sun 23/01/2022

2010s

Vanya and Sonia and Masha and Spike, Charing Cross Theatre review - Tony-winning play checks out Chekhov

Vanya and Sonia and Masha and Spike has taken eight years to reach the London stage, which is surprisingly long for the Tony Award winner for Best Play of 2013: the pandemic, unsurprisingly, didn't help. But in a burst of somewhat un-Chekhovian...

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Milk and Gall, Theatre 503 review - motherhood in the age of Trump

Tuesday, 8 November 2016. Vera is in a New York hospital room giving birth to a son. On anxiously checked phones, the votes are piling up for Hillary, but the states are piling up for Trump. Vera’s world will never be the same again.Mathilde Dratwa’...

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Album: Rudimental - Ground Control

To coin a cliché, the fourth album from London pop-dance success story Rudimental is a game of two halves. The first is off-putting and dull but halfway through, the band seem to wake up. There are 16 songs on the album. The eighth, “Handle My Own...

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Reissue CDs Weekly: Tame Impala - InnerSpeaker (2010➝2020)

Heard now, InnerSpeaker sounds as it did when it was issued in 2010. Tame Impala’s debut album was crisp, fizzing; a pithy collection of psychedelic rock nuggets which made its case instantly. This was modern psychedelia, infused with a dash of...

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Disc of the Day Celebrates 10 Years of Album Reviews

Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into...

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New Music Lockdown 6: David Gilmour, Taylor Swift, Prince, Bat For Lashes and Blossoms

As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking....

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Sex Education, Series 2, Netflix review - the teen sex show we deserved

Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high...

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Albums of the Year 2019: Sharon Van Etten - Remind Me Tomorrow

2019 has been quite the year. Amongst other difficulties being a grown-up hurls at you on the reg, I lost my guiding light (may her adventures on the other side of this universe be everything and more). And the testing times that ensued sees me now...

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Bauer, CBSO, Koenig, Symphony Hall Birmingham review - Christoph pulls it off

Mirga Gražinytė-Tyla’s programmes in Birmingham are so personal – so utterly bespoke – that in the event of her being indisposed, they present something of a problem. That’s what happened this week. The programme was vintage Gražinytė-Tyla –...

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CD: Liam Payne - LP1

Liam Payne is a Simon Cowell-manufactured pop star worth tens of millions off the back of music that’ll be regarded in a few years’ time much as the Bay City Rollers or Curiosity Killed The Cat are regarded now. Aesthetically an easy target, then,...

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Donbass review - war stories from the Ukrainian front

The latest from the prolific Sergei Loznitsa, Donbass is a bad-dream journey into the conflict that’s been waging in Eastern Ukraine since 2014, barely noticed beyond its immediate region. The titular break-away region, also known as “Novorossiya” (...

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CD: Norah Jones - Begin Again

There's a remarkable lightness to the way Norah Jones has glid through her career. She once told theartsdesk that even in her early 20s, faced with the global hyper success of Come Away With Me, “I think I was smart enough to know at the...

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