Glasgow
Jonathan Geddes
The farewell for KISS has lasted so long that this Glasgow show, their final ever UK gig, came four years after the End of the Road tour first stopped off in the city. Admittedly that is partly down to the coronavirus scuppering touring plans for a couple of years, but even without that there is a suspicion a group who have monetised themselves so effectively over the years might have found a reason for another trip back here.After all, this tour also featured the chance for afternoon VIP meet and greets for a few thousand quid, while a “golden circle” was in operation down the front, a sight Read more ...
Jonathan Geddes
Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him stressing the positives that can be found in such new technology. It seemed fitting, because Gabriel himself, now 73, showed on this evening that optimistic possibilities of the future occupy his thoughts as much as ever.That meant that despite the arena setting he shied away from any sort of easy nostalgia trip and instead half the setlist was comprised Read more ...
Jonathan Geddes
War might be good for absolutely nothing, but it does provide bands with some easy names. Before the War on Drugs headline set, Warpaint took to the stage, and despite a muted reaction to the quartet they were on enjoyable form. They’re unlikely to ever be topping the bill in arenas in their own right, but maybe that’s a good thing, and the funky closing double header of “New Song” and “Disco//Very” whipped by with pace and verve.Then again, the War on Drugs themselves seemed a long shot to become an arena band, even with a sound considerable in scope. Perhaps their booker had over-estimated Read more ...
Jonathan Geddes
Of all the Scottish bands to be name dropped at a Chvrches gig, the Bay City Rollers would be far down the list. Thankfully singer Lauren Mayberry was only citing the 70s group in reference to her tartan outfit, and not a surprise cover of “Shang-A-Lang”, but the Glasgow trio do share another similarity, in that they’ve proved to have considerable staying power in the pop world.As Mayberry noted later in the set, the 10th anniversary of their debut album is approaching later this year, but this night, the second of two homecoming shows, was more focused around the present rather than a Read more ...
Jonathan Geddes
There was a youthful tinge to the jubilant chorus of “here we, here we, here we f****** go” that greeted Le Tigre arriving on stage. The band may have not released any new material in well over a decade, but the Glasgow crowd gathered for this reunion show was not simply those who remembered the first time but an all ages mixture, which is a reflection on both the power of the trio’s music and a depressing indictment of the cultural and political issues that still imbue the group’s tunes with relevance.The latter factor did, at least, have a musical benefit, as at no point did this gig ever Read more ...
Jonathan Geddes
Before even a note was struck, Yard Act’s singer James Smith was setting the bar high. “Over the past two days everyone we’ve met in Glasgow has been telling us this is the best gig we’ll ever play”, he declared, as soon as the Leeds band arrived onstage. They then proceeded over the following 70 minutes to deliver on that expectation, with an evening that’s among the best the storied old Barrowland has ever seen.That might sound like overzealous hype, but this was a beefed up set that possessed power, passion and playfulness all at once. This current short jaunt for the group is essentially Read more ...
Jonathan Geddes
Blake Rose clearly wasn’t leaving anything to chance. The support act bounded onstage draped in a Saltire, and soon brought up his days growing up in Aberdeen before moving to Australia. That Scottish upbringing helped inspire one of his songs, “Sweet Caledonia”, and going by the lively reaction he received from the youthful Glasgow crowd they were glad to take him as their own.Musically, it was a tougher sell, and he came across like the result of a record company executive barking out demands to find another Sam Fender, but poppier and smoother. The melodies were pleasant, but a knockout Read more ...
Jonathan Geddes
There is an endearing awkwardness with Dry Cleaning, despite steady success over the past three years. “Does anyone else want a wave?” asked their frontwoman Florence Shaw at one point, almost shyly, before proceeding to do just that in various directions.It was an intriguing contrast, between a group who seemed slightly taken aback by the size of venue they were playing, and the manner in which they emphatically delivered their material in that setting during this gig.Shaw herself rarely moved, instead pitching herself centre stage and providing her cut glass spoken word vocals from there, Read more ...
Miranda Heggie
In full force again for 2023, Scotland’s premier folk music festival Celtic Connections is back with its signature strand of blending and sharing musical traditions. On Saturday, emerging Scottish folk cellist Juliette Lemoine gave a superb early evening recital in Glasgow City Hall’s intimate recital room for what was the official launch of her debut album Soaring.Her band comprised pianist Fergus McCreadie – who was recently nominated for the Mercury Music Prize with his jazz album Forest Floor – saxophonist Matt Carmichael and award-winning fiddler and jazz bassist Charlie Stewart on Read more ...
Jonathan Geddes
There was something devilish about Alex Kapranos at this homecoming gig, and not simply due to the blood red shirt the Franz Ferdinand frontman was wearing. Throughout the night the singer would cajole and conduct the crowd with finger-pointing flair, as if tempting them to join him on the dark side, and when he spoke it was to demand more from the audience like a preacher zealously seeking extra funding for a mega church.The response, inevitably, was warm and eager. The original line-up of Franz Ferdinand may have come from across Scotland, England and Germany, but they were forged in Read more ...
Jonathan Geddes
If ever a moment summed up the spirit of a gig perfectly, then it is the segment in this arena showcase where Machine Gun Kelly is confronted by the internet, represented by what appears to be a blow up statue with a monitor for a head. As it demands the American rap rocker should be pigeonholed into one genre, he strikes on a solution which involves a helicopter flying in to shoot it. That was a defining trait of this relentlessly bombastic show, of going loud and direct as often as possible.In reality Colson Baker has avoided damage from internet criticism fairly handily, transitioning from Read more ...
Jonathan Geddes
Presumably before setting out on their current tour the Big Moon smashed a few mirrors, walked under some ladders and crossed the paths of numerous black cats. Not only is this jaunt over two years in the making, endlessly postponed for the usual coronavirus reasons, but the foursome also lost most of their equipment in Spain just prior to hitting the road.In addition this Glasgow show was also hindered by them damaging their lighting on the day of the show. It’s therefore little surprise that bassist and keyboardist Celia Archer introduces “Trouble”, a song originally penned about frontwoman Read more ...