1990s
Karen Krizanovich
There’s no Mars or Arnie, but the new Total Recall has science fiction goodness running through it. A mile of Blade Runner, a yard of Fifth Element, a furlong of Star Wars and an inch of RoboCop make up the distances in Len Wiseman’s glossy, brooding take on Paul Verhoeven’s beloved Nineties hit. Production designer Patrick Tatopoulos must have been up for months watching the best science fiction films and deciding where their memorable bits would fit here. (He’s not left out I, Robot or Minority Report, in case you like those too.) As if to honour the story that inspires it, Total Recall Read more ...
Russ Coffey
It’s been 17 years since Alanis Morissette’s Jagged Little Pill gave “complaint rock” a feminine make-over. With a captivating combination of therapy-angst and offbeat melodies, it didn’t matter that Alanis didn’t understand the word ironic, the whole package was iconic. Since then, however, her efforts to recreate the same magic have been patchy.Havoc and Bright Lights is no exception. Let’s start with the good stuff. At its best it turns the clock right back to the mid-Nineties. Subjects like motherhood (“Guardian”) may be new, but her idiom is still feisty, confessional, kooky and Read more ...
Kieron Tyler
Ride: Going Blank AgainKieron TylerWhen Oxfordshire’s Ride arrived in the shops via Creation Records, they were the sonic little brothers to label-mates My Bloody Valentine. But their second album, 1992’s Going Blank Again, ploughed its own path, leaving the competition behind. Twenty years on, this smart, book-bound reissue adds most of the tracks from contemporary EPs and teams the album with a DVD of a March 1992 Brixton Academy live show.In the liner notes, guitarist – and future Oasis bassist, and current Beady Eye member - Andy Bell admits Ride were initially an “an amalgamation of the Read more ...
theartsdesk
Blur: 21Bruce DessauThe recent closure of Word magazine has been seen by some as linked to the demise of "Fifty Quid Man". Who can afford such a wallet-frightening splurge these days on the kind of music the monthly's writers wrote so eloquently about? Well, have a chat with your friendly bank manager because this lavish tribute to the winners of the Britpop long game retails at £134.99 and is just about worth it. Every stage of Blur’s career is here – apart from, annoyingly, one their recent new tracks, "The Puritan" – charting the band's evolution from pre-Madchester incarnation Seymour to Read more ...
theartsdesk
The Searchers: Hearts in Their EyesKieron TylerAlthough second to The Beatles as Liverpool’s most consistent Sixties chart presence, The Searchers have never previously been given the box set treatment. Like the Fabs, they were innovative and influential. They presaged folk rock, and without them there would have been no Byrds and maybe even no Tom Petty. The subtitle, celebrating 50 years of harmony & jangle, says it well. The four CDS and 121 tracks take the story from 1963, before they signed with Pye Records, to the present day via their Seventies new wave-inclined recordings for Sire Read more ...
theartsdesk
There is film footage of those opening magical, transformative moments: of Brown intoning, “The time, the time is now. Do it now, do it now.” Film, however, could not capture the effect the band’s arrival had on the mood of the crowd; it was a jaw-dropping biblical reaction, of relief, amazement, worship and unadulterated joy. “It was like a massive pilgrimage to witness,” said Roddy McKenna, the man who had been instrumental in signing the band to Jive/Zomba. “It wasn’t a gig – it was a statement.” The resurrection of a day that for so long had threatened disaster began; the party was Read more ...
aleks.sierz
Critics can also be historians. In my opinion, the great new wave of 1990s British theatre starts not with Sarah Kane’s Blasted in 1995, nor with Mark Ravenhill’s Shopping and Fucking a year later, but with polymath Philip Ridley’s amazing debut, The Pitchfork Disney, in 1991. Now, with this long overdue revival which opened last night, we get another chance to sample a powerful and imaginative drama in all its glittering and eerie strangeness.Set in a dimly lit room in the East End of London, the play starts by showing the hermit-like existence of Presley and Haley Stray, a couple of 28-year Read more ...
joe.muggs
If 2011 was the year when dance music's natural tendency to fragmentation was taken to extremes, this album was the one that bound those fragments together into one demented but scintillating vision. Russell Whyte – Rustie – comes from a very particularly Scottish club scene that is the perfect antidote to the idea that musical connoisseurship means nerdiness.From the very simple imperative of moving a dance floor in fresh ways comes an explosion of ideas and influences: retro video game soundtracks, obscure Japanese noise bands, the hyper-capitalist hyper-pop of 21st-century R&B, the Read more ...