9/11
Come From Away, Phoenix Theatre review - a necessary corrective to our traumatic timesTuesday, 19 February 2019
Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of Come From Away, the surprise Broadway musical hit about the community that was taking place north of the US/Canada border even as... Read more... |
Annie Ernaux: The Years, review - time’s flowSunday, 05 August 2018
“When you were our age, how did you imagine your life? What did you hope for?” It is a video of a classroom south-east of the Périphérique separating Paris from the working-class suburbs. The students are mostly girls between fifteen and sixteen and... Read more... |
Female Parts: Shorts, Hoxton Hall review - women speak outSaturday, 17 March 2018
Hot on the heels of International Women’s Day come three monologues written, directed and produced by women showing at Hoxton Hall. It’s kind of a treat, and kind of not.The current laser focus on gender risks the unwanted side-effect of alienating... Read more... |
Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherentWednesday, 01 November 2017
The Imperial War Museum’s Age of Terror: Art since 9/11 brings together art made in response to the immediate events and long-term consequences of the events of 11 September. In the main the exhibition is more historical survey of conflict-related... Read more... |
Between Worlds, ENO, BarbicanSunday, 12 April 2015
Composer Tansy Davies and librettist Nick Drake’s opera Between Worlds cannot help but be a devastating tribute to the tragedy of 9/11. Yet the whole is peppered with problems that mean this result is achieved only intermittently. Davies – whose... Read more... |
Rebuilding the World Trade Center, Channel 4Monday, 02 September 2013
“I see a lot of things up there, I get chills, see shadows. I don’t know if you call them ghosts or whatever, but you feel stuff. They’re trying to tell you something.” This is bolt boss Mohawk Joe “Flo” McComber, one of the many Mohawk iron workers... Read more... |
Touch, Sky1Wednesday, 21 March 2012
The eminence grise behind Touch is Tim Kring, who also devised Heroes, and it shows. Heroes was about a network of people with paranormal or superhuman powers, and so is Touch. In this case, we find ourselves in a universe which is underpinned by... Read more... |
theartsdesk in New York: Battling for the Heart of Ground ZeroSunday, 04 March 2012
Ever since we moved into an apartment building round the corner from Ground Zero a couple of years ago, I’ve been keeping an eye on One World Trade Center, formerly known as the Freedom Tower, soon to be America’s tallest building. Now it’s reached... Read more... |
MargaretMonday, 05 December 2011
Idiotically buried by a release which sees it appearing on just one screen nationally, Kenneth Lonergan’s triumphant follow-up to his Oscar-nominated debut You Can Count on Me (2000) is, without a scintilla of a doubt, one of the finest films of... Read more... |
The Children of 9/11, Channel 4Monday, 12 September 2011
Over the course of the past weekend, not to mention over the last 10 years, it has been said often enough that there are no words to express the horror of 11 September, 2001. This hasn’t stopped people from trying, of course – and sometimes with... Read more... |
Decade, Headlong at Commodity Quay, St Katherine DocksFriday, 09 September 2011
Ten years on from 9/11 and the polyphony of reactions will not, and should not, be stilled. Creative artists have had to tread carefully in what they amass, and how they present it. Headlong theatre company’s fresh-thinking artistic director, Rupert... Read more... |
CD: John Hiatt - Dirty Jeans and Mudslide HymnsSunday, 14 August 2011
Hiatt's regular band play as if they're taking a road trip from Nashville to... well, California maybe, Hiatt's former home which he sings about eloquently on the wistful country-rocker "Adios to California". Despite its title, it's the Golden State... Read more... |
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