sat 08/03/2025

Britten

Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very impressed, both by the standard of the playing and the enterprising programming. This gave regular audience-...

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Classical CDs: Snow, shards and swinging oars

 Snow Dance for the Dead: Choral Music by Seán Doherty New Dublin Voices/Bernie Sherlock (Voces8 Recordings)I have come across the choral music of Seán Doherty more and more recently and always liked what I have heard. His music is imaginative...

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BBC Singers, Aurora Orchestra, Collon, Kings Place review - on the way to heaven via King's Cross

Just now, music about survival, transcendence and the afterlife may have a special resonance for the BBC Singers. After all, the supremely versatile century-old chamber choir has endured its own near-death experience – at the hands of the BBC top...

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Classical CDs: Christmas 2024

 Trio Mediæval: Yule (2L)Pick of my Christmas discs is this sublime collection from Trio Mediæval on the Norwegian audiophile label 2L, reflecting yuletide’s origins in Northern European pagan culture. Imaginative and idiomatic-sounding...

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Classical CDs: Vitamins, kings and magic spells

 Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony)Who’d have thought that Igor Levit and Christian Thielemann would be such effective partners? Levitt is one of the most...

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Albert Herring, Scottish Opera review - fun, frivolity, and fine music-making

Having premiered at the Lammermuir Festival earlier this year, Daisy Evans’s new production of Britten’s Albert Herring is a gently funny and sweetly nostalgic telling of what’s essentially a coming of age comedy. In fact, the 80s costumes and the...

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The Turn of the Screw, English National Opera review - Jamesian ambiguities chillingly preserved

At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is known if we first meet the Governess in an insane asylum bed? Yet whether she was mad or maddened during...

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Prom 68, A Midsummer Night's Dream, Garsington Opera review - eerie beauty sometimes faintly glittering

Some operas shine in the vasts of the Albert Hall, others seem to creep back into their beautiful shells. Glyndebourne’s Carmen blazed, though Bizet never intended his opera for a big theatre, while Britten’s A Midsummer Night’s Dream, despite an...

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Prom 37, War Requiem, Clayton, Liverman, Romaniw, LSO, Pappano review - terror and tenderness

This year’s Proms programme initially gave rise to some now-customary sneers about predictability, banality and dumbing down. Well, it all depends on where you sit, and what you hear. And my seats have witnessed one absolute humdinger after another...

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Prom 10, Van der Heijden, BBCSSO, Ryan Wigglesworth review - an engaging and esoteric delight

What is Englishness? Over the last century the answer has changed substantially. Yet last night’s Prom, which – according to the programme – set itself the task of celebrating “all things English” had a very particular answer.This was an England of...

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theartsdesk at the 2024 Aldeburgh Festival - romantic journeys, cosmic hallucinations and wild stomps

It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who quietly leaves his post at Britten Pears Arts this July after a momentous decade, is no ordinary Chief Executive. I’ve never...

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Classical CDs: Cowhorns, gloves and marching drums

 Britten: Spring Symphony, Sinfonia da Requiem, Young Person’s Guide to the Orchestra London Symphony Orchestra/Sir Simon Rattle (LSO Live)Here’s as good a Britten sampler as you’ll find, opening with a truly terrifying account of the early...

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