Classical music
London Philharmonic Orchestra, Vasily Petrenko, Royal Festival HallThursday, 25 November 2010![]() That in itself was enough to tell us that Petrenko isn’t just a supremely elegant conductor, an easy stylist able to make Stravinsky’s fiddly early Scherzo fantastique sound natural and to paper over the cracks of a tottering soloist, Oleg Marshev,... Read more... |
theartsdesk in Colombo: Where Music Matters as East Meets WestSunday, 21 November 2010![]() For hundreds of years now the island currently known as Sri Lanka has had a thriving musical culture (or cultures, not to politicise the issue). There’s been folk music for as long as there’ve been folks. The various strata of society have refined... Read more... |
Angela Hewitt, Wigmore HallSunday, 21 November 2010![]() In 1932 English pianist Harriet Cohen commissioned the best of Britain’s composers – Vaughan Williams, Ireland, Walton, Howells – to produce transcriptions of Bach for piano. The result, A Bach Book for Harriet Cohen, is a true document of its time... Read more... |
Classical CDs Round-Up 14Saturday, 20 November 2010![]() This month’s selection includes two seasonal releases – one a selection of Tudor choral music and the other a popular Christmas ballet. There’s yet more ballet in a new disc from Russian forces, and late-Romantic orchestral music is represented by... Read more... |
Mustonen, London Symphony Orchestra, Gergiev, Barbican HallSaturday, 20 November 2010![]() Because it was the capricious Finn who got us going and provided us with the evening's only chunks of nourishment. His performance of Rodion Shchedrin's Fourth Piano Concerto was joyous and thrilling. I wasn't expecting a great deal from Shchedrin... Read more... |
Remembering a great ProkofievianWednesday, 17 November 2010![]() She did more to make Prokofiev remembered and reassessed than most of the great performers. Noëlle Mann, who died earlier this year from cancer at the age of 63, was the doyenne of Prokofiev studies: vivacious guardian of the Prokofiev Archive at... Read more... |
Turnage 50th birthday, CBSO Centre, BirminghamMonday, 15 November 2010![]() Hard to believe that Mark-Anthony Turnage, the bovver-booted, tank-topped composer of Night Dances and Greek in the 1980s, has reached his half-century. The Essex-boy image is still intact, somewhat mellowed perhaps; the boots have gone, the tank... Read more... |
Royal Scottish National Orchestra, Denève, Edinburgh & GlasgowSunday, 14 November 2010![]() It's always tough sharing a programme with Berlioz's Symphonie fantastique. Could a promising 21st-century composer and a dream-dance concerto of the early 1930s begin to make the kind of sounds the visionary Frenchman conjured in 1830? Not a chance... Read more... |
Steven Isserlis, Jean-Efflam Bavouzet, Viviane Hagner, Wigmore HallFriday, 12 November 2010![]() First, an admission. I have a blindspot for the chamber work of Fauré, Saint-Saëns and Ravel. I've tried my best, acquainted myself with the most stirring recordings of the finest pieces, got friends to hold my hand. But I've never been able to... Read more... |
Elgar: The Man Behind the Mask, BBC FourFriday, 12 November 2010![]() Where is the real Elgar to be found – in his boisterous self-portrait at the end of the Enigma Variations, the warm, feminine sentiment of the Violin Concerto and the First Symphony’s Adagio, or the nightmares of the Second Symphony? No doubt in... Read more... |
BBC National Orchestra of Wales, St David's Hall, CardiffFriday, 12 November 2010![]() How much do you know about centaurs? Probably you know they are horses below the withers, human above. But did you know they were heavy drinkers who once got out of hand at the wedding of the King of the Lapiths, tried to rape the bride and got... Read more... |
Kafka Fragments, Barbican HallFriday, 12 November 2010![]() A 70-minute song cycle for soprano and violin, the Kafka Fragments is the magnum opus (the irony of its miniature forms seems entirely deliberate) of György Kurtág, a composer known for the inscrutability of his music. His lines arrive at the ears... Read more... |
