TV
Adam Sweeting
Jazz enthusiast Clint Eastwood, who co-produced this film with the BBC's Arena, clearly harbours a particular regard for songwriter, singer, impresario and record company mogul Johnny Mercer. When Eastwood made his film of John Berendt's book Midnight in the Garden of Good and Evil, which was set in Mercer's home town of Savannah, Georgia and partly shot in Mercer House, built by Johnny's grandfather, the accompanying soundtrack was a newly recorded collection of some of Mercer's most celebrated songs.Happily, where Midnight in the Garden... was, even in the most rose-tinted view, a grotesque Read more ...
howard.male
Of course I’ve not been anticipating the appearance of the new Doctor with quite the counting-the-days excitement of many children, teenagers and anoraked adults across the land. But to invert the Jesuit motto, "Give me a child until he is seven and I will give you the man," my seven-year-old self has recently resurfaced, resulting in at least a frisson of excitement. After all, there’s also a new Tardis, a new assistant, some new bug-eyed monsters, and hopefully one or two scripts as scary as "Blink" or as inexplicably moving as "Human Nature/The Family of Blood". So what’s not to get Read more ...
gerard.gilbert
Take two sets of separated parents and observe their opposing response to sharing the children. Colin and Alison haven’t involved lawyers, and divide childcare equally and amicably. Sandy, on the other hand, has spent tens of thousands of pounds on legal fees in order secure access to his four children with Rose, a woman who was so inured to being dragged through the family courts by her ex-husband that not until fairly late on in the quietly excellent Who Needs Fathers? did she notice that she had now been pulled into the court of public opinion - and a trial by television. It gave a whole Read more ...
Jasper Rees
The first cinema was two-thirds empty. A hundred seats had been laid out by the Lumière brothers in a Parisian salon, but only 33 of them were occupied. The small audience saw a film in which a crowd, mostly women in long dresses but also a large bounding dog, pour through a tall gate. None of them looks at the camera, as we would now. In 1895, stardom was not yet associated with film. The dog, as dogs will, gave much the most attention-seeking performance.Paul Merton’s love for the faded movies of yesteryear is a matter of record. Previous documentaries on Buster Keaton, Harold Lloyd and the Read more ...
graeme.thomson
Having already unearthed a Joseph, a Maria, an Oliver and a Nancy for three of Andrew Lloyd Webber’s many West End productions, at the same time generating several dozen hours' worth of free primetime publicity, the BBC are now aiding the “merciful Lord” in his search for a Dorothy (and a Toto, although we’ll have to wait until future episodes before we get into the Alan Partridge-esque circus of dog auditions) to tread the boards in his forthcoming stage adaptation of The Wizard of Oz.Over the Rainbow is basically The X Factor for girls raised on Boden and Birkenstocks. One candidate's Read more ...
Jasper Rees
Let’s be honest, you never expect much sense from BBC Three. You don’t count on it for, say, depth of perspective. The channel which each week spews fresh torrents of hectic DayGlo entertainment in the specific direction of a desensitised demographic tends to steer clear of the big subjects. War and such. Girls on the Frontline, therefore, did not inspire much hope. That title. On any other BBC channel, it would have been women, not girls. Still, a camera crew was allowed to follow several women on a six-month tour in Helmand province. And either the British Army press office had the channel Read more ...
gerard.gilbert
Sophie Dahl made her debut as a TV chef last night in The Delicious Miss Dahl (try and imagine Leslie Phillips saying that), a BBC Two confection even more absurdly artificial than the various Nigella Lawson food-porn shows. At least you believe Nigella can and does make food and eat it - with Dahl (despite two cookbooks to her name) it just came across like another modelling job. And while the saucer-eyed beauty may be easier on the eye than Bill Buford, there was only one destination for viewers serious about food. It was back to Lyon, or “Lee-own” as Buford insisted on pronouncing it in Read more ...
Jasper Rees
Seven Ages of Britain began in the same week as A History of the World in 100 Objects on Radio 4. You wait a prodigiously long time for a massive cultural overview and then two come along at once. Do they think in a joined-up way about these things at the BBC? Or has this double helping been a sign of a wider moral and structural chaos that characterises the new world disorder? Last night David Dimbleby concluded his tour of two millennia of British art. It has, inevitably, been a bit of a sprint. In this final episode, the horror of the trenches was wrapped up in less screen time than Read more ...
josh.spero
What emerges from tonight’s Culture Show on Henry Moore, which examines how the sculptor exploited the media (and vice versa), is not the difference between the media of sculpture and television but the similarity. Rather than a simple programme on Moore’s career – one fawning talking head after another – to coincide with the retrospective of his work at Tate Britain, Alan Yentob has instead chosen the meta-route, talking about TV talking about art. It is a topic which resonates today, where the one thing we love as much as looking at art is hearing people discuss art, and is well chosen Read more ...
gerard.gilbert
Imagine if Rory Bremner had been banned from British television for the past 20 years, and Gordon Brown had put pressure on the BBC to get rid of Question Time because it had been critical of him. In the Italy of Silvio Berlusconi these things happen. The country’s top satirist, Beppe Grillo, has effectively been denied access to the airwaves since Berlusconi became prime minister in 1994, while just this week allegations emerged that Berlusconi had tried to block transmission of a state television talk show, Annozero, that had discussed the alleged mafia ties of members of his government. Read more ...
Adam Sweeting
Rarely has a TV series been so easy to like and so tricky to define. If you shoved High School Musical, American Idol and The Breakfast Club in a blender, you'd be in the right ballpark, though you still wouldn't quite have captured Glee's unique tone of sweetness, campness, tragic teenage confusion and satire.On the face of it, the setup is simple. McKinley High School’s earnest, optimistic Spanish teacher Will Schuester (Matthew Morrison) seeks to revive the school’s after-hours glee club, partly out of nostalgia for his own glory days in the high school choir. But the cool Read more ...
Adam Sweeting
The only time I've ever been to Detroit was in 2004, in pursuit of assorted rock stars on the Vote for Change tour. Reader, it was weird. The atmosphere in the deserted streets was deathly, as if an invading army had swarmed into town, committed hideous atrocities and then moved on. The decaying architecture from America's golden industrial age looked unsettlingly like the set for The Omega Man, in which Charlton Heston fought a solitary war against an army of nocturnal psychopaths.These feelings returned vividly as I watched Julien Temple's stupendous Requiem for Detroit?, a thrilling piece Read more ...