thu 02/04/2020

1970s

Sondheim at 90 Songs: 5 - 'Every Day A Little Death'

“Whipped cream with knives” is how Harold Prince, who directed the Broadway premiere of A Little Night Music in 1973, famously described this particular Sondheim show. And nowhere is that borne out with more exquisite agony than in this duet between...

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Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstar

Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century....

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Sondheim at 90: adults will listen

Here's an irony worthy of the work of Stephen Sondheim, an artist who clearly knows a thing or two about the multiple manifestations of that word. On the same day that he turns 90, namely today, Broadway is unable to host the keenly awaited American...

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Elvis Costello and the Imposters, Eventim Apollo review - and the band played on

Elvis Costello is arguably – perhaps unarguably – the most enduring and genuine talent to emerge from the mid-Seventies pub and punk scenes, and his two-hour set on Friday night demonstrated that he’s still a compelling performer, full of energy and...

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Misbehaviour review - crowd-pleaser tackles Seventies sexism

Created in the mould of Made in Dagenham and Pride, Philippa Lowthrope offers up a cheery, kitschy British comedy centred around the 1970 Miss World Contest that was disrupted by feminist protests. Leading this crowd-pleaser are...

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Album: The Boomtown Rats - Citizens of Boomtown

The new Boomtown Rats album – their first for 36 years! – is both preposterous and rather wonderful. This is as it should be. The Irish band surfed the so-called “New Wave” after punk rock to brief chart-topping stardom. They had some cracking...

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Pete Paphides: Broken Greek review - top of the pop memoirs

Think of the phrase “music memoir”, and you might conjure images of wild nights and heavy mornings. You’re unlikely to think of suburban West Bromwich and tributes to Mike Batt’s Wombles back catalogue. But then, Pete Paphides’s story is comprised...

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Reissue CDs Weekly: Bona Rays

For record buyers, Bona Rays left limited evidence for their existence. One single was issued by the aptly named Mystery Records in 1981. Pressed in a limited quantity by the independent facility Lyntone, it featured “We're Never Going to Miss You...

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Reissue CDs Weekly: Tea & Symphony - The English Baroque Sound 1968-1974

When it was issued in May 1968, “Fading Yellow” attracted no attention. It couldn’t have as it was the B-side of “Mr. Poem”, Mike Batt’s poor-selling debut single. The top side was good, very 1968 and along the lines of whimsical 45s like Donovan’s...

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Reissue CDs Weekly: Jon Savage's 1969-1971 - Rock Dreams on 45

As one decade gives way to the next, the beginning or end of the ten-year cycle rarely yields anything cut and dried. With pop music, a host of decade-related platitudes have no respect for the decade-to-decade switch. Depending on points of view,...

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Reissue CDs Weekly: The Best of 2019

Earlier this year, the Peter Laughner box set was more than an archive release. Its diligence and scale forced a wholesale reinterpretation of the evolution of America’s punk-era underground scene. What it collected – aurally and in its book –...

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Reissue CDs Weekly: Big Front Yard

In June 1978, the still-extant independent label Cherry Red issued its first record. The seven-inch featured three slices of terse, Buzzcocks-ish art-punk by The Tights. The band were from Great Malvern, Worcestershire – as was the label. They only...

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