mon 05/05/2025

TV

What We Do in the Shadows, BBC Two review - the vampires of Staten Island are back

The first series of What We Do in the Shadows, Jemaine Clement and Taika Waititi’s mockumentary about vampires in Staten Island (a TV spin-off from their cult New Zealand-located film) was a joy, and although it’s a hard act to follow, it’s...

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Freud, Netflix review - hysteria and horror

Anyone expecting, as I was, a reverend and slightly earnest miniseries about Sigmund Freud's early professional years will be in for a surprise, and mostly in a good way. This, in short, is horror-schlock directed by Austrian specialist in the genre...

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Das Boot, Series 2, Sky Atlantic review - multi-layered war drama goes from strength to strength

Das Boot made an impressive debut early last year with its entwined narratives of war by land and sea. This second instalment (Sky Atlantic) looks set to be better still, exploring the strata of life under Nazi occupation in the German-run port of...

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The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

Andrew Marr’s art show is a lot of fun, although engulfed in almost overwhelming banality and cliché. Our enthusiastic presenter is a self-confessed addict of art. As a pillar of television presentation, he is a natural for this series looking at...

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The Other One, BBC One review - entertaining odd-couple sitcom

This engaging sitcom created by comedian Holly Walsh has had a long gestation: this, the pilot episode, was first broadcast back in 2017 but Walsh's pregnancy meant that the six-part series commissioned at the time was filmed last year.The show was...

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Little Fires Everywhere, Amazon Prime review - in every dream home a heartache

Reese Witherspoon has evolved into a growth industry on the new frontier of Big Television. Her production company Hello Sunshine has a heap of projects on the go with a range of networks, and following her success with Big Little Lies (for HBO),...

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A Very British Hotel Chain: Inside Best Western, Series Finale, Channel 4 review - let's hear it for Alasdair the hotel inspector

It’s impossible to tell whether this reality-doc series (C4) came to praise Best Western hotels or kill it off entirely. Some viewers have been weeping with laughter at the David Brent-style antics of the company’s Aussie CEO Rob Paterson and his...

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Shutdown: The Virus That Changed Our World, Sky Documentaries review - a chaotic response and an uncertain future

It’s too early for a definitive account of the Covid-19 pandemic, and this was very much a Sky News version of what we’ve been through so far. Although it seems the virus has peaked and we’re entering a tentative stage of partial de-lockdown, the...

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Philharmonia, Channel 4 review - death on the podium

Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Not to mention death, since this entertaining, though melodramatic, new French import (Channel 4) began with the dramatic collapse on the podium...

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Space Force, Netflix review - fails to launch

Since Donald Trump's election as US President in 2016, I imagine satirists have slowly lost the will to live – as nothing they can write can outdo his buffoonery. But when Greg Daniels (creator of the American version of The Office) and Steve...

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Larry Kramer: 'I think anger is a wonderful useful emotion'

Larry Kramer, who has died at the age of 84, was the Solzhenitsyn of AIDS who indomitably reported from the gay gulags of Manhattan’s quarantined wards and revolving-door hospices. “I felt very much like a journalist who realises that he has been...

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Unprecedented, BBC Four review - perspectives on the pandemic

This short series of new dramas (on BBC Four) by a group of leading playwrights was commissioned by Headlong and Century Films, a week before the virus lockdown was announced on 23 March, and represents an artistic first response to a situation...

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