sun 02/02/2025

21st century

The Haystack, Hampstead Theatre review - a chilling surveillance state thriller

With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state....

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CD: El Khat - Saadia Jefferson

Israel isn’t generally kind to the Jews who have come from somewhere other than eastern Europe and Russia. Music has provided one of the avenues through which this despised and often culturally Arab minority has been able to make itself recognised....

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Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heart

Steven Levenson, Benj Pasek and Justin Paul’s Tony and Grammy Award-winning musical Dear Evan Hansen is an institution in the States, running on Broadway since 2016 and currently on its second year of a national tour. It also made a star...

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CD: The Script - Sunsets & Full Moons

Massively successful Irish trio The Script could, loosely speaking, be called a rock band. But they aren’t really, are they? Their sixth album is an indictment of the kind of music they play. It’s packed with over-produced post-Coldplay anthem-pop...

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Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP business

Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to...

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Kozhukhin, BBC Philharmonic, Carneiro, Bridgewater Hall, Manchester review - melancholy heart of Mahler

Mahler’s Fifth Symphony is a repertoire piece nowadays, probably as familiar to as many listeners as to orchestral players, which means you look for something distinctive in any performance to identify its essential quality against all the others....

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Balsom, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - made in Brum

There’s nothing like practising what you preach. “I say straight out that I regard all so-called 12-tone music, so-called serial music, so-called electronic music and so-called avant-garde music as utter rubbish, and indeed a deliberate conning of...

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CD: Rachid Taha - Je suis africain

Rachid Taha, sadly felled by a heart attack just over a year ago, has come back from the dead! He could not sound more lively than on this vibrant posthumous offering, definitely not something cooked up from tasty leftovers, but a well thought-...

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Anahera, Finborough Theatre review - blistering family drama from New Zealand

With power comes responsibility. One without the other is sickening -- and both iterations are on show in Emma Kinane's searing new play about a child runaway in New Zealand. Social worker Anahera (played by Acushla-Tara Kupe, pictured above...

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Jellyfish, National Theatre review - Ben Weatherill's play hits the right notes

The intense relationship between a single parent and a single child is ramped up to its highest level when it involves a mother whose daughter has learning disabilities. From that dynamic, writer Ben Weatherill has crafted a warm, engaging and...

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Years and Years, BBC One review - ambitious but amorphous

As the double-edged Chinese proverb has it, “may you live in interesting times.” Screenwriter Russell T Davies evidently thanks that’s exactly where we’re at, and his new six-part drama Years and Years (BBC One) is a bold, sprawling but – as far as...

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Climate Change: The Facts, BBC One review - how much reality can humankind bear?

Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the permafrost this way and you’re seeing into the past: as the ice melts, gas which was captured and...

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