev: Creativity, risk-taking and just a few teething problems

In a week in which the nation has debated the relevance of classical music, it was left to the LSO’s Eclectica concert series to have the final word. Incorporating world and electronic music alongside traditional chamber works and contemporary...

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Opinion: Is classical music irrelevant?

Cambridge University, cradle of Newton, Keynes and Wittgenstein, of Wordsworth, Turing and Tennyson, has produced 15 prime ministers and more Nobel Prize-winners than most nations. In its 200-year history, the university’s debating society has...

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Classical CDs Weekly: Debussy, Grainger, Lully

Christophe Rousset: His studio recording of 'Bellérophon' 'succeeds on every level'

This week we review Bellérophon, a rare Baroque opera from Lully which was exhumed by Christophe Rousset and performed for the first time last year, Debussy recorded live from the Barbican, and we answer the key question: how much is too much Percy...

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Classic Brits 2011

Arvo Pärt: A political classic

In case anybody had the bizarre notion that the Classical Brits was getting a trifle too classical, the 2011 version of the event was rebranded as the Classic Brit Awards. That would seem to open the door to almost anything - classic rock perhaps...

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London children offered 400 music scholarships

Private music patrons aim to raise £2 million to fund 400 scholarships for London children with a talent for music. The aim is to give steady four-year support for disadvantaged children to have Saturday lessons, individual coaching and group...

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BBC National Orchestra of Wales, Hoddinott Hall, Cardiff

David Atherton: Excellent, undemonstrative

It’s a neat-sounding idea for a concert: a sequence of works composed in the year the previous composer died. Neat, but not necessarily revealing. This one started with Elgar’s Cockaigne, composed – symbolically, I assume – in 1900, and ended with...

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