film festivals
Graham Fuller
The mesmerising martial arts drama The Assassin consolidates the reputation of the Taiwanese filmmaker Hou Hsiao-hsien as one of world cinema’s pre-eminent artists. Every film he has made since the emergence of his mature aesthetic – grounded in long shots, narrative economy, and the kind of emotional reticence that characterises Yasujiro Ozu’s work – has the quality of a revelatory, almost sacred text. That applies not only to such masterpieces as A Time to Live and a Time to Die (1985), A City of Sadness (1989), The Puppetmaster (1993), and Flowers of Shanghai Read more ...
Adam Sweeting
As a novice in the ways of the London Film Festival, I'm not only amazed by the scope and scale of the thing (350-odd films in just under a fortnight), but aghast at the thought of all the backroom work that goes into it. And on top of all that they have to be nice to all the journalists. As for dividing up the LFF films into categories – Love, Debate, Dare, Laugh, Thrill, Cult, Journey etc. – well, they had to do something, but unless you're dealing exclusively in genre movies (the Hangover flicks, or things with Jason Statham in them) you'll never find enough films prepared to slide Read more ...
Nick Hasted
How do you corral 250 films in a way which makes sense to potential viewers? Major releases – so far at this year’s LFF we've had Suffragette, Johnny Depp in Black Mass and Maggie Smith in The Lady in the Van – pretty much take care of themselves. For the mostly unknown rest, festival director Clare Stewart introduced themed strands in 2012 with the stated aim of making the festival “much easier to navigate”. Where the LFF had previously been divided by nation – New British Cinema, French Revolutions, then Europe, then everyone else – we now essentially have a choice of emotions: Dare, Thrill Read more ...
Demetrios Matheou
Dubai is a city that famously emerged from the desert, founded on oil and ambition, rising in an eruption of skyscrapers, luxury resorts and bling.One might say that Gulf cinema is also trying to grow in a desert – a cultural one. Dubai is hardly known for its intellectual or cultural output; film doesn’t attract the same investment as real estate or tourism; and audiences attending the multiplexes in this city’s enormous malls are not given much of a taste for anything other than Hollywood.There’s another issue, which is that the storytelling tradition in this part of the world, while rich, Read more ...
Nick Hasted
Nuri Bilge Ceylan’s Cannes Palme d’Or winner is an epic chamber piece by a contemporary great. From the moment a stone suddenly smashes the car window of landlord Aydin (Haluk Bilginer), physical threat darkens the corners of the remote Anatolian hotel-home he shares with his bitter, bored sister Necla (Demet Akbao) and young, emotionally dying wife Nihal (Melisa Sozen). But unlike Ceylan’s previous sagas, Once Upon a Time in Anatolia and Three Monkeys, the violence remains verbal.Aydin, an ex-actor who never quite made it, leads a comfortable, unchallenged life in a home that’s likened to a Read more ...
Tom Birchenough
“We are not politicians – we are artists.” It’s the familiar cry of creatives all around the world, but it came with an added, rather surprising accent when uttered by Moscow International Film Festival (MIFF) president Nikita Mikhalkov at the event’s closing ceremony.Specifically, he was responding to similar optimism from Ukraine’s Sergei Trimbach: “Culture must resist political madness. Political lunacy should not dictate the rules of life; artists should be together.” Trimbach is the head of Ukraine’s Union of Cinematographers, while Mikhalkov has long been head of Russia’s analogous Read more ...
sheila.johnston
Transylvania in Northern Romania remains yoked to the memory of Vlad the Impaler, the ruthless individual immortalised as Dracula in Bram Stoker's novel, but, on a sunny midsummer week in early June, the mood was anything but stygian in Cluj, the region's capital and the country's second-largest city.Cold War brutalism sits alongside elaborate Austro-Hungarian wedding cake fancies in this elegant, eclectic, battered melting pot, where a constant chain of arts festivals is to be found pretty much throughout the year (Cluj is currently contending for the crown of European City of Culture in Read more ...
Katherine McLaughlin
The bitterness and jealousy of a relationship on the rocks is superbly handled in this disconcerting, witty and sharp indie which poses moral quandaries galore. Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are the couple at odds with one another. The abrasions caused by their long-term relationship have led them to therapy and as a last resort their therapist (Ted Danson) sends them off on a break guaranteed to cement their love and rekindle their passion.On arrival the pair realise that not all is as idyllic and straightforward as they think, with the discovery of a magical guesthouse in Read more ...
Demetrios Matheou
The contradictions and iniquities of Panama City were very much in evidence last week. The city opened Central America’s first subway system, which many claim is a $2billion folie de grandeur for outgoing president Ricardo Martinelli, rather than a necessity; meanwhile, a fire destroyed one of the city's dilapidated old city buildings, killing a number of squatters who had refused to remove themselves from the path of gentrification, and whose lives would have benefited from an infinitesimal fraction of the money spent on the subway.Here was hubris and suffering, side by side in a city still Read more ...
james.woodall
Not the least remarkable thing about Richard Linklater's Boyhood is its being shot over a decade – that’s probably a first in film history. And it’s more than a sociological experiment, portraying in vibrant contemporary detail and a lot of observational fun the growing-up in Texas of a little boy, Mason, which will surely have an extraordinary impact on the life of the actor, Ellar Coltrane, who played him. It must be a bit like having a red carpet rolled out for you before you know the meaning of or have ever uttered the words “acting”, “award” and “celebrity”.Linklater won this year’s Read more ...
james.woodall
French-Canadian Robert Lepage is a clever theatre inventor and tireless dramatist. This includes film, though with much less frequency than his stage pieces. The latter have refined themselves into films that are not going to get people running off the street but which are never less than thoughtful – and that is part of the problem. His stage imagination, so flexibly at work in The Dragons’ Trilogy and The Far Side of the Moon (which also became a film), wreaks endless visual and sonic surprises, and also allows itself to probe, three-dimensionally, philosophically. The screen can flatten Read more ...
Tom Birchenough
The opening days of the Berlinale have seen mixed reactions to high-profile English-language offerings. With its stylish sense of mittelEuropa, the festival’s premiere, Wes Anderson’s The Grand Budapest Hotel, apparently went down a treat. Much less kudos, though, went to George Clooney’s The Monuments Men (released in the UK this week, reviewed on theartsdesk today).More interesting, though not completely satisfying, was Rachid Bouchareb’s Two Men in Town (***), part of the Franco-Algerian director’s continuing exploration of the interaction between Islam and contemporary America. Bouchareb Read more ...