1970s
Music Reissues Weekly: Mike Makhalemele & Winston “Mankunku” Ngozi - The Bull And The LionSunday, 14 January 2024
The Bull And The Lion was originally released in 1976 by Jo'burg, a South African label which opened-up for business in 1973 with a couple of singles and the first album by black singer Margaret Singana. Her debut LP was titled Lady Africa. The same... Read more... |
The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal eventsFriday, 12 January 2024
Reports of supernatural events are always met with either willing belief or dismissive scepticism. The "camps" generally don't have much to say to each other: belief in immovable logic, discounting the weird as merely the so-far unexplained, can be... Read more... |
1979, Finborough Theatre review - niche subject matter finds a strong resonanceSaturday, 06 January 2024
If a week is a long time in politics, what price 44 years? And 3500 miles? Turns out, not much, as Michael Healey’s sparkling play, 1979, proves that events all that time ago and all that way across the Atlantic maintain a remarkable relevance today... Read more... |
Best of 2023: Music Reissues WeeklySunday, 31 December 2023
In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998 was unexpected. Collecting 17 tracks, it brought a fresh perspective on a particular aspect of the UK’s independent-minded music. This ground-breaking, agenda-setting release was... Read more... |
Music Reissues Weekly: Hawkwind - Space RitualSunday, 24 December 2023
As Britain headed towards the end of 1972, pop fans had fair cause to scratch their heads about a single which first charted in July. In mid-August, Hawkwind’s “Silver Machine” peaked at number three behind Terry Dactyl and the Dinosaurs skiffle-... Read more... |
Music Reissues Weekly: Brinsley Schwarz - Thinking Back: The AnthologySunday, 17 December 2023
Typically tagged as the originators of pub rock, Brinsley Schwarz were where Nick Lowe honed his muse. But there were twists, turns and a waywardness which makes approaching them as a linear proposition difficult. Sometimes, they pointed one way yet... Read more... |
theartsdesk on Vinyl Christmas Special 2023: Aretha Franklin, Barbara Streisand, Oasis, Robb Johnson, Jimi Hendrix and moreThursday, 14 December 2023
Welcome to the annual seasonal one-off, in which theartsdesk on Vinyl dives into festive releases, as well as the boxsets and reissues that will make fine presents. Grab a glass of something and dive in!CHRISTMAS VINYL OF THE MONTHVarious Stax... Read more... |
Music Reissues Weekly: Chelsea - The Step-Forward YearsSunday, 10 December 2023
On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols single of the same name, which would be in shops on 2 July, but a different song. The band lifting the title... Read more... |
Music Reissues Weekly: High Tide - The Complete Liberty RecordingsSunday, 19 November 2023
High Tide were one of many late Sixties and early Seventies British bands unearthed in the early Eighties by record collectors digging into what came after psychedelia. The bands didn’t have similar musical styles but were united by their obscurity... Read more... |
Tish review - haunting portrait of a driven working-class photographerFriday, 17 November 2023
Paul Sng’s documentary Tish is one of the best British films of 2023 – both a heartfelt tribute to the life and work of the late photographer Tish (born Patricia) Murtha and a timely reminder of the war waged on the nation’s industrial working-class... Read more... |
Music Reissues Weekly: Incident at a Free FestivalSunday, 12 November 2023
“We got to play Stonehenge Festival when it was like just a field, a generator and stage. No rip-off burger joints. No packaged new age culture. Just good British hippiedom. A bunch of scruffy, dirty, bean-burger-eating, spliff-making hippies, and... Read more... |
Women in Revolt!, Tate Britain review - a super important if overwhelming showFriday, 10 November 2023
The soundtrack to Tate Britain’s seminal exhibition Women in Revolt! is a prolonged scream. On film, Gina Birch of the punk band The Raincoats gives vent to her pent-up anger and frustration by yelling at the top of her lungs for 3 minutes (... Read more... |
