1920s
The Banshees of Inisherin review - stellar turns from Brendan Gleason and Colin FarrellFriday, 21 October 2022
Previous works by screenwriter-director Martin McDonagh, which include In Bruges and Three Billboards Outside Ebbing, Missouri, might give you an inkling of the perverse and tantalising mindset that lies behind The Banshees of Inisherin… but then... Read more... |
Blu-ray: The SapheadTuesday, 16 August 2022
Buster Keaton made his name in a series of two-reel shorts made from 1917 onwards; The Saphead, from 1920, was his first starring role in a feature film.It’s in no way comparable to the classics which Keaton produced and directed in his mid-... Read more... |
Die tote Stadt, Longborough Festival review - Korngold on the way backWednesday, 22 June 2022
Will Erich Korngold, the great cinema composer, ever be recognised as a great composer for the live theatre? Probably not, at least until the prejudices that did for him in his lifetime – the prejudice against film and popular music and the... Read more... |
Bliss, Finborough Theatre review - bleak but tenderWednesday, 25 May 2022
When Bliss, a new play adapted from an Andrei Platonov short story by Fraser Grace, made its debut in Russia in early 2020, Cambridge-based company Menagerie were told that their production was “very Russian”.I’m no expert on Russian culture, but I... Read more... |
Osborne, Hallé, Elder, Bridgewater Hall, Manchester review - an eclectic mixFriday, 13 May 2022
The Mancunian tribute to Ralph Vaughan Williams – a symphonic cycle shared by the BBC Philharmonic and Hallé – reached its conclusion with the Eighth Symphony last night. But, unlike most concerts in the RVW150 sequence, in this one (the final... Read more... |
Walter Sickert, Tate Britain review - all the world's a stageThursday, 12 May 2022
Who was Walter Sickert and what made him tick? The best way to address the question is to make a beeline for the final room of his Tate Britain retrospective. It’s hung with an impressive array of his last and most colourful paintings. Based on... Read more... |
Esfahani, CBSO, Morlot, Symphony Hall Birmingham review - ghostly enchantmentsFriday, 29 April 2022
Bent Sørensen has christened his new harpsichord concerto Sei Anime: “six souls”. The six concise movements, written for Mahan Esfahani and a chamber-sized orchestra, are modelled, apparently, on the dance movements of a Bach keyboard suite. But as... Read more... |
Pionnières: Artistes dans le Paris des années folles, Musée du Luxembourg, Paris review - thrilling and slightly flawedWednesday, 16 March 2022
The hidden history of women artists continues to generate some ground-breaking exhibitions that contribute to a radical re-assessment of art and cultural history. This is a welcome trend, though not entirely without risk, as a new show in Paris... Read more... |
Surrealism Beyond Borders, Tate Modern review - a disappointing mish mashMonday, 14 March 2022
The night after visiting Tate Modern’s Surrealism Beyond Borders I dreamt that a swarm of wasps had taken refuge inside my skull and I feared it would hurt when they nibbled their way out again.If I painted a self-portrait with wasps escaping from... Read more... |
Fisher, BBC Philharmonic, Wigglesworth, Bridgewater Hall, Manchester review - war-tinged Vaughan WilliamsMonday, 28 February 2022
There was no overt reference to the world outside in this concert, and yet the poignancy of its content could hardly have been clearer if it had been planned: two symphonies and a song cycle each touched by the tragedy of war.It was the launch event... Read more... |
Thrill Me: The Leopold & Loeb Story, Jermyn Street Theatre review - True Crime musical gets West End showcaseWednesday, 19 January 2022
There's a lot of True Crime stuff about, so it's hardly a surprise to see Stephen Dolginoff's 2003 off-Broadway musical back on the London stage, a West End venue for the Hope Theatre's award-winning 2019 production. Whether one needs to see a pair... Read more... |
Blu-ray: The Love of Jeanne NeyTuesday, 14 December 2021
GW Pabst’s The Love of Jeanne Ney (1927), adapted from the novel by the Russian revolutionary author Ilya Ehrenburg, is a fascinating example of a major movie, vividly rendered by a filmmaker at his peak, that was compromised by its producers’... Read more... |
